Age, Biography and Wiki
Dilip Ghosh was born on 28 August, 1955 in India, is an Indian film director and producer (born 1955). Discover Dilip Ghosh's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 68 years old?
| Popular As |
N/A |
| Occupation |
Filmmaker |
| Age |
68 years old |
| Zodiac Sign |
Virgo |
| Born |
28 August, 1955 |
| Birthday |
28 August |
| Birthplace |
N/A |
| Nationality |
India
|
We recommend you to check the complete list of Famous People born on 28 August.
He is a member of famous Filmmaker with the age 68 years old group.
Dilip Ghosh Height, Weight & Measurements
At 68 years old, Dilip Ghosh height not available right now. We will update Dilip Ghosh's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
| Family |
| Parents |
Not Available |
| Wife |
Not Available |
| Sibling |
Not Available |
| Children |
Not Available |
Dilip Ghosh Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Dilip Ghosh worth at the age of 68 years old? Dilip Ghosh’s income source is mostly from being a successful Filmmaker. He is from India. We have estimated Dilip Ghosh's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
Filmmaker |
Dilip Ghosh Social Network
Timeline
He received Special Mention along with Siddharth Kak, Naresh Saxena and Raj Gopal Rao in the 1990 National Film Award for his 1990 documentary Children of the Silver Screen (Hindi: Aadhi Haqueeqat Aadha Fasana). After making advertising and documentary films for over 25 years, he made his mainstream directorial debut through Commando (2013), which was a box office success.
After completing his post graduate diploma in Film Direction and Screenplay Writing, he decided to make advertising films in spite of his cult status as a subversive filmmaker in the film school.
Under the banner of Equinox and later Z Films, he made documentaries and hundreds of popular and some award-winning commercials for reputed clients and leading advertising agencies.
His most significant contribution to Indian Advertising is the localization and the use of vernacular language in advertising films, a phenomenon which has now become the norm.
During his period in advertising he had the opportunity to work with many child actors.
He had observed them closely and was inspired to tell their story.
This was expressed through his docu-feature film titled 'Children of the Silver Screen' (Hindi: Aadhi Haqueeqat Aadha Fasana).
It was a unique exploration into the world of professional child actors.
This effort fetched him a lot of honors and recognition both national and international: including the National Film Award [Special Mention].
and the Special Jury Prize at Cairo International Children Film Festival.
The film was showcased in over 25 International Film Festivals.
In 1990 he won the 38th National Film Award – Special Jury Award /Special Mention (Non-Feature Film) for his documentary Children of the Silver Screen (Hindi: Aadhi Haqueeqat Aadha Fasana).
In 2013 he directed his debut feature film titled ‘Commando’, produced by Vipul Shah and Reliance Entertainment.
It showed the story of a disavowed Indian commando who protects a woman from a local thug who is hellbent on forcing her to marry him.
The film was a box office success and praised for its action sequences by both the critics and the audience.
