Deborah Kass

Deborah Kass (born 1952 ) is an American artist whose work explores the intersection of pop culture, art history, and the construction of self.

Deborah Kass works in mixed media, and is most recognized for her paintings, prints, photography, sculptures and neon lighting installations.

Kass's early work mimics and reworks signature styles of iconic male artists of the 20th century including Frank Stella, Andy Warhol, Jackson Pollock, and Ed Ruscha.

Kass's technique of appropriation is a critical commentary on the intersection of social power relations, identity politics, and the historically dominant position of male artists in the art world.

Deborah Kass was born in 1952 in San Antonio, Texas.

Her grandparents were from Belarus and Ukraine, first generation Jewish immigrants to New York.

Kass's parents were from the Bronx and Queens, New York.

Her father did two years in the U.S. Air Force on base in San Antonio until the family returned to the suburbs of Long Island, New York, where Kass grew up.

Kass’s mother was a substitute teacher at the Rockville Centre public schools and her father was a dentist and amateur jazz musician.

At age 14, Kass began taking drawing classes at The Art Students League in New York City which she funded with money she made babysitting.

In the afternoons, she would go to theater on and off Broadway, often sneaking for the second act.

During her high school years, she would take her time in the city to visit the Museum of Modern Art, where she would be exposed to the works of post-war artists like Frank Stella and Willem De Kooning.

At age 17, Stella’s retrospective exhibition inspired Kass to become an artist as she observed and understood the logic in his progression of works and the motivation behind his creative decisions.

Kass received her BFA in Painting at Carnegie Mellon University (the alma mater of artist Andy Warhol), and studied at the Whitney Museum Independent Study Program Here, she created her first work of appropriation, Ophelia’s Death After Delacroix, a six by eight foot rendition of a small sketch by the French Romantic artist, Eugène Delacroix.

At the same time Neo-Expressionism was being helmed by white men in the late Reagan years, women were just beginning to create a stake in the game for critical works.

“The Photo Girls” consisted of artists like Sherrie Levine, Cindy Sherman, and Barbara Kruger.

Kass felt that content of these works connected those of the post-war abstract painters of the mid-70s including Elizabeth Murray, Pat Steir, and Susan Rothenberg.

All of these artists critically explored art in terms of new subjectivities from their points-of-view as women.

Kass took from these artists the ideas of cultural and media critique, inspiring her Art History Paintings.

Kass is most famous for her “Decade of Warhol,” in which she appropriated various works by the pop artist, Andy Warhol.

She used Warhol’s visual language to comment on the absence of women in art history at the same time that Women’s Studies began to emerge in academia.

Reading texts on subjectivity, objectivity, specificity, and gender fluidity by theorists like Judith Butler and Eve Sedgewick, Kass became literate in ideas surrounding identity.

She engaged with art history through the lens of feminism, because of this theory which “The Photo Girls” drew upon.

Kass's work is in the collections of the Museum of Modern Art; Whitney Museum of American Art; Solomon R. Guggenheim Museum; Jewish Museum (New York); Museum of Fine Art, Boston; Cincinnati Museum of Art; New Orleans Museum; National Portrait Gallery, Smithsonian Institution; Fogg Museum, Harvard Art Museums; and Weatherspoon Museum, among others.

Beginning in the 1960s, Andy Warhol’s paintings employed mass production through screen-printing to depict iconic American products and celebrities.

Using Warhol’s stylistic language to represent significant women in art, Kass turned Warhol’s relationship to popular culture on its head by replacing them with subjects of her own cultural interests.

She painted artists and art historians that were her heroes including Cindy Sherman, Elizabeth Murray, and Linda Nochlin.

Drawing upon her childhood nostalgia, the Jewish Jackie series depicts actress Barbra Streisand, a celebrity with whom she closely identifies, replacing Warhol's prints of Jackie Kennedy Onassis and Marilyn Monroe.

In 1992, Kass began The Warhol Project.

A survey show, Deborah Kass, The Warhol Project traveled across the country from 1999–2001.

She is a Senior Critic in the Yale University M.F.A. Painting Program.

Kass's later paintings often borrow their titles from song lyrics.

Her series feel good paintings for feel bad times, incorporates lyrics borrowed from The Great American Songbook, which address history, power, and gender relations that resonate with Kass's themes in her own work.

In Kass's first significant body of work, the Art History Paintings, she combined frames lifted from Disney cartoons with slices of painting from Pablo Picasso, Jasper Johns, Jackson Pollock, and other contemporary sources.

Establishing appropriation as her primary mode of working, these early paintings also introduced many of the central concerns of her work to the present.

Before and Happily Ever After, for example, coupled Andy Warhol’s painting of an advertisement for a nose job with a movie still of Cinderella fitting her foot into her glass slipper, touching on notions of Americanism and identity in popular culture.

The Art History Paintings series engages critically with the history of politics and art making, especially exploring the power relationship of men and women in society.

Deborah Kass's work reveals a personal relationship she shares with particular artworks, songs and personalities, many of which are referenced directly in her paintings.

In 2012 Kass's work was the subject of a mid-career retrospective Deborah Kass, Before and Happily Ever After at The Andy Warhol Museum in Pittsburgh, PA. An accompanying catalogue published by Skira Rizzoli, included essays by noted art historians Griselda Pollock, Irving Sandler, Robert Storr, Eric C. Shiner and writers and filmmakers Lisa Leibmann, Brooks Adams, and John Waters.

Kass's work has been shown at international private and public venues including at the Venice Biennale, the Istanbul Biennale, the Museum Ludwig, Cologne, the Museum of Modern Art, The Jewish Museum, New York, the National Portrait Gallery, and the Museum of Fine Arts, Boston.