Dennis Eichhorn

Dennis P. Eichhorn (August 19, 1945 – October 8, 2015) was an American writer, best known for his adult-oriented autobiographical comic book series Real Stuff.

His stories, often involving, sex, drugs, and alcohol, have been compared to those of Jack Kerouac, Ken Kesey, and Charles Bukowski.

Eichhorn was born in Deer Lodge, Montana, in the infirmary of Montana State Prison.

He was adopted when he was a few days old by Eileen and Elmer Eichhorn, and reared in Boise, Idaho.

He graduated from Boise's Borah High School in 1963.

He graduated from Boise Junior College (now Boise State University) and played football on athletic scholarships at Whitman College and the University of Idaho; he graduated from the latter with a B.A. in Sociology in 1968.

He didn't learn he was adopted until he was in his 30s, and never met his birth mother.

Concurrent with his literary work, Eichhorn held a variety of jobs in fields that included hospitality services, driving, social work, and manual labor.

Eichhorn was a contributing writer to The Argonaut, the University of Idaho's student newspaper, while a student there in 1968.

Moving to Seattle in the late 1970s, Eichorn became a writer and later entertainment editor for the weekly Seattle Sun newspaper, from 1980 until its demise in 1982.

For four years, Eichhorn also served as promoter and operator of the Blue Mountain Festival, an outdoor music festival held in the spring at the University of Idaho's Arboretum, and was the primary organizer of the 1971 Universal Life Church Picnic, a large festival held over the Fourth of July weekend in northern Idaho's Farragut State Park.

(A book was written about Eichhorn's organizing of the picnic by Stanley D. Crow, at the behest of the state of Idaho, called The Farragut Report. A study of the Universal Life Church picnic held at Farragut State Park and recommendations for legislative and administrative action.) Eichhorn spent time in state prison for selling marijuana and LSD.

(He also edited an underground comic book during that time, The Moscow Duck Review, writing one of the stories which was rendered by Reilly Clark.) While living in San Francisco in 1977, his interview with the band Crime was published in New York City's Punk magazine, his first national exposure.

Soon afterwards, Eichhorn was briefly a stringer for Jim Wilde, a writer for Time magazine, and then worked as a research assistant for writer Bill Cardoso.

In the early 1980s, Eichhorn met cartoonist Peter Bagge in Seattle.

This led to Eichhorn's inclusion in Weirdo magazine, which Bagge edited at that time.

Eichhorn began writing autobiographical stories for sequential illustration, which he described as "regurgitations of pithy stories I'd regaled my friends with for years."

The first two were rendered by Carel Moiseiwitsch and Michael Dougan.

He then became a writer and senior editor at The Rocket, a monthly music magazine, from 1982 until 1991.

At The Rocket, Eichhorn met a number of Seattle-area and northwestern cartoonists and illustrators who eventually became contributors to his autobiographical series Real Stuff and Real Smut.

While at The Rocket, Eichhorn was contacted by Gerry Turman, owner of Turman Publishing, a company which published literature and teachers' aids for use in remedial reading classes.

Turman offered him a position as staff writer, which he eventually turned into a lucrative side business from 1983 until 1994, writing hundreds of articles for Stars magazine and 18 biographical books about celebrities and professional athletes.

From 1988–1990, Eichhorn was publisher and editor of the Northwest EXTRA!, a "lurid, pulp tabloid" zine which ran for 15 issues.

This led to Eichhorn's creation of the anthology series Real Stuff, published from 1990 to 1995 by Seattle-based Fantagraphics.

Eichhorn followed Pekar's example of writing true stories for others to illustrate, but unlike Pekar, Eichhorn emphasized action-filled tales of sex, substance abuse, and violence, many taking place in Eichhorn's native state of Idaho.

The title was an amalgamation of two preexisting comic book titles: Mark Zingarelli's Real Life and Peter Bagge's Neat Stuff.

Stories in the Eisner Award-nominated series were illustrated by many artists, including Ed Brubaker, Rick Altergott, Donna Barr, Lynda Barry, Jim Blanchard, Ariel Bordeaux, Chester Brown, Bob Crabb, Julie Doucet, Éric Thériault, Gene Fama, Mary Fleener, Ellen Forney, Renee French, Roberta Gregory, Aline Kominsky-Crumb, Peter Kuper, Paul Mavrides, Pat Moriarity, Joe Sacco, Triangle-Slash, Holly Tuttle, J. R. Williams, Jim Woodring, Mark Zingrarelli, and numerous others.

From 1991-1993, Eichhorn was regular contributor to Seattle's Hype Magazine, a largely forgotten underground fanzine about Seattle Grunge and Punk Rock.

He wrote a monthly comic, which he had illustrated by others.

He signed up many significant artists, including most of the Fantagraphics legends.

For Hype he also once solicited an original poem from Charles Bukowski, which was printed, but has since been lost.

After nine issues, Fantagraphics experienced problems shipping Real Stuff to Canada and the United Kingdom because of the explicit sexual content, and a sexually explicit spin-off series Real Smut was created in 1992, to remove that material from Real Stuff.

From 1992 until 2006 Eichhorn wrote comic stories (as well as articles and book reviews) for Scram magazine, a Los Angeles music publication.

In 1993 Eichhorn funded Starhead Comix's publication of Real Schmuck comix.

He also paid for Starhead's publication of two other titles, The Amazing Adventures of Ace International in 1993 and Northwest Cartoon Cookery in 1995.

In 1994, Eichhorn became editorial director for Loompanics Unlimited, a mail-order libertarian publishing and book distribution company in Port Townsend, Washington, a position which he held for four years.

Eichhorn was responsible for the publication of 65 books during this time, wrote dozens of articles and hundreds of book synopses for Loompanics' publications and catalogs, and oversaw contractual agreements with writers, as well as movie rights and foreign translations.

Before becoming a comics writer, Eichhorn had read the work of Justin Green, Robert Crumb, Frank Stack, and Harvey Pekar.

(The Rocket had occasionally run Pekar's strips while Eichhorn worked there.)

(A 16th issue was published in 2001.)