Age, Biography and Wiki
Daniel S. Palmer was born on 27 July, 1984 in United States, is an American art historian. Discover Daniel S. Palmer's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 39 years old?
We recommend you to check the complete list of Famous People born on 27 July.
He is a member of famous historian with the age 39 years old group.
Daniel S. Palmer Height, Weight & Measurements
At 39 years old, Daniel S. Palmer height not available right now. We will update Daniel S. Palmer's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
| Family |
| Parents |
Not Available |
| Wife |
Not Available |
| Sibling |
Not Available |
| Children |
Not Available |
Daniel S. Palmer Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Daniel S. Palmer worth at the age of 39 years old? Daniel S. Palmer’s income source is mostly from being a successful historian. He is from United States. We have estimated Daniel S. Palmer's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
historian |
Daniel S. Palmer Social Network
| Instagram |
|
| Linkedin |
|
| Twitter |
|
| Facebook |
|
| Wikipedia |
|
| Imdb |
|
Timeline
Palmer co-curated Decenter: An Exhibition on the Centenary of the 1913 Armory Show with Andrianna Campbell at Henry Street Settlement's Abrons Arts Center in 2013, an Artforum "Critics' Pick" exhibition featuring Cory Arcangel, Tony Cokes, Douglas Coupland, David Kennedy Cutler, N. Dash, Michael Delucia, Jessica Eaton, Franklin Evans, Amy Feldman, Andrea Geyer, David Gilbert, Ethan Greenbaum, Gregor Hildebrandt, Butt Johnson, John Houck, Barbara Kasten, Andrew Kuo, Liz Magic Laser, Douglas Melini, Ulrike Mohr, Brenna Murphy, John Newman, Gabriel Orozco, Rafaël Rozendaal, Seher Shah, Travess Smalley, and Sara VanDerBeek.
This exhibition traveled to George Washington University’s Luther W. Brady Art Gallery.
Daniel S. Palmer (born July 27, 1984) is an American curator and art historian.
Palmer is currently Chief Curator at the SCAD Museum of Art.
He was previously the Curator at Public Art Fund, New York, where he organized 18 exhibitions from 2016 to 2022.
Before that, he held the position of the Leon Levy Assistant Curator at the Jewish Museum, New York and was a curatorial research assistant at the Whitney Museum of American Art.
He received his PhD in Art History from the CUNY Graduate Center in 2021.
He also holds a M.Phil in Art History from the CUNY Graduate Center and a BA from Rutgers University.
Palmer has curated numerous exhibitions, including: Harold Ancart: Subliminal Standard, Carmen Herrera: Estructuras Monumentales, Awol Erizku: New Visions for Iris, and Melvin Edwards: Brighter Days, as well as exhibitions with Sam Moyer, Davina Semo, Jean-Marie Appriou, Tony Oursler, B. Wurtz, Erwin Wurm, Ai Weiwei, Liz Glynn, and others for Public Art Fund.
Palmer has contributed writing to The New York Times about a previously unpublished artwork by David Hammons.
Palmer is the author of Lucas Samaras Pastels.
He has contributed essays to books on artists John Houck, Stefan Rinck, Ethan Greenbaum, Amy Feldman, Davide Balliano, Julie Bena, Ai Weiwei, and his essay "A View from the Bridge: Edward Hopper and 'The Architecture of a Painting'" appeared in Carter E. Foster, Hopper Drawing for the Whitney Museum of American Art.
He has written essays on artists Davide Balula, Julie Bena, Park McArthur, for art magazines, and contributed an interview with Douglas Crimp to ARTNews' "How To Fix The Art World" issue, as well as an article "Go Pro: The Hyperprofessionalization of the Emerging Artist," in ARTNews, which remains the publication's most widely shared article.
