Age, Biography and Wiki

Brian Boydell was born on 17 March, 1917, is an Irish composer and musicologist. Discover Brian Boydell's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 83 years old?

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Age 83 years old
Zodiac Sign Pisces
Born 17 March, 1917
Birthday 17 March
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Date of death 8 November, 2000
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We recommend you to check the complete list of Famous People born on 17 March. He is a member of famous composer with the age 83 years old group.

Brian Boydell Height, Weight & Measurements

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Dating & Relationship status

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Brian Boydell Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Brian Boydell worth at the age of 83 years old? Brian Boydell’s income source is mostly from being a successful composer. He is from . We have estimated Brian Boydell's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Source of Income composer

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Timeline

1917

Brian Patrick Boydell (17 March 1917 – 8 November 2000) was an Irish composer whose works include orchestral pieces, chamber music, and songs.

He was Professor of Music at Trinity College Dublin for 20 years, founder of the Dowland Consort, conductor of the Dublin Orchestral Players, and a prolific broadcaster and writer on musical matters.

1935

Having completed his secondary education, Boydell spent the summer of 1935 developing his musical knowledge at Heidelberg, where he wrote his first songs and also studied organ.

1938

He won a choral scholarship to Clare College, Cambridge, where, perhaps through parental pressure, he studied natural science, graduating in 1938 with a first-class degree.

However, his love of music led him next to the Royal College of Music where he studied composition under Patrick Hadley, Herbert Howells, and Vaughan Williams.

Already a good pianist, Boydell also became a proficient oboe player during this time.

1940

As a surrealist painter in the 1940s (he took lessons from Mainie Jellett), he was a member of The White Stag group.

He was also passionate about cars and photography.

Following retirement from Trinity as Fellow Emeritus.

1942

Upon the outbreak of World War II, Boydell returned to Dublin and achieved further academic success in 1942 with a Bachelor of Music degree from Trinity College.

He also took further lessons in composition from John F. Larchet.

Boydell's busy working life combined teaching, performing and composing.

Following a brief stint in his father's business, Boydell plunged himself into Dublin's classical musical scene.

1943

In 1943, he succeeded Havelock Nelson as conductor of the Dublin Orchestral Players, beginning an association with the amateur orchestra that would endure for a quarter of a century (until 1966).

1944

In 1944, he was appointed Professor of Singing at the Royal Irish Academy of Music, a position he held for eight years.

1948

Along with fellow composers Edgar M. Deale, Aloys Fleischmann, and Frederick May he founded the Music Association of Ireland in 1948 as a vehicle to promote classical music throughout the country.

His first major success came in 1948 with In Memoriam Mahatma Gandhi, Op. 30, a 12-minute orchestral piece written in tribute to the recently assassinated Indian leader whom Boydell admired.

The composer conducted the Radio Éireann Symphony Orchestra at its premiere in the Phoenix Hall, Dublin.

1949

His first String Quartet, Op. 31, composed in 1949, won the Radio Éireann Chamber Music Prize.

1959

Boydell's interest in Renaissance music, in particular the madrigal, led in 1959 to founding the Dowland Consort, a vocal ensemble with which he performed for many years and recorded an LP.

1960

He also found time to sit on the Arts Council throughout the 1960s, 70s, and early 80s.

Boydell's communication skills combined with his infectious enthusiasm made him a natural broadcaster.

The appeal of his programmes on the history and performance of music, first on RTÉ Radio and later on Telefís Éireann, went beyond a specialist audience and were, for many people, their introduction to a new world of aural pleasure.

Boydell had many interests beyond music.

1961

Boydell arranged an orchestral version of Amhrán na bhFiann for RTÉ for the launch of their television service in 1961, which was played daily at the end of broadcasting for many years.

1962

In 1962, having obtained a Doctorate in Music, he was appointed Professor of Music at Trinity College (until 1982) and immediately revamped the course making it more relevant to the second half of the twentieth century.

2018

He was also a prolific musicologist specialising in 18th-century Irish musical history.

Brian Boydell was born in Howth, County Dublin, into a prosperous Anglo-Irish family.

His father James ran the family maltings business while his mother, Eileen Collins, was one of the first women graduates of Trinity College.

Following their son's birth, the Boydells moved from Howth and lived in a succession of rented houses before settling in Shankill, County Dublin.

The young Boydell began his formal education at Monkstown Park in Dublin and was subsequently sent to the Dragon School at Oxford.

From there he went to Rugby, where he came under the influence of Kenneth Stubbs, the music master.

Although Boydell later spoke of his resentment at the anti-Irish attitude he experienced at Rugby, he appreciated the very good education in science and music he received there.

Boydell devoted himself to musical scholarship, writing two books on the music of 18th century Dublin.

He also contributed to the New Grove Dictionary of Music and Musicians.

Brian Boydell died at his home in Howth at the age of 83 in the company of his wife of 56 years, Mary (née Jones) and their sons, Cormac and Barra.

A third son, Marnac, predeceased him.

As a young composer, Boydell was influenced by the music of Delius, Bartók, and Sibelius.

He wanted to write modern Irish music that followed the European tradition.

However, he also tried to avoid the temptation to incorporate folk tunes into his work to give it a distinctive national identity.