Darwyn Cooke

Darwyn Cooke (November 16, 1962 – May 14, 2016) was a Canadian comics artist, writer, cartoonist, and animator who worked on the comic books Catwoman, DC: The New Frontier, The Spirit and Richard Stark's Parker: The Hunter.

His work has been honoured with numerous Eisner, Harvey, and Joe Shuster Awards.

Darwyn Cooke was born in Toronto on November 16, 1962.

Cooke's father was a construction worker and later ran a union.

Cooke's interest in creating comics began after watching Batman starring Adam West.

Cooke's grandmother saved some of his earliest drawings, at 5 years old, of Batman and Robin in crayon on construction paper, with Cooke keeping them after her death.

He discovered comics as a child, but did not become passionate about them until he was a teenager.

Cooke's desire to be an artist crystallized at 13 years old after reading a reprint of Spectacular Spider-Man #2, with Cooke purchasing markers and boards the day after reading the comic and attempting to copy John Romita's artwork.

The following week, Cooke purchased Detective Comics #439, featuring the story "Night of the Stalker," and had found his calling.

Cooke also recalled tracing panels of Will Eisner's The Spirit as a teenager.

He attributed the ability to develop his own style as a byproduct of limited entertainment choices, allowing him to focus on deconstructing the comics that inspired him.

His father, however, did not think that comics were a good avenue for a career.

Cooke attended George Brown College, but was expelled after a year.

In 1985, Cooke left his family on his own for the first time in order to show his samples at DC Comics' New York City offices.

The trip resulted in his first published comic book work as a professional artist in a five-page crime story in DC Comics' New Talent Showcase #19, which was coincidentally edited by "Night of the Stalker" artist Sal Amendola.

Economic pressure, however, made Cooke leave comics, as he was only paid $35 per page and produced one page a week.

Deciding that comics was not an economically feasible job, Cooke worked in Canada as a magazine art director, graphic and product designer for the next 15 years.

He eventually established his own design studio.

In the early 1990s, Cooke decided to return to comics, but found little interest for his work at the major publishers.

Eventually, he was hired by Warner Bros. Animation after replying to an ad for storyboard artists in The Comics Journal placed by animator Bruce Timm, with Cooke shocked that there were positions available.

In the late 1990s, DC Comics art director Mark Chiarello discovered Cooke's years-old proposal for a Batman story while throwing out old pitches, and hired Cooke for what became the 2000 graphic novel Batman: Ego, marking Cooke's permanent move from animation to comics at 37 years old.

In 1999, he designed and animated the opening sequence for Batman Beyond.

In contrast to most cartoon openings—which adapt music to a finalized group of shots—Batman Beyond ' s visuals were specifically cut to suit the music, after Cooke's successful pitch of the concept to Bruce Timm.

Surprisingly, Cooke employed his personal Macintosh computer in his spare bedroom and Adobe After Effects for most of the animation, as opposed to Warner Bros.' resources.

According to Cooke, the Batman Beyond team created a strong show in light of what he considered "kind of a disheartening mandate from the network," which wanted a show about the Batman of the future.

He believed the WB Network ultimately disliked the show's level of violence and prematurely ended the show once it could be syndicated.

Cooke then worked as a director for Sony Animation's Men in Black: The Series for a year.

His successful pitch included 14 pages that eventually would be published in 2000 as Batman: Ego.

Originally freelancing from Toronto, Cooke met his animation colleagues at San Diego Comic-Con and was approached about moving to Los Angeles full-time.

Despite no desire to live in Los Angeles, Cooke moved there to take advantage of "an opportunity to be a part of something that was never going to come around again this way," the ability to associate with creators such as Bruce Timm, Paul Dini, Alan Burnett, and Eric Radomski.

Cooke worked as a storyboard artist for four episodes of The New Batman Adventures as well as a handful of episodes of Superman: The Animated Series.

In July 2006, it was announced that Warner Bros. Animation and DC Comics would release a series of direct-to-DVD DC Universe Animated Original Movies based on important DC comic books.

Due to the adamance of DC's then-Senior Vice-president of Creative Affairs Gregory Noveck, the second film to be adapted was Cooke's DC: The New Frontier, produced by Bruce Timm.

Due to Cooke's obligations on The Spirit, Stan Berkowitz wrote the film, while Cooke storyboarded ten percent of the film, rewrote and polished dialogue, as well as provided art direction and most of the character design.

Cooke praised both Berkowitz and Timm for their ability to preserve many important character moments within the necessary shortening of the story to accommodate the film's runtime, shifting the movie's focus specifically to the Justice League characters.

During the scripting process, Cooke intervened to preserve both Wonder Woman and Lois Lane's places in the film, which had originally been eliminated due to time constraints.

Without them, Cooke joked that "We might as well just rename this 'White Guys in the '50s,' because everything else is gone," describing the women as "the heart of the story."

Cooke also admitted fearing for the film's outcome until he learned that his former Warner colleague David Bullock would be directing it, praising Bullock as "probably the only person in the world I would have picked ahead of myself to direct it."

He also credited his strong previous relationships at Warner Bros. with his comfort on the project.

In April 2014, Cooke released a Batman Beyond animated short celebrating the 75th anniversary of Batman.