Age, Biography and Wiki

Christian Moeller was born on 2 December, 1959 in Frankfurt am Main, Germany, is a Christian Moeller is sculpture. Discover Christian Moeller's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 64 years old?

Popular As N/A
Occupation N/A
Age 64 years old
Zodiac Sign Sagittarius
Born 2 December, 1959
Birthday 2 December
Birthplace Frankfurt am Main, Germany
Nationality American

We recommend you to check the complete list of Famous People born on 2 December. He is a member of famous with the age 64 years old group.

Christian Moeller Height, Weight & Measurements

At 64 years old, Christian Moeller height not available right now. We will update Christian Moeller's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
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Christian Moeller Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Christian Moeller worth at the age of 64 years old? Christian Moeller’s income source is mostly from being a successful . He is from American. We have estimated Christian Moeller's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income

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Timeline

1959

Christian Moeller (born December 2, 1959) is a sculpture and installation artist, professor and Chair of the Department of Design Media Arts at University of California, Los Angeles UCLA He was born in Frankfurt am Main, Germany where he lived and worked until moving to the United States in 2001.

His interactive work has been shown at museums, galleries and art festivals internationally.

Many more recent works can be seen as urban scale objects and installations in public spaces.

Growing up in Frankfurt, Moeller received his first professional education in a construction company where he trained as a draftsman in structural engineering.

At age nineteen, he took a job opportunity in West Africa working for a railway construction project producing topographic and geological maps in Booué, a small village on the banks of the Ogooué river in central Gabon.

1981

Following his return to Germany in 1981, Moeller studied architecture at the College of Applied Sciences in Frankfurt and under Gustav Peichl at the Academy of Fine Arts in Vienna.

1990

While working at the architecture firm Günther Behnisch in Stuttgart, he began his transition into the arts, joining the Institute for New Media in the Städelschule, Frankfurt under Peter Weibel in 1990.

Moeller first gained widespread recognition working with electronic media technologies to produce innovative and intense physical events.

His media installations ranged from handheld objects to architectural scale installations.

Many of his works throughout the 1990s interrogated and explored the synergies between architecture, sound, technology, and moving images.

1992

A pioneer in this field, he created novel works like the media facade “Kinetic Light Sculpture” in 1992 in collaboration with the architect Rüdiger Kramm and the interactive dance piece “Electro Clips” with Stephen Galloway, the principal dancer at William Forsythe’s Ballet Frankfurt at the time.

2001

Moeller taught as a professor at the State College of Design in Karlsruhe, Germany until moving to the United States in 2001.

Currently, he is professor in the UCLA department of Design Media Arts and operates his studio in the Elysian Valley (Frogtown) neighborhood of Los Angeles, California.

Over the past two decades, Moeller’s work has been increasingly focused on the field of public art where he usually works with metal or composites.

Many of his works have become iconic landmarks such as “Stix” in Nashville, Tennessee and “Hands” in San Jose, California.