Age, Biography and Wiki
Dai Jinhua was born on 1959 in Beijing, China, is a Chinese feminist cultural critic (born 1959). Discover Dai Jinhua's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 65 years old?
| Popular As |
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| Age |
65 years old |
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N/A |
| Born |
1959 |
| Birthday |
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| Birthplace |
Beijing, China |
| Nationality |
China
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She is a member of famous feminist with the age 65 years old group.
Dai Jinhua Height, Weight & Measurements
At 65 years old, Dai Jinhua height not available right now. We will update Dai Jinhua's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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| Height |
Not Available |
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Not Available |
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Not Available |
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Not Available |
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Not Available |
Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
| Family |
| Parents |
Not Available |
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Not Available |
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Not Available |
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Not Available |
Dai Jinhua Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Dai Jinhua worth at the age of 65 years old? Dai Jinhua’s income source is mostly from being a successful feminist. She is from China. We have estimated Dai Jinhua's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
feminist |
Dai Jinhua Social Network
Timeline
Dai Jinhua is a Chinese feminist cultural critic.
She is a Professor in the Institute of Comparative Literature and Culture, Peking University.
Her research interests include popular culture, film studies, and gender studies.
She taught at the Beijing Film Academy before assuming professorship at the Institute of Comparative Literature and Culture and directorship of the Center for Film and Cultural Studies at Peking University.
She has long been engaged in the New Rural Reconstruction Movement and the Green movement.
She is the author of more than ten scholarly monographs.
Her works have been translated into English, French, German, Italian, Spanish, Japanese, and Korean.
Her literary, film and TV commentary have addressed an expanding audience in China, Taiwan and Hong Kong over the last decades.
Dai is known for her early critique of the self-Orientalizing tendencies of filmmakers considered to be part of China's Fifth Generation such as Zhang Yimou and Chen Kaige.
According to Dai, the historical imagery of their films tend to produce "oriental landscapes" that are oriented towards Western reception and prize recognition.
In addition, she has written extensively about the representation of women in Chinese film.
In one of her most well-known critiques, she examines the trope of gender-crossing through the myth of Hua Mulan (a woman who disguises herself as a man to join the army as a substitute for her father) in a series of women-centered films such as New Women, and revolutionary operas such as White-Haired Girl and the Red Detachment of Women.
For her, this myth usefully indicates how drag, which can be subversive of patriarchal systems, can also reinforce them.
Dai's work is generally critical of capitalism—she has been associated with the New Left. One of her analyses of consumerism in China traces the transformation of the word guangchang, which referred to the politicized space of the public square, but now is often used in the names of shopping centers.
She has also described the market for souvenirs and historical tours related to the Maoist era as "imaginary nostalgia" that acts as a “substitute for historical consciousness".
