David Cronenberg

David Paul Cronenberg (born March 15, 1943) is a Canadian film director and screenwriter.

He is a principal originator of the body horror genre, with his films exploring visceral bodily transformation, infectious diseases, and the intertwining of the psychological, physical, and technological.

David Cronenberg was born in Toronto, Ontario, on March 15, 1943.

Cronenberg is the son of Esther ( Sumberg), a musician, and Milton Cronenberg, a writer and editor.

He was raised in a "middle-class progressive Jewish family".

His father was born in Baltimore, Maryland, and his mother was born in Toronto; all of his grandparents were Jews from Lithuania.

Milton wrote some short stories for True Detective and had a column in the Toronto Telegram for around thirty years.

The Cronenberg household was full of a wide variety of books, and Cronenberg's father tried to introduce his son to art films such as The Seventh Seal, although at the time Cronenberg was more interested in western and pirate films, showing a particular affinity for those featuring Burt Lancaster.

A voracious reader from an early age, Cronenberg started off enjoying science fiction magazines like The Magazine of Fantasy & Science Fiction, Galaxy, and Astounding, where he first encountered authors who would prove influential on his own work, including Ray Bradbury and Isaac Asimov, although he wouldn't encounter his primary influence, Philip K. Dick, until much later.

Cronenberg also read comic books, noting his favorites were Tarzan, Little Lulu, Uncle Scrooge, Blackhawk, Plastic Man, Superman, and the original Fawcett Comics version of Captain Marvel, later known as Shazam.

Although as an adult, Cronenberg feels superhero films are artistically limited, he maintains a fondness for Captain Marvel/Shazam, criticizing how he feels the character had been neglected.

Cronenberg also read horror comics published by EC, which in contrast to the others, he described as "scary and bizarre and violent and nasty—the ones your mother didn't want you to have."

Early films that later proved influential on Cronenberg's career include avant-garde, horror, science fiction, and thriller films, such as Un Chien Andalou, Vampyr, War of the Worlds, Freaks, Creature from the Black Lagoon, Alphaville, Performance, and Duel.

However, Cronenberg has also cited less obvious films as influences, including comedies like The Bed Sitting Room, as well as Disney cartoons such as Bambi and Dumbo.

Cronenberg said he found these two Disney animated films, as well as Universal's live-action Blue Lagoon, "terrifying" which influenced his approach to horror.

Cronenberg went on to say that Bambi was the "first important film" he ever saw, citing the moment when Bambi's mother died as particularly powerful.

Cronenberg even wished to screen Bambi as part of a museum exhibition of his influences, but Disney refused him permission.

In terms of conventional horror films that frightened him, Cronenberg cited Don't Look Now.

Cronenberg attended Dewson Street Public School, Kent Senior School, Harbord Collegiate Institute and North Toronto Collegiate Institute.

He enrolled at the University of Toronto for Honours Science in 1963, but changed to Honours English Language and Literature the next year.

Cronenberg's fascination with the film Winter Kept Us Warm (1966), by classmate David Secter, sparked his interest in film.

He began frequenting film camera rental houses and learned the art of filmmaking.

Cronenberg made two short films, Transfer and From the Drain, with a few hundred dollars.

Cronenberg, Ivan Reitman, Bob Fothergill, and Iain Ewing were inspired by Jonas Mekas and formed the Toronto Film Co-op.

After two short sketch films and two short art-house features (the black-and-white Stereo and the colour Crimes of the Future) Cronenberg went into partnership with Ivan Reitman.

He graduated from university in 1967, at the top of his class with a general bachelor of arts.

Cronenberg decided to not study for a master of arts after making Stereo.

The Canadian government provided financing for his films throughout the 1970s.

During this period, he focused on his signature "body horror" films such as Shivers and Rabid, the latter of which provided pornographic actress Marilyn Chambers with work in a different genre, although Cronenberg's first choice for the role had been a then little-known Sissy Spacek.

Rabid was a breakthrough with international distributors, and his next two horror features, The Brood and Scanners, gained stronger support.

Even at this stage however, Cronenberg showed variety, by making Fast Company between The Brood and Rabid, a project reflecting his interest in car racing and bike gangs.

Cronenberg is best known for exploring these themes through sci-fi horror films such as Shivers (1975), Scanners (1981), Videodrome (1983) and The Fly (1986), though he has also directed dramas, psychological thrillers and gangster films.

Cronenberg's films have polarized critics and audiences alike; he has earned critical acclaim and has sparked controversy for his depictions of gore and violence.

The Village Voice called him "the most audacious and challenging narrative director in the English-speaking world".

In 1981, Cronenberg directed the science-fiction horror film Scanners (1981).

In the film, "scanners" are psychics with unusual telepathic and telekinetic powers.

The film has since become a cult classic.

His films have won numerous awards, including the Special Jury Prize for Crash at the 1996 Cannes Film Festival, a unique award that is distinct from the Jury Prize as it is not given annually, but only at the request of the official jury, who in this case gave the award "for originality, for daring, and for audacity".

From the 2000s to the 2020s, Cronenberg collaborated on several films with Viggo Mortensen, including A History of Violence (2005), Eastern Promises (2007), A Dangerous Method (2011) and Crimes of the Future (2022).

Six of his films were selected to compete for the Palme d'Or, the most recent being Crimes of the Future, which was screened at the 2022 Cannes Film Festival.