Age, Biography and Wiki

David W. Leitner was born on 29 October, 1953 in Chattanooga, Tennessee, USA, is a cinematographer,camera_department,producer. Discover David W. Leitner's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 70 years old?

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Occupation cinematographer,camera_department,producer
Age 70 years old
Zodiac Sign Scorpio
Born 29 October, 1953
Birthday 29 October
Birthplace Chattanooga, Tennessee, USA
Nationality United States

We recommend you to check the complete list of Famous People born on 29 October. He is a member of famous Cinematographer with the age 70 years old group.

David W. Leitner Height, Weight & Measurements

At 70 years old, David W. Leitner height not available right now. We will update David W. Leitner's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
Parents Not Available
Wife Not Available
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Children Not Available

David W. Leitner Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is David W. Leitner worth at the age of 70 years old? David W. Leitner’s income source is mostly from being a successful Cinematographer. He is from United States. We have estimated David W. Leitner's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Cinematographer

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Timeline

1980

As Director of New Technology at Du Art Film Laboratory in the 1980s, he produced innovations in 16-to-35mm blow-ups, film camera lens testing, film timecode, and film-to-tape transfers.

1981

He is the author of over 100 articles on film history, theory, and technology in Filmmaker, Millimeter, The Independent (created "In Focus" column, 1981-88), International Documentary, In Motion, Variety's On Production, Digital Magic, RES, and the SMPTE Journal; he also wrote Eastman Kodak's booklet, Creating Better Video with 16mm Film [1992] Most recently Leitner directed his first dramatic feature, My Sister's Wedding (2001), a romantic comedy filmed in high definition digital video for transfer to 35mm.

1989

David Leitner is a producer, cinematographer, and DP on television, feature-length documentaries and feature films. A former I. A. T. S. E. 644 Director of Photography, Leitner has photographed for documentary directors Fred Wiseman, Allan Miller, Alan Berliner, Joe Berlinger, DeWitt Sage, Oren Rudavsky, Doug Block, Judith Helfand, and the team of Louis Alvarez/Andrew Kolker/Paul Stekler. He has key credits in over forty feature-length documentaries filmed in the UK, South & Central America, East & West Europe and former Soviet Union, including as director/producer/DP, Vienna Is Different (1989 Berlin Film Festival, 1990 Sundance competition, 1990 San Francisco Film Festival, Special Jury Award).

1990

As Co-Producer, his 1990 Oscar-nominated For All Mankind, also won the 1989 Sundance Jury & Audience Awards, Best Documentary.

Other cinematography credits include PBS/Frontline's Schizophrenia: Broken Mind (four national broadcasts, 1990), Alan Berliner's Nobody's Business (1996 New York Film Festival, 1997 Berlin Film Festival), and Christian Baudissin's Die Slocum Brennt! (1999 German broadcast).

1994

Dramatic features include Gabriela Rangel's Corazones Negros (Venezuela, 1994) and Diane Orr's hybrid documentary/drama, Lost Forever With Everett Ruess (2000), which he also produced and Trembling before G-d (2001).

1995

As Associate Producer, his The Gate Of Heavenly Peace was shown at the 1995 New York Film Festival, 1996 Berlin Film Festival.

1999

He was nominated for a 1999 Emmy for cinematography for Marion Cajori's Portrait-In-Progress: Chuck Close.