Age, Biography and Wiki

Daniel Wiener was born on 1954 in Cambridge, Massachusetts, United States, is an American sculptor (born 1954). Discover Daniel Wiener's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 70 years old?

Popular As N/A
Occupation Sculptor
Age 70 years old
Zodiac Sign N/A
Born 1954
Birthday
Birthplace Cambridge, Massachusetts, United States
Nationality United States

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Daniel Wiener Height, Weight & Measurements

At 70 years old, Daniel Wiener height not available right now. We will update Daniel Wiener's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Daniel Wiener Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Daniel Wiener worth at the age of 70 years old? Daniel Wiener’s income source is mostly from being a successful Sculptor. He is from United States. We have estimated Daniel Wiener's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Source of Income Sculptor

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Timeline

1954

Daniel Wiener (born 1954) is an American sculptor currently living and working in New York.

He is the recipient of a Guggenheim Fellowship and a New York Foundation for the Arts Grant.

1977

Wiener attended Brown University and the University of California, Berkeley (B.A. 1977) as well as the Whitney Museum Independent Study Program (1982-1983).

1980

Since the early 1980s Wiener has been known for his multicolored, multi-textured sculptures that straddle the abstract and the representational.

Blake Gopnik remarked that, "Wiener’s work escapes being just another instance of formalist abstraction. It seems deeply immersed in real-world materials and forms, as works linked to 'low' craft often do.".

Early on in his career Wiener showed a deftness for texture, for example making hard elements appear soft, or vice versa, which in turn played with the viewers' tactile responses to the work.

Early forms, though not quite representational, were neither fully abstract.

An early review by David Pagel in Artforum describes, "A loopy parade of pre-oedipal playthings surrounded the visitor to Daniel Wiener’s jam-packed exhibition of unnameable sculptural objects."

Over the years, Wiener's amorphic objects inched towards becoming more 'nameable' ones, as they began adopting more anthropomorphic or utilitarian qualities.

Of this shift Kathleen Whitney noted, "The small, almost figurative details in his current imagery represent an evolution from his previous work, which was always referential, psychological, and biomorphic in nature."

Such consistent qualities have also drawn comparisons to the work of Claes Oldenburg, Jean Dubuffet and Mike Kelley.

Wiener's primary material is Apoxie-Sculpt, a resin that, that sets into a claylike texture and preserves the saturated, wet look of acrylic paint.

2015

In a 2015 review in The New York Times of his exhibition Kooks and Villains at Lesley Heller Gallery, critic Roberta Smith stated that, "This veteran sculptor excels at manipulating [the] malleable material."

Made up of both freestanding furniture-referencing objects and wall reliefs faces, the works in the exhibition showed Wiener's ability to generate a great variety of forms from the same material starting point.

In addition to sculpture, Wiener's practice also includes ink drawings, watercolors, and animations.

His works on paper- which possess many of the color qualities found in his sculptures- address how color may dictate shape, prompting one critic to state that, "Daniel Wiener is in essence a painter’s sculptor."

Wiener has exhibited nationally and internationally with solo exhibitions at Lesley Heller Gallery, New York, NY; Acme Gallery, Santa Monica, CA; Holly Solomon Gallery, New York, NY; Germans Van Eck Gallery, New York, NY; The McKinney Avenue Contemporary, Dallas, TX; Feigen Gallery, Chicago, IL; Vadstrup & Bie, Copenhagen, Denmark; and Barbara Farber, Amsterdam, Holland; among others.

His work has been included in group exhibitions at a range of venues including: BRIC Arts Media, Brooklyn, NY; Mixed Greens, New York, NY; Jeff Gleich Gallery, Paris, France; Nevada Institute of Contemporary Art, Las Vegas, NV; Oakland Museum of California, Oakland, California; Art in General, New York, NY; MoMA PS:1, Long Island City, NY; SculptureCenter, Long Island Island; NY.