Age, Biography and Wiki
Cressida Campbell was born on 8 July, 1960 in Sydney, Australia, is an Australian artist (born 1960). Discover Cressida Campbell's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 64 years old?
| Popular As |
N/A |
| Occupation |
N/A |
| Age |
64 years old |
| Zodiac Sign |
Cancer |
| Born |
8 July, 1960 |
| Birthday |
8 July |
| Birthplace |
Sydney, Australia |
| Nationality |
Sydney
|
We recommend you to check the complete list of Famous People born on 8 July.
She is a member of famous artist with the age 64 years old group.
Cressida Campbell Height, Weight & Measurements
At 64 years old, Cressida Campbell height not available right now. We will update Cressida Campbell's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Who Is Cressida Campbell's Husband?
Her husband is Warren Macris (m. 2022)
| Family |
| Parents |
Not Available |
| Husband |
Warren Macris (m. 2022) |
| Sibling |
Not Available |
| Children |
Not Available |
Cressida Campbell Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Cressida Campbell worth at the age of 64 years old? Cressida Campbell’s income source is mostly from being a successful artist. She is from Sydney. We have estimated Cressida Campbell's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
artist |
Cressida Campbell Social Network
Timeline
Campbell's technique is based on 'white line' printmaking, a technique pioneered by the Provincetown Printers of Massachusetts in 1913.
She is described as following in the footsteps of Margaret Preston and Thea Proctor.
She created a suite of painted woodblocks to celebrate the life and home of Campbell's friend and fellow artist, Margaret Olley.
Campbell was appointed a Member of the Order of Australia in the 2024 Australia Day Honours for "significant service to the visual arts".
Campbell’s work is held in the following collections: Art Gallery of New South Wales (9 works), and the National Gallery of Australia (4 works).
Two photos of Campbell are featured in the National Portrait Gallery in Canberra.
She studied at East Sydney Technical College in 1978 and 1979.
Campbell held her first solo show in Sydney in 1979.
Campbell spent several weeks at the Yoshida Hanga Academy in Tokyo in 1985.
From this she learned how to lead the eye around the picture plane using composition.
Through the 1990s and the 2000s, she showed work with Rex Irwin Art Dealer (now Olsen Irwin).
From 1994 she also showed with Phillip Bacon Galleries in Brisbane.
Later Campbell worked with the Sophie Gannon gallery in Melbourne.
She exhibited in London in 2001 (when Germaine Greer introduced her at the opening) and 2003.
A major exhibition surveying her work was held at the National Gallery of Australia in Canberra in 2022.
As of 2006, her technique has centered on painting her woodblocks in preparation for hand-printing with them.
An image is drawn on wood, carved, wetted and passed through a press with paper.
Two artworks are then created - one on paper, and one on wood.
Her work emphasizes colour and design.
It echoes the flattened picture plane of Japanese ukiyo-e-prints ,whilst being anchored in contemporary Australia.
The Japanese artist Kitagawa Utamaro is one of several artists who have influenced her work.
Campbell exhibits prints and hand painted woodblocks as artworks in their own right.
Her first husband Peter Crayford died in 2011.
She married Warren Macris in April 2022.
She lives in the Sydney suburb of Bronte, in her home studio.
