Don McGregor

Donald Francis McGregor (born June 15, 1945) is an American comic book writer best known for his work for Marvel Comics; he is the author of one of the first graphic novels.

Don McGregor was born in Providence, Rhode Island, where he worked myriad jobs as a young adult, including as a security guard, at a bank, at a movie theater, and "for my grandfather's company, [which] printed, among other things, the patches the astronauts wore on their flights to the moon."

He additionally served as a supply sergeant in a military police unit of the Rhode Island Army National Guard.

His first work in print was in the letters-to-the-editor columns of various Marvel Comics titles and for The Providence Journal, where his work included reviews of books by authors including Evan Hunter, "who influenced me greatly as a writer."

McGregor entered the comics industry with stories in Warren Publishing's black-and-white horror-comics anthology magazines.

"I came to Marvel Comics because I loved Marvel Comics. As the line burgeoned, one of my jobs was to read all the reprint titles. One of the titles was Jungle Action, a collection of jungle genre comics from the 1950s, mostly detailing white men and women saving Africans or being threatened by them. I voiced a lament that I thought it was a shame that in 1973 Marvel was printing these stories, and couldn't we have a black African hero. ... Now, it was one of those unwritten rules that if you worked in editorial you would be given things to write, to supplement that $125 a week. It was at such a meeting that I learned I would be given [the recently launched feature] 'Killraven' (in Amazing Adventures) and Jungle Action, with the [existing African superhero the] Black Panther ... to write."

With those two features, which became among comics' most acclaimed, In addition to contemporaneous reviews in the 1970s, latter-day reviews include:

"[T]here was a lot of invention and experimentation going on during that period ... Steve [Gerber] and Don turned out be [writers] who advanced the field. ... I don't think Don's work sold terribly well, but I always thought he was doing some interesting things, and I thought, 'Well, the kind of stuff we put him on was the kind of stuff that we didn't expect to become great sellers anyway ... So let him experiment with it and see what happens'. And he certainly did a lot of interesting things with it."

African-American writer-editor Dwayne McDuffie said of the 1970s "Black Panther" series:

"This overlooked and underrated classic is arguably the most tightly written multi-part superhero epic ever. ... It's damn-near flawless, every issue, every scene, a functional, necessary part of the whole. Okay, now go back and read any individual issue. You'll find seamlessly integrated words and pictures; clearly introduced characters and situations; a concise (sometimes even transparent) recap; beautifully developed character relationships; at least one cool new villain; a stunning action set piece to test our hero's skills and resolve; and a story that is always moving forward towards a definite and satisfying conclusion. That's what we should all be delivering, every single month. Don [McGregor] and company did it in only 17 story pages per issue"."

Of "When Wakes the Dreamer", he explained decades later, "[W]hat held it up was that [artist and Warren art director] Billy Graham was going to draw it and he'd done a spectacular opening page for it, but for one reason or another, it just didn't happen. ... I don't think we ever found the finished art for Billy's version of another early story of mine, 'The Vampiress Stalks the Castle This Night.'" That story eventually appeared in Vampirella #21 (Dec. 1972), with art by Felix Mas.

McGregor became a proofreader for Marvel Comics in late 1972, earning $125 a week, before establishing himself as a Marvel editor and writer.

Three years earlier, McGregor and artist Luis Garcia had already presented the first known interracial kiss in any comics in Warren Publishing's black-and-white horror-comics magazine, Creepy #43 (Jan. 1972), in the story "The Men Who Called Him Monster".

More than two decades after the "Killraven" feature ended, comics historian Peter Sanderson wrote that,

"It was writer Don McGregor who transformed the Killraven saga ... into a classic. Of all of Marvel's writers, McGregor has the most romantic view of heroism. Killraven and his warrior band were also a community of friends and lovers motivated by a poetic vision of freedom and of humanity's potential greatness. McGregor's finest artistic collaborator on the series was P. Craig Russell, whose sensitive, elaborate artwork, evocative of Art Nouveau illustration, gave the landscape of Killraven's America a nostalgic, pastoral feel, and the Martian architecture the look of futuristic castles."

McGregor's run on Jungle Action ended when the series was canceled due to low sales.

His first purchased script, "When Wakes The Dreamer", did not see print until Eerie #45 (Feb. 1973), long after his first published script, the 12-page cover story "The Fade-Away Walk" in Creepy #40 (July 1971), credited as Donald F. McGregor, with art by Tom Sutton.

His first stories for the company were co-writing, with Gardner Fox, the six-page supernatural story "The Man with Two Faces" in Journey into Mystery vol. 2, #4 (April 1973; credited as "Donald F. McGregor"); and, solo, the six-page "A Tomb By Any Other Name", with art by Syd Shores, in Chamber of Chills #5 (July 1973).

McGregor wrote "Killraven, Warrior of the Worlds" in Amazing Adventures vol. 2, #21-39 (Nov. 1973 - Nov. 1976, except for fill-in issues #33 and 38); and "Black Panther" in Jungle Action #6-24 (Sept. 1973 - Nov. 1976, except for #23, a reprint).

Comics historian Les Daniels noted that, "The scripts by Don McGregor emphasized the character's innate dignity."

Unusually for mainstream comics, the Panther stories were set mostly in Africa, in the Panther's fictional homeland Wakanda rather than in Marvel's usual American settings.

As with the futuristic stories of “Killraven”, McGregor's settings were enough outside the Marvel mainstream that he was able to explore mature themes and adult relationships in a way rare for comics at the time.

He also wrote stories for the Marvel characters Luke Cage and Morbius the Living Vampire, and created the detective feature "Hodiah Twist", seen in the black-and-white magazines Vampire Tales #2 (Oct. 1973) and Marvel Preview #16: "Masters of Terror" (Fall 1978).

Through 1975, he wrote more than a dozen stories for those magazines and its sister title Vampirella, drawn by artists including Richard Corben and Reed Crandall.

He and artist P. Craig Russell engineered color comic books' first known dramatic interracial kiss in mainstream comics (as opposed to underground comix), between the "Killraven" characters M'Shulla and Carmilla Frost, in Amazing Adventures #31 (July 1975).

A Marvel "Bullpen Bulletins" page in 1975 announced McGregor's planned radio drama series, Night Figure, that was to have run on WHBI-FM.

With artist Paul Gulacy, McGregor created one of the first modern graphic novels, Eclipse Enterprises' Sabre: Slow Fade of an Endangered Species, a near-future, dystopian science fiction swashbuckler that introduced the title character.

McGregor adaptation of Edgar Allan Poe's "The Cask of Amontillado" as a backup story in Marvel Classics Comics #28 (1977) was artist Michael Golden's first published comics work.

McGregor's work premiered in August 1978, two months before Will Eisner's better-known pioneering graphic novel A Contract with God.

Sabre was additionally the first graphic novel sold through the new "direct market" of comic-book stores.

It later spun off a 14-issue Eclipse comic-book series.

Also for Eclipse, McGregor wrote Detectives Inc., a pair of graphic novels set in contemporary New York City and starring the interracial private eye team Ted Denning and Bob Rainier.

After a stint with Marvel, McGregor returned to write another 18 stories for those Warren titles as well as The Rook between 1979 and 1983, with artists including Paul Gulacy, Alfredo Alcala, and Val Mayerik.

Detectives Inc.: A Remembrance of Threatening Green (1980), with DC Comics artist Marshall Rogers, and Detectives, Inc.: A Terror Of Dying Dreams, with veteran Marvel artist Gene Colan, who would become a frequent collaborator, comprised the series.

The first of these two books included the first lesbian characters in mass-market comics.

During this period, McGregor also wrote the two prose works Dragonflame and Other Bedtime Nightmares and The Variable Syndrome.

Other work includes the DC Comics' miniseries Nathaniel Dusk (1984) and Nathaniel Dusk II (1985–1986), both with Colan; and, for New Media Publishing's Fantasy Illustrated (1982), "The Hounds of Hell Theory", starring the husband-and-wife detective team Alexander and Penelope Risk, with artist Tom Sutton.

He recalled in 2010,

In 2010, Comics Bulletin ranked McGregor's run on Jungle Action third on its list of the "Top 10 1970s Marvels".

Artist Rich Buckler, his first "Black Panther" collaborator, called McGregor and fellow Marvel writer Doug Moench "two of my absolutely favorite writers. They had the same drive and enthusiasm, and just huge amounts of talent and energy."