Bruce Onobrakpeya

Bruce Obomeyoma Onobrakpeya (born 30 August 1932) is a Nigerian printmaker, painter and sculptor.

He has exhibited at the Tate Modern in London, the National Museum of African Art of the Smithsonian Institution in Washington, D.C., and the Malmö Konsthall in Malmö, Sweden.

The National Gallery of Modern Art, Lagos has an exhibit of colourful abstract canvases by Onobrakpeya

and his works can be found at the Virtual Museum of Modern Nigerian Art, although no exhibitions were showing.

Bruce Onobrakpeya was born in Agbarha-Otor in Delta State, son of an Urhobo carver.

He was raised as a Christian, but also learned the traditional beliefs.

His family moved to Benin City, Edo State, when he was a child.

He attended Western Boys High School, where he was taught Art by Edward Ivehivboje, among other subjects.

He also attended drawing classes at the British Council Art Club in Benin City.

Onobrakpeya was inspired by the watercolour paintings of Emmanuel Erabor.

After leaving high school, Onobrakpeya was hired as an art teacher at the Western Boys High School (1953–56).

In 1956 he left for Ondo, where he taught at the Ondo Boys High School for a year.

In October 1957 Onobrakpeya was admitted to the Nigerian College of Arts, Science and Technology, now the Ahmadu Bello University, Zaria.

Funded by a Federal Government Scholarship, he was trained in the Western tradition of representational art.

At the same time, he began to experiment with forms in relation to Nigerian folklore, myths and legends.

Much of his work uses stylistic elements and compositions derived from traditional African sculpture and decorative arts.

The first segment is the Mythical Realism (1957–62), which represents paintings, and lino cut prints that depict folklore themes, and Northern landscapes (Zaria).

This is the period of his early development as an' artist, which coincided with Nigeria's Independence.

The idea of projecting the African personality was of major importance to the artists of this period.

It was also at this time that the Zaria Arts Society, the forerunner of the Society of Nigerian Artists (SNA), was formed and accompanied by the propagation of the concept of "natural synthesis".

Works in this category include the paintings: Awhaire & the Bird, Hunters Secret, and A Tree in Northern Landscape, and the Lino Cut Prints Zaria Indigo, Two Faces, Boli Woman and Awakening (Negritude)

The Zaria Arts Society, a discussion group which would later be called the Zaria Rebels, was formed on 9 October 1958 by a group of art students at the college led by Uche Okeke with the aim of "decolonizing" the visual arts as taught by expatriate Europeans.

Onobrakpeya has said that the college gave him technical skills but the Zaria Arts Society shaped his perspectives as a professional artist.

The society gave him the confidence to seek a personal expressive idiom.

He elongated his figures, ignored perspective and evoked the supernatural through ambiguous decorations.

Onobrakpeya later attended a series of printmaking workshops in Ibadan, Oshogbo, Ife and Haystack Mountain School of Crafts, Maine, US.

His first one-man exhibition was held in 1959 in Ughelli in the Niger Delta.

Later he exhibited in the US, Italy, Zimbabwe, Germany, Britain, Kenya and elsewhere.

Onobrakpeya was an important force in the renaissance in contemporary art in Nigeria.

For many years he taught at St. Gregory's College, Lagos.

Onobrakpeya created the Bruce Onobrakpeya Foundation, of which he is President, and which organises the annual Harmattan workshop in his home town of Agbara Otor, Delta State.

The second segment focuses on the artist's workshop experiments and his Bronzed lino relief series otherwise known as the Sunshine Period (1962–1967).

This is the period when he started to attend various workshops.

The foundation is an artist-led Non-Governmental Organization formed in 1999.

It aims to encourage the growth of art and culture by giving artists opportunities to gain skills, while increasing public awareness of African art and its benefits to society.

The foundation organised the Amos Tutuola Show, Lagos (2000).

It has participated in many other shows.

"Bruce Onobrakpeya is amongst the most successful artists to have emerged in West Africa during the 20th century, with continuing and commanding influence on the generation of artists in Nigeria, who have come to maturity in the post colonial period."

A definitive work on the art of Bruce Onobrakpeya would have to be an intense exercise.

Each of these segments represents specific periods in the artist's studio practice, which spans a period of over 50 years.