Derek Ford

Derek Ford (born 6 September 1932 in Tilbury, Essex - died 19 May 1995) was a British film director and writer, most famous for exploitation films such as The Swappers (1970), Keep It Up, Jack (1974) and Diversions (1976), which was also filmed in a hardcore version.

Ford's directing career began proper in the late 1960s when he entered into partnership with producer Stanley A. Long, resulting in three films including the massively successful "The Wife Swappers", released in America as "The Swappers" with the tag line, "Remember when all the guy next door wanted to borrow was your lawnmower?".

He directed The Nudist Story (1960) in Italy in 1985, in which (returning to the themes of "The Wife Swappers") a group of Italian women join a "dare club", and co-directed a horror film in Sweden called Blood Tracks (1985), which also features a brief cameo role from Ford as a location scout for a rock video (his only other known acting role is as "Circus Santa Claus" in "Don't Open Till Christmas"). He was also involved in writing a never-made softcore sitcom called "Park Lane".

Ford's first foray into directing, "Los Tres Que Robbaran Una Banco" (1961), made in Spain in 1961, was an unhappy experience; however, around the same time he entered the exploitation field when he was asked to re-edit and film additional sequences for a Swedish sex film called The Flamboyant Sex (1962), eventually released as "Paris Playgirls".

Ford's early 1970s films were mainly shot in London and Maldon, Essex, where he lived, while hardcore scenes meant for the European versions of his films were shot in secret at his own house, with his wife Valerie M. Ford acting as co-director and assistant. Interviewed in the book "Keeping the British End Up", fellow director Ray Selfe referred to Ford as "a male nymphomaniac", and themes of swinging, wife swapping and outwardly respectable people living double lives run throughout Ford's work.

In the 1970s the two most well-known Ford films in America were I Am a Groupie (1970) and Diversions (1976), starring Heather Deeley, which premiered in the Kips Bay area of Manhattan and was nominated for best foreign film by the Adult Film Association of America.

In Italy he directed Eros Perversion (1978), while back in England he quit as the director of Don't Open Till Christmas (1984). In the mid-'80s he attempted to find more mainstream work and dissociate himself from his past, but what little work came his way would drag him back to exploitation film.

At the close of the 1980s, with the impending recession of the early 1990s on the horizon and no work, Ford decided to opt for a quieter life and put his ideas on paper. Leaving the film business behind him for good, he attempted a second career as an author, writing two books. His experience in the world of "B" movies along with his connections in the business reflected on the theme and setting for both books.

Ford's final film, The Urge to Kill (1989), starring Peter Gordeno and Sarah Hope-Walker, has never been released, although clips from it appear in the documentary "The Wild, Wild World of Dick Randall".

Ford began as a writer in collaboration with his brother Donald Ford (died 1991), originally for radio before progressing to television (The Saint (1962), Adam Adamant Lives! (1966)) and film (Gutter Girls (1963), A Study in Terror (1965)).