Davey Graham

David Michael Gordon "Davey" Graham (originally spelled Davy Graham) (26 November 1940 – 15 December 2008) was a British guitarist and one of the most influential figures in the 1960s British folk revival.

He inspired many famous practitioners of the fingerstyle acoustic guitar such as Bert Jansch, Wizz Jones, John Renbourn, Martin Carthy, John Martyn, Paul Simon and Jimmy Page, who based his solo "White Summer" on Graham's "She Moved Through the Fair".

Graham is probably best known for his acoustic instrumental "Anji" and for popularizing DADGAD tuning, later widely adopted by acoustic guitarists.

Graham was born in Market Bosworth, Leicestershire, England, to a Guyanese mother, Winifred (known as Amanda) and a Scottish father, Hamish, a teacher from the Isle of Skye.

He grew up in Westbourne Grove, in the Notting Hill Gate area of London.

Although he never had any music theory lessons, he learnt to play the piano and harmonica as a child and then took up the classical guitar at the age of 12.

As a teenager he was strongly influenced by the folk guitar player Steve Benbow, who had travelled widely with the army and played a guitar style influenced by Moroccan music.

At the age of 19, Graham wrote what is probably his most famous composition, the acoustic guitar solo "Angi" (sometimes spelled "Anji": see below).

Colin Harper credits Graham with single-handedly inventing the concept of the folk guitar instrumental.

Graham came to the attention of guitarists through his appearance in a 1959 broadcast of the BBC TV arts series Monitor, produced by Ken Russell and titled Hound Dogs and Bach Addicts: The Guitar Craze, in which he played an acoustic instrumental version of "Cry Me a River".

During the 1960s, Graham released a string of albums of music from all around the world in many genres.

Graham married the American singer Holly Gwinn in the late 1960s and recorded the albums The Holly Kaleidosope and Godington Boundary with her in 1970, shortly before Gwinn had to return to the US and he was unable to follow her, because of his visa problem due to a marijuana conviction.

He later described himself as having been "a casualty of too much self-indulgence", becoming a heroin addict in imitation of his jazz heroes.

During this period, he taught acoustic guitar and also undertook charity work, particularly for various mental health charities.

For several years he was on the executive council of Mind and he was involved for some time with the mystic Osho (Bhagwan Shree Rajneesh).

Before the record was released, Bert Jansch had learnt it from a 1961 tape borrowed from Len Partridge.

"Angi", named after his then girlfriend, appeared on his debut EP 3/4 AD in April 1962.

The tune spread through a generation of aspiring guitarists, changing its spelling as it went.

Graham appears (uncredited) playing guitar in a pub in Joseph Losey's 1963 film The Servant.

1964's Folk, Blues and Beyond and the following year's collaboration with the folk singer Shirley Collins, Folk Roots, New Routes, are frequently cited among his most influential album releases.

Large as Life and Twice as Natural includes his cover of Joni Mitchell's "Both Sides, Now" alongside explorations of Eastern Modes.

Jansch included it on his 1965 debut album as "Angie".

The spelling Anji became the more widely used after it appeared on Simon & Garfunkel's 1966 album Sounds of Silence.

In 1969, the same name for Chicken Shack's 100 Ton Chicken was used.

"Anji" soon became a rite of passage for many acoustic finger-style guitarists.

Arlen Roth has recorded "Anji" on two separate albums of his.

Some other musicians of note who have covered "Anji" are John Renbourn, Lillebjørn Nilsen, Gordon Giltrap, Clive Carroll and the anarchist group Chumbawamba, who used the guitar piece as a basis for their anti-war song "Jacob's Ladder (Not in My Name)".

"Angi" is the second track on the first CD of the Topic Records 70-year anniversary boxed set Three Score and Ten.

In 1976, Graham recorded All That Moody, essentially a private pressing.

He recorded two further groundbreaking albums for Kicking Mule, 1978's The Complete Guitarist and 1980's Dance For Two People.

He continued to play concerts, but dedicated the main thrust of his life to studying languages; he was fluent in Gaelic (taught by his native-speaking father), French, and Greek and could hold his own in Turkish.

He collected poems and folk songs and would regale his neighbours.

After some time, he became increasingly disinhibited.

Graham was the subject of a 2005 BBC Radio documentary, Whatever Happened to Davy Graham? and in 2006 featured in the BBC Four documentary Folk Britannia.

Many people sought out Graham over the years and tried to encourage him to return to the stage to play live; the last of this long line of seekers was Mark Pavey, who arranged some outings with guitarists and old friends including Bert Jansch, Duck Baker and Martin Carthy.

These concerts were typically eclectic, with Graham playing a mix of acoustic blues, Romanian dance tunes, Irish pipe tunes, songs from South Africa and pieces by Bach.

His final album, Broken Biscuits, consisted of originals and new arrangements of traditional songs from around the world.

Graham was diagnosed with lung cancer in 2008 and died on 15 December of that year, at his home in London.

In November 2016, a blue plaque was installed at his birthplace, the former Bosworth Park Infirmary building.

Graham did not seek or achieve great commercial success, though his music received positive critical feedback and influenced folk revival artists and fellow players such as Bert Jansch, John Renbourn, Martin Carthy, Ralph McTell, Wizz Jones, John Martyn, Nick Drake, Ritchie Blackmore, and Paul Simon, as well as folk rock bands such as Fairport Convention and Pentangle.