Age, Biography and Wiki
Cassandra Miller was born on 1976 in Metchosin, Canada, is a Canadian experimental composer. Discover Cassandra Miller's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 48 years old?
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48 years old |
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1976 |
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Metchosin, Canada |
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Canada
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She is a member of famous composer with the age 48 years old group.
Cassandra Miller Height, Weight & Measurements
At 48 years old, Cassandra Miller height not available right now. We will update Cassandra Miller's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
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Cassandra Miller Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Cassandra Miller worth at the age of 48 years old? Cassandra Miller’s income source is mostly from being a successful composer. She is from Canada. We have estimated Cassandra Miller's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
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composer |
Cassandra Miller Social Network
Timeline
Cassandra Miller (born Metchosin, British Columbia, Canada, 1976) is a Canadian experimental composer currently based in London, England.
Her work is known for frequently utilising the process of transcription of a variety of pre-existing pieces of music.
From 2010 to 2013, Miller also was artistic director of the concert series "Innovations en concert" in Montreal.
Miller often bases her work on pre-existing music, for example: a computer transcription of Kurt Cobain singing the folk song "Where Did You Sleep Last Night?", in For Mira (2012), written for violinist Mira Benjamin, a recording of Maria Callas singing "Vissi d’arte" from Puccini's opera Tosca in Bel Canto (2010), and a recording by Mozambican mbira player Zhukake Masingi in Philip the Wanderer (2012).
Her work takes these transcriptions as starting points, investigating her response to the music through processes of repetition and looping.
Often the source material is unrecognisable in Miller's finished works.
Her works employ musical notation, but also sometimes recordings of the source music, which performers learn by memory, such as a recording of the blues singer Maria Muldaur, which Miller uses in her piece Guide (2013).
Miller returned to academic research in 2014, as a PhD candidate at the University of Huddersfield, supervised by Dr Bryn Harrison and supported by the Jonathan Harvey Scholarship.
Miller's music has been commissioned and performed by orchestras including BBC Scottish Symphony Orchestra, the Oslo Philharmonic, the Toronto Symphony Orchestra and the Winnipeg Symphony Orchestra.
Ensembles who have performed her work include EXAUDI Vocal Ensemble, the London Sinfonietta, I Musici de Montréal, Ensemble Plus-Minus, Ensemble contemporain de Montréal, and Continuum Contemporary Music.
She has ongoing artistic relationships with the soprano Juliet Fraser and the Canadian string quartet Quatour Bozzini, for whom she wrote the pieces About Bach (2015), Leaving (2011), Warblework (2011) and Just So (2008/2018).
She has been widely commissioned by international orchestras, ensembles and soloists, and has won the Jules Léger Prize for New Chamber Music twice, in 2016 and in 2011.
Since 2018, she has been Professor of Composition at the Guildhall School of Music and Drama in London, UK.
These four works were released as an album by the label Another Timbre in 2018, alongside a second album of her orchestra and ensemble music.
Miller moved to London to take up the post of Associate Head of Composition (Undergraduate) at the Guildhall School of Music and Drama in September 2018.
In March 2023, her viola concerto, I cannot love without trembling, was premiered.
This piece was commissioned by violist Lawrence Power, BBC Radio 3, Canada's National Arts Centre Orchestra, and the Scottish Chamber Orchestra.
In 2019, writers of The Guardian ranked her Duet for cello and orchestra (2015) the 19th greatest work of art music since 2000, with Kate Molleson writing, "Miller is a master of planting a seed and setting in motion an entrancing process, then following through with the most sumptuous conviction."