Age, Biography and Wiki

Danjulo Ishizaka was born on 14 May, 1979 in Bonn, Germany, is a German musician. Discover Danjulo Ishizaka's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 44 years old?

Popular As N/A
Occupation Cellist
Age 44 years old
Zodiac Sign Taurus
Born 14 May, 1979
Birthday 14 May
Birthplace Bonn, Germany
Nationality Germany

We recommend you to check the complete list of Famous People born on 14 May. He is a member of famous musician with the age 44 years old group.

Danjulo Ishizaka Height, Weight & Measurements

At 44 years old, Danjulo Ishizaka height not available right now. We will update Danjulo Ishizaka's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
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Wife Not Available
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Children Not Available

Danjulo Ishizaka Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Danjulo Ishizaka worth at the age of 44 years old? Danjulo Ishizaka’s income source is mostly from being a successful musician. He is from Germany. We have estimated Danjulo Ishizaka's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income musician

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Timeline

1979

Danjulo Ishizaka (born 14 May 1979) is a German cellist and professor at the Berlin University of Arts and City of Basel Music Academy

Ishizaka, born in Bonn, Germany, is the son of the German piano teacher Ruth Nathrath and Japanese immigrant Junkichi Ishizaka.

His sister is the pianist Kimiko Douglass-Ishizaka.

He began taking cello lessons at the age of 4.

1998

He was a student of Boris Pergamenschikow in Berlin from 1998 until Pergamenschikow's death in 2004, at which point he completed his studies with Tabea Zimmermann.

Ishizaka has been a soloist with many orchestras, including the NHK Symphony Orchestra, the London Philharmonic Orchestra, all 5 BBC Orchestras, the Orchestre de l'Opéra national de Paris, the Mariinsky Theatre Orchestra, the Bavarian Radio Symphony Orchestra under directors including Gerd Albrecht, Andrew Davis, Christoph Eschenbach, Lawrence Foster, Michail and Vladimir Jurowski, Sir Roger Norrington, Mstislav Rostropovich and Leonard Slatkin.

His international debut took place with the Vienna Symphony in the Wiener Musikverein under direction of Krzysztof Penderecki.

The cellist Rostropovich described Danjulo Ishizaka's artistry with the words: "phenomenal in his technical abilities, perfect in his power of interpretation."

2004

From 2004 to 2013, Ishizaka played the Stradivarius "Lord Aylesford", previously played by Janos Starker, and later played the De Munck-Feuermann (1730).

Both celli were provided to him by the Nippon Music Foundation.

Ishizaka also plays the Schnabl "Pergamenschikow" cello, provided to him by the Kronberg Academy.

2006

In 2006 his debut CD recording was released by Sony, and received the Echo Klassik of the German Phono Academy.

2007

In 2007–2008, Ishizaka was chosen for the BBC Radio 3 New Generation Artists scheme.

2012

In 2012 he was awarded the Hideo Saito Memorial Fund Award, one of the most prestiged music awards in Japan, given by the Sony Music Foundation in Tokyo.

2013

Ishizaka's 2013 collaboration with the Pavel Haas Quartet was awarded a Gramophone Award for the Chamber category in 2014.

"In the Quintet they have the perfect partner in cellist Danjulo Ishizaka – and there’s no sense of a quartet plus one"

"The only area in which there seems to be no contrast or conflict is over his prodigious technique, and to hear him live is to appreciate not only how free of any technical boundaries he is but also how that has translated into his performances as a disarming lack of egotism."

"Ishizaka is simply sensational in Kodály’s Solo Sonata. He proves masterly in creating cogency with what can often seem quite rhapsodic material."

"Ishizaka also gives us a cogent, virtuoso reading of Kodály's magnificent, soulful Solo Cello Sonata. This is a terrifying piece to play, a work which, in Ishizaka's words, “demolishes the limits of what was thought technically possible on the cello at the time.” The last movement's pyrotechnics are dazzling, but the sonata's sparer, haunted passages are equally effective – the slow movement's dark opening is marvellous in Ishizaka's hands. A superb recital."