Clara Ward

Ward's mother, Gertrude Mae Ward (née Murphy; 1901–1981), founded the Ward Singers in 1931 as a family group, then called, variously, the Consecrated Gospel Singers or the Ward Trio, consisting of herself, her youngest daughter Clara, and her elder daughter, Willarene Mae ("Willa," 1920-2012).

Clara Mae Ward (April 21, 1924 – January 16, 1973) was an American gospel singer who achieved great artistic and commercial success during the 1940s and 1950s, as leader of the Famous Ward Singers.

A gifted singer and arranger, Ward adopted the lead-switching style, previously used primarily by male gospel quartets, creating opportunities for spontaneous improvisation and vamping by each member of the group, while giving virtuoso singers such as Marion Williams the opportunity to perform the lead vocal in songs such as "Surely, God Is Able" (among the first million-selling gospel hits), "How I Got Over" and "Packin' Up".

Ward recorded her first solo song in 1940, and continued accompanying the Ward Gospel Trio, thereafter.

The Ward Singers began touring nationally in 1943, following a memorable appearance at the National Baptist Convention held in Philadelphia, Pennsylvania, earlier that year.

Henrietta Waddy joined the group in 1947.

The group's performance style, such as the mimed packing of suitcases as part of the song "Packin' Up", condemned by some gospel music purists as "clowning", was wildly popular with their audiences.

The addition of Marion Williams brought to the group a powerful singer with a preternaturally broad range, able to reach the highest registers of the soprano range without losing either purity or volume, with the added ability to descend "growling low notes" in the style of a country preacher.

Williams' singing style helped make the group nationally popular when they began recording in 1948.

In 1949, the Ward Singers toured from Philadelphia to California in their new Cadillac, appeared on national television programs, and recorded for the Miltone Record Company of Los Angeles.

The Miltone recordings were purchased in a multi-artist package by Gotham Record Company, which had moved to Philadelphia.

Gotham's Irv Ballen recorded some new Ward material, including "Surely God Is Able", and some of the Ward Singers' Gotham recordings were transferred to Savoy Record Company in Newark, New Jersey to settle a contract dispute.

When Savoy began contracting with the Ward Singers for new recordings in the 1950s, they were primarily recorded and engineered in Bergen County, New Jersey by Rudy Van Gelder.

In 1950, Clara Ward and the Ward Singers of Philadelphia made their first Carnegie Hall appearance on a gospel program titled Negro Music Festival, produced by gospel music pioneer, Joe Bostic, sharing the stage with Mahalia Jackson, appearing at the famed venue for Bostic's program in 1952, as well.

Gertrude Ward created a booking agency for gospel acts, sponsored tours under the name "the Ward Gospel Cavalcade", established a publishing house for gospel music, and wrote an instructional manual for churches, detailing how to promote gospel programs.

Gertrude created and managed a second group, "the Clara Ward Specials", to accompany the Ward Singers.

Although as musical director of the Ward franchise, Clara was willing to share the spotlight with her talented co-singers, she and her mother were allegedly reticent about sharing the group's financial rewards with other members, as well.

According to Willa Ward's biography of Clara Ward, with the exception of Gertrude and Clara, Willa and other members of the group were grossly underpaid.

In addition, their meager earnings were further reduced as Gertrude and Clara provided the group's housing and charged them for it.

Accordingly, stars such as Marion Williams and Frances Steadman not only had to accept second billing and lesser pay for their work, but pay their employers rent out of their earnings.

By this time, gospel singer Albertina Walker formed her group, the Caravans, in 1952, following the advice of her mentor Mahalia Jackson, and their group began to grow in popularity.

Williams left the group in 1958, when her demand for a raise and reimbursement for hotel expenses was rejected.

She was followed shortly thereafter by the rest of the group — Henrietta Waddy, Esther Ford, Frances Steadman and Kitty Parham — who formed a new group, "the Stars of Faith".

Their departure marked the end of the glory days for the Ward Singers, who later alienated much of their churchgoing audience by performing in Las Vegas, nightclubs, and other secular venues in the 1960s.

Ward was the first gospel singer to sing with a 100-piece symphony orchestra in the 1960s.

The Clara Ward Singers recorded an album together on the Verve label, V-5019, The Heart, the Faith, the Soul of Clara Ward, and the Ward Singers performed their music live in Philadelphia with the city's Symphony and the Golden Voices Ensemble.

Ward sang backup for pop artists with her sister Willa's background group, most notably on Dee Dee Sharp's hit, "Mashed Potato Time", which reached #2 on the Billboard Hot 100 in 1962.

In 1963, Clara Ward was the second gospel singer to sing gospel songs on Broadway in Langston Hughes' play Tambourines to Glory(the first being her former group members, which were known as the Stars of Faith, which starred Langston Hughes in the first Gospel stage play and first play that featured an all black cast to be produced on Broadway, The Black Nativity.) She was also the play's musical director.

In 1968, the Clara Ward Singers toured Vietnam at the request of the U.S. State Department and the U.S.O.

It was a popular war-time tour supported by recorded radio broadcasts of the Ward Singers on U.S. Armed Forces Radio.

The Ward Singers narrowly missed death when their hotel in Vietnam was bombed and several guests died.

In 1969, Ward recorded an album for Capitol Records, Soul and Inspiration, consisting of pop songs from Broadway plays, Hollywood movies and the Jimmy Radcliffe song of hope "If You Wanna Change the World".

The album was later reissued on the Capitol's budget Pickwick label minus one track.

In the same year, she recorded an album in Copenhagen, Denmark on the Philips label, Walk A Mile In My Shoes, which included the pop title song, other pop songs (such as "California Dreaming") and a few gospel songs.

Ward also recorded an album for MGM/Verve, Hang Your Tears Out To Dry, which included country and Western, blues/folk, pop and an arrangement of the Beatles' hit song, "Help".

Ward was invited back to Vietnam by U.S.O. in 1969 for several more months.

These war-time tours were filmed and all the Ward Singers were given special certificates of recognition by the U.S. Army.

Ward co-starred in the Hollywood movie A Time to Sing, starring Hank Williams, Jr., and Shelley Fabares, Ed Begley.

Her 1972 album Uplifting on United Artists, produced by Nikolas Venet and Sam Alexander, included an interpretation of Bill Wither's pop hit "Lean On Me" and a rearrangement of the Soul Stirrer's 1950's recording of "Thank You, Jesus".

Also in 1972 Ward, because she was under exclusive contract to United Artists at this time, provided vocals for a Canned Heat's album The New Age, on the ballad "Lookin' For My Rainbow"; it was released on that album and as a single 45 rpm record.