Age, Biography and Wiki

Claudia Stevens was born on 1949, is an American musician. Discover Claudia Stevens's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 75 years old?

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Age 75 years old
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Born 1949, 1949
Birthday 1949
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We recommend you to check the complete list of Famous People born on 1949. She is a member of famous musician with the age 75 years old group.

Claudia Stevens Height, Weight & Measurements

At 75 years old, Claudia Stevens height not available right now. We will update Claudia Stevens's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

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Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

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Claudia Stevens Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Claudia Stevens worth at the age of 75 years old? Claudia Stevens’s income source is mostly from being a successful musician. She is from . We have estimated Claudia Stevens's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Source of Income musician

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Timeline

1949

Claudia Stevens (born 1949) is an American musician, performance artist and librettist.

Initially a pianist specializing in contemporary music, she is recognized for creating and performing widely an array of interdisciplinary solo performance works, and for her collaborations with composer Allen Shearer as librettist of twelve operas.

Claudia Stevens was born in Redding, California on May 29, 1949 and attended Vassar College, graduating summa cum laude with the Frances Walker Prize in piano performance.

1966

Series 1: Claudia Stevens’ papers as pianist and in the commissioning and advocacy of music of the second half of the twentieth century, 1966-2003 (includes Roger Sessions and Elliott Carter commissioning projects);

1967

Archives of Stevens’ papers and original works: Claudia Stevens Papers, 1967-continuing, Swem Library Special Collections, College of William and Mary:

1972

She also attended the University of California at Berkeley (MA in musicology, Alfred Hertz Fellowship, 1972) and twice was a fellow in piano at the Tanglewood Music Center.

1977

She studied piano with Leon Fleisher, Arie Vardi and Leonard Shure, receiving the DMA from Boston University in 1977.

In 1977 Stevens joined the Music faculty at the College of William and Mary, where her papers and an archive of her original works and recordings are housed.

1979

Stevens' piano performances focused on new music, with recitals in 1979 and 1981 at the National Gallery in Washington, DC in honor of Roger Sessions and Aaron Copland.

1980

Aaron Copland House: Papers devoted to Stevens' commissioning project honoring Aaron Copland, 1980–81.

1983

Her 1983 Carnegie Recital Hall concert honoring Elliott Carter was sponsored by the New York Composers' Forum.

Stevens commissioned over twenty American composers, including Shulamit Ran, Samuel Adler, Robert Xavier Rodriguez, Andrew Imbrie, Allen Shearer, Sheila Silver, Betsy Jolas, Ellen Taaffe Zwilich, Jeffrey Mumford and Vivian Fine, to contribute new pieces for those recitals, also performing them in Dallas and Boston's Jordan Hall.

Most of the compositions, including two of her own, were published in the journal Perspectives of New Music.

1985

In 1985 Stevens launched a career as a musical and dramatic solo performer, creating a repertoire of some twenty original works, first in collaboration with composers including Vivian Fine in The Heart Disclosed (1988) and Fred Cohen in An Evening with Madame F (1989), which was televised and presented in performance continuously for twenty-five seasons.

1986

Series 2: Works of Claudia Stevens as interdisciplinary performer, writer, composer, playwright and librettist, 1986 - continuing.

Audiovisual collection in Manuscripts mss.

1.04 includes audio VHS and DVD recordings, radio and television broadcasts.

1989

University of Richmond, Boatwright Library: Claudia Stevens' papers and memorabilia re performances of "An Evening with Madame F," 1989 - 2006

1992

By the 90's, portraying Felice Bauer in Felice to Franz (1992) and multiple characters in Playing Paradis (1994), Stevens was composing both music and text.

1999

A Table Before Me (1999) and In the Puppeteer's Wake (2000), of which Baltimore Sun theater critic J. Wynn Rousuck wrote, "Claudia Stevens is a performance artist adept at using the unlikely to unearth unexpected truths," drew on Stevens' Holocaust-related family history.

2001

Dreadful Sorry, Guys (2001), one of three works published by Andrei Codrescu in his poetry journal Exquisite Corpse, dealt with hate crimes and homophobia.

2004

The Poisoner on the Train (2004) was staged by Baltimore Theater Project to commemorate the World Trade Center terrorist attacks.

2007

Blue Lias, or the Fish Lizard's Whore (2007), about fossil hunter Mary Anning, explored controversies between science and religion.

Its presentations around the Charles Darwin bi-centennial included the Cleveland Museum of Natural History.

2008

Flea (2008) and Pigeon (2011), about naturalist Miriam Rothschild, dealt with human-animal relations.

2012

Pitch (2012), a memoir about musical awakening; Red Currants, Black Currants (2013), about Irene Nemirovsky's last months; Teaching Moments (2015) and Fragments Shored Against Ruins (2018), about Beethoven's failed idealism, were created for Sonic Harvest in Berkeley.

In collaboration with composer Allen Shearer, Stevens created librettos for twelve operas: