Age, Biography and Wiki
Catherine Liu was born on 1964, is an American cultural theorist. Discover Catherine Liu's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 60 years old?
Popular As |
N/A |
Occupation |
N/A |
Age |
60 years old |
Zodiac Sign |
|
Born |
1964, 1964 |
Birthday |
1964 |
Birthplace |
N/A |
Nationality |
|
We recommend you to check the complete list of Famous People born on 1964.
She is a member of famous with the age 60 years old group.
Catherine Liu Height, Weight & Measurements
At 60 years old, Catherine Liu height not available right now. We will update Catherine Liu's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
Physical Status |
Height |
Not Available |
Weight |
Not Available |
Body Measurements |
Not Available |
Eye Color |
Not Available |
Hair Color |
Not Available |
Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
Family |
Parents |
Not Available |
Husband |
Not Available |
Sibling |
Not Available |
Children |
Not Available |
Catherine Liu Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Catherine Liu worth at the age of 60 years old? Catherine Liu’s income source is mostly from being a successful . She is from . We have estimated Catherine Liu's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
|
Catherine Liu Social Network
Instagram |
|
Linkedin |
|
Twitter |
|
Facebook |
|
Wikipedia |
|
Imdb |
|
Timeline
Catherine Liu (born 1964) is an American cultural theorist and author whose areas of research include Sinophone cinema, French literature, critical theory, identity politics, and visual arts.
She is known for her critique of the professional–managerial class.
Liu earned a B.A. from Yale College and a Ph.D. from CUNY Graduate Center.
She previously taught at the University of Minnesota, Twin Cities and Bard College before accepting a position at the University of California, Irvine.
Liu is professor in the Departments of Film and Media Studies/Visual Studies, Comparative Literature and English at the University of California, Irvine, where she also served as director of the UCI Humanities Center.
In 2000, she published Copying Machines: Taking Notes for the Automaton with the University of Minnesota Press. In 2011, she published The American Idyll: Academic Anti-Elitism as Cultural Critique with the University of Iowa Press which addresses the abuse of populist mistrust of elites and its relationship to anti-intellectualism in American cultural politics.
Her most recent book published in 2021, Virtue Hoarders: The Case Against the Professional Managerial Class, is a polemical call to reject making a virtue out of taste and consumption habits.
She argues that the class stands in the way of social justice and economic redistribution by promoting meritocracy, philanthropy, and other self-serving operations as an individualist path to a better world.
She is also co-editor of the 2007 book, The Dreams of Interpretation: A Century down the Royal Road, a reexamination of the legacy of Freud.
As President of the Western Humanities Alliance, she edited a special issue of the Western Humanities Review (2016) on the topic of prestige.
For several years she organized a project about urban history and planned communities.
Her research and teaching focuses on the intellectual history and formation of cultural criticism, the history of the professional-managerial class, psychoanalytic theory, the political economy of cultural revolutions, and the work of the Frankfurt School and Walter Benjamin.
She has also published on various topics in art criticism, museum history, and cultural politics.