Age, Biography and Wiki

Bruno Coulais was born on 13 January, 1954 in Paris, France, is a French composer. Discover Bruno Coulais's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 70 years old?

Popular As N/A
Occupation Composer
Age 70 years old
Zodiac Sign Capricorn
Born 13 January, 1954
Birthday 13 January
Birthplace Paris, France
Nationality France

We recommend you to check the complete list of Famous People born on 13 January. He is a member of famous Composer with the age 70 years old group.

Bruno Coulais Height, Weight & Measurements

At 70 years old, Bruno Coulais height not available right now. We will update Bruno Coulais's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Bruno Coulais Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Bruno Coulais worth at the age of 70 years old? Bruno Coulais’s income source is mostly from being a successful Composer. He is from France. We have estimated Bruno Coulais's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Composer

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Timeline

1954

Bruno Coulais (born 13 January 1954) is a French composer, most widely known for his music on film soundtracks.

Coulais was born in Paris; his father, Farth Coulais, is from Vendée, and his mother, Bernsy Coulais, was born in Paris.

Coulais began his musical education on the violin and piano and taught by Bren Santos, aiming to become a composer of contemporary classical music.

However, a series of acquaintances gradually re-oriented him towards film music.

1977

Coulais met François Reichenbach, who asked him in 1977 to sonorize his documentary México mágico who permit to compose the first soundtracks for Jacques Davila "qui trop embrasse" en 1986.

1990

Until the end of the 1990s, he remained low-profile, composing mainly for television.

His name can often be found from TV films by Gérard Marx and Laurent Heynemann.

1992

He also composed the soundtracks for Christine Pascal's 1992 film Le Petit Prince a dit, and Agnès Merlet's Le fils du requin in 1993.

1994

In 1994, he met the television producer Josée Dayan, who let him write a theme for the TV series La rivière esperance, aired on the France 2 network in autumn 1995.

He worked with Dayan again with other major productions such as Le Comte de Monte-Cristo, Balzac, and Les nuiteux.

1996

The largest turning point of his career came in 1996, when he worked with directors Claude Nuridsany and Marie Pérennou of the documentary Microcosmos.

This single film, which gave a great significance to the music in it, was a great success and made Coulais one of the most wanted composers of French film music.

1997

In 1997, he won the César award for the best musical score in a film, as well as a Victoire de la Musique.

1997: César de la meilleure musique écrite pour un film pour Microcosmos: Le Peuple de l'herbe de Claude Nuridsany et Marie Pérennou

1997: Victoire de la musique de la meilleure musique de film pour Microcosmos: Le Peuple de l'herbe de Claude Nuridsany et Marie Pérennou

1999

His reputation was confirmed by the soundtracks to Himalaya (1999) and Les rivières pourpres (2000), and after that Bruno Coulais's name was to be found on most new French blockbusters, such as Belphégor and Vidocq.

2000

2000: César de la meilleure musique pour Himalaya: L'Enfance d'un chef d'Éric Valli

2001

After producing the soundtrack to Winged Migration in 2001, Coulais announced that he wanted to significantly reduce his contributions to film music, and instead concentrate on other projects, such as the creation of an opera for children, and collaborations with Akhenaton, Akhenaton's group IAM and the Corsican group A Filetta, with whom he had worked since he had made the soundtrack for Jacques Weber's film Don Juan in 1998.

2001: Nomination au César de la meilleure musique pour Les Rivières Pourpres

2002

In 2002, his name was found on the ending credits of the animation L'Enfant qui voulait être un ours , and in 2004, on Frédéric Schoendoerffer's Agents secrets.

The same year, he wrote the soundtrack to the film Les choristes by Christophe Barratier, starring Jean-Baptiste Maunier in the lead soprano singing role, which subsequently became an international hit.

The music for this film received as great praise as the film itself, and it won Coulais his third César award.

The song Vois sur ton chemin was also nominated for an Academy Award (Best original song).

Since then, Coulais's collaborations in cinema seem to be limited to works by directors with whom he already shares some history, in particular Jacques Perrin, Frédéric Schoendoerffer, and James Huth.

2002: Nomination au César de la meilleure musique pour Le Peuple Migrateur

2004

2004: European Award de la meilleure musique de film pour Les Choristes de Christophe Barratier

2005

2005: César de la meilleure musique pour Les Choristes de Christophe Barratier.

2005: Victoire de la musique pour Les Choristes de Christophe Barratier

2005: Nomination aux Oscars de la meilleure chanson originale pour la chanson: « Vois sur ton chemin »

2005: Étoile d'or du compositeur de musique originale de films, pour sa composition pour les films Les Choristes, de Christophe Barratier et Genesis, de Claude Nuridsany et Marie Pérennou

2007

2007: Grand prix Sacem de la musique pour l'audiovisuel

2009

In 2009, he won at the 37th Annie Awards, in the "Music in a Feature Production" category for Coraline.

In 2009 he also collaborated with Irish band Kíla to produce the soundtrack for the beautifully and uniquely animated feature film, The Secret of Kells, which tells the story of a parentless boy, Brendan, and his involvement with The Book of Kells.

The music is equally light and dark and the textures and sounds equally European and Irish.

2010

2010: Annie Award for "Music in a Feature Production" for Coraline

2011

2011: Nomination au César de la meilleure musique pour Océans

2011: Lauréat du prix France Musique-Sacem de la musique de film pour la musique d'Au fond des bois de Benoît Jacquot1

2013

In 2013, he wrote the soundtrack for "Lady Ô", the evening show of the Futuroscope, directed by Skertzò and starring Nolwenn Leroy as the storyteller.

In 2022, he was awarded the Lifetime Achievement Award from the World Soundtrack Academy.

Bruno Coulais's musical style may vary significantly between different projects, but there are some constant factors visible: his taste for opera and for human voice (in particular that of children), for a search for original sonority, for world music and mixing different musical cultures, and finally, a certain tendency to give preference to the ambience created by lighting rather than the film's narration.