Age, Biography and Wiki
Carl Dennis was born on 17 September, 1939 in St. Louis, Missouri, is an American poet and educator. Discover Carl Dennis's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 84 years old?
Popular As |
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Occupation |
Poet and college professor |
Age |
84 years old |
Zodiac Sign |
Virgo |
Born |
17 September, 1939 |
Birthday |
17 September |
Birthplace |
St. Louis, Missouri |
Nationality |
United States
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We recommend you to check the complete list of Famous People born on 17 September.
He is a member of famous poet with the age 84 years old group.
Carl Dennis Height, Weight & Measurements
At 84 years old, Carl Dennis height not available right now. We will update Carl Dennis's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Not Available |
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Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Not Available |
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Not Available |
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Not Available |
Carl Dennis Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Carl Dennis worth at the age of 84 years old? Carl Dennis’s income source is mostly from being a successful poet. He is from United States. We have estimated Carl Dennis's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
poet |
Carl Dennis Social Network
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Timeline
Carl Dennis (born September 17, 1939) is an American poet and educator.
Born in St. Louis, Missouri, on September 17, 1939, Dennis attended Oberlin College and the University of Chicago before receiving his bachelor's degree from the University of Minnesota in 1961.
In 1966, Dennis received his Ph.D. in English literature from the University of California, Berkeley.
Dennis has received several prizes for his poetry in addition to the Pulitzer Prize for Poetry, including a Fellowship at the Rockefeller Study Center in Bellagio, Italy, a Guggenheim Fellowship (1984), a National Endowment for the Arts Fellowship in Poetry (1988), and the Ruth Lilly Poetry Prize (2000).
Dennis writes often of quotidian, middle-class life, but beneath the modest, reasonably lighted surfaces of the poems lie unexpected possibilities that create contrast and vibrancy.
An example from his 1984 collection The Near World is "The Man on My Porch Makes Me an Offer," which begins:
William Slaughter has given a close reading of this poem in an essay comparing poems by William Stafford, Dennis, and Louis Simpson.
The form of Dennis's poem - a plainspoken, dramatic monologue - is fairly characteristic of his poetry.
In the poem "Progressive Health" (from Practical Gods) Dennis uses a similar approach for a proposition that is a bioethicist's nightmare.
In some of his more recent poems, Dennis invokes guardian angels and other domestic deities to animate his poetry.
In his 1984 review, Tom Sleigh addressed the originality of Dennis's art: ""The reader feels hemmed in by Mr. Dennis's laconic truths because they make visible the narrow cage of circumstance and contingency in which we live.
Many poets attempt this, but how many succeed?
His distinctive force originates in his insidious determination to stay inside that cage, to map it inch by inch and find there - or nowhere - the justifications for human action.""
His book Practical Gods won the 2002 Pulitzer Prize for poetry.
That same year he became an assistant professor of English at University at Buffalo, where he has spent most of his career; in 2002, he became an artist-in-residence there.
Dennis has also served on the faculty of the graduate program at Warren Wilson College.
In his 2004 review, David Orr wrote: ""In 'The God Who Loves You,' his strongest poem in this vein, Dennis avoids bathos by deftly changing the focus from our own anguish at missed opportunities to the grief of the god who loves us.
Dennis's language here is so quiet and straightforward that when he alters course yet again to imagine the transformation of a god in the mind of his reader, the change seems natural.
This is public poetry that sounds private -- an achievement that's easy to underestimate.""