Daniel Gordon

Daniel Gordon (born 1980) is an American artist who lives and works in Brooklyn, New York.

Daniel Gordon was born in Boston, Massachusetts in 1980, and grew up in San Francisco, California.

In 2003 he received a BA from Bard College and in 2006 he received an MFA in Photography from the Yale School of Art.

He lives and works in Brooklyn, NY.

Gordon is best known for producing colorful photographic portraits and still-lifes made from constructed tableaus.

Using a layered and almost circular process, Gordon creates temporary sculptures made from images mined from the internet that are printed, cutout, and remade into three dimensional objects.

Then, these objects, are staged before colorful or patterned backgrounds with layered and altered shaddows, and photographed.

Beginning in 2014, Gordon began exhibiting works from his screen selections series.

These works are made from digital selections of Gordon’s still-lifes that are then blown-up and distorted, then used to create a repeated pattern.

The resulting photographs, printed on canvas, resemble abstract paintings.

In 2021, Gordon debuted his first public art commission at the Rose Kennedy Greenway in Boston, Massachusetts.

The exhibition featured a large-scale mural, several photographs, a twelve-foot sculpture of a vase of blue poppies, and flag-like banners.

The exhibition remained on view until May 2022.

In his 2023 solo exhibition Free Transform at Kasmin Gallery in New York City, Gordon displayed his sculptures alongside his photographs for the first time.

These vases, urns, and vessels were crafted in the artist's characteristic style, patchworked from ink-jet prints.

Selected Solo Exhibitions

Selected Group Exhibitions

For many years, Gordon created these images using large-format cameras and film, but during the Covid-19 pandemic in 2020, made the switch to using a digital camera.

Gordon’s process when applied to the human form renders fleshy and fragmented results that “stimulate[s] both attraction and repulsion.” His portraits depict busts in profile, and at times more confrontational figures.

These almost anonymous amalgamations have been compared to Frankenstein's monster.

Gordon’s images reveal their own making, he leaves hot glue streaks and the rough textures of torn paper in the images.

“I’m more interested in…showing my hand and letting people see the imperfection,” the artist says.

Gordon’s still-lifes feature potted house plants, fruits, vegetables, and vases.

These compositions, which are often printed at larger-than-life scale, straddle the line between real and unreal, representing space as both two and three-dimensional at the same time.

The resulting photographs combine aspects of sculpture, painting and collage.

His engagement with the still-life genre and use of color has inspired comparisons to the works of Paul Cézanne, Henri Matisse, and Dutch still-life painting.