Age, Biography and Wiki

Brandon Jovanovich was born on 5 October, 1970 in Billings, Montana, United States, is an American operatic tenor (born 1970). Discover Brandon Jovanovich's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 53 years old?

Popular As N/A
Occupation N/A
Age 53 years old
Zodiac Sign Libra
Born 5 October, 1970
Birthday 5 October
Birthplace Billings, Montana, United States
Nationality United States

We recommend you to check the complete list of Famous People born on 5 October. He is a member of famous with the age 53 years old group.

Brandon Jovanovich Height, Weight & Measurements

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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Brandon Jovanovich Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Brandon Jovanovich worth at the age of 53 years old? Brandon Jovanovich’s income source is mostly from being a successful . He is from United States. We have estimated Brandon Jovanovich's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Timeline

1970

Brandon Jovanovich (born 5 October 1970) is an American operatic tenor whose repertoire encompasses Wagner, Puccini, Strauss, Britten, and from early Baroque to world premiere operas.

He is most known for his passionate portrayals of Slavic, French and German operas.

His signature roles include Don José in Bizet's Carmen, B. F. Pinkerton in Puccini's Madama Butterfly, Cavaradossi in Puccini's Tosca, and the title role in Wagner's Lohengrin.

1990

Jovanovich moved to New York City in the mid-1990s, where he dabbled in modeling, acting, musical theater, operetta and eventually opera.

1995

Between 1995 and 1999, he sang in seven operettas with that company both in New York and on tour, but it was his performance of Luiz in The Gondoliers that brought his first mention in the New York Times.

Brandon Jovanovich started singing professionally while at the Manhattan School of Music.

From New York Gilbert and Sullivan Players to New York City Opera's outreach program, he slowly cultivated a working relationship with companies in the New York area.

1996

Having apprenticed with the Santa Fe Opera in 1996 and 1997, he asked to sing the role of Giovanni in Daniel Catán's opera La hija de Rappaccini.

1998

He was awarded a scholarship and was enrolled at the Manhattan School of Music until 1998.

Concurrently he was singing with the New York Gilbert and Sullivan Players (NYGASP).

1999

His first major operatic role was in the summer of 1999 with Smetana's The Two Widows at the Chautauqua Opera.

2000

Abroad, his first foray into Europe was as Don José in l'Opera de Bordeaux's production of Carmen in 2000.

He has since gone on to perform major roles through both continents at leading opera houses.

Some of the highlights include the title role in The Tales of Hoffmann at La Scala; Don José at the Metropolitan Opera, Bayrische Staatsoper, Gran Teatro di Liceu, Deutsche Oper Berlin, Arena di Verona, Zurich Opera, Washington National Opera, de Vlaamse Opera, National Center for the Performing Arts (Beijing) and Chicago Lyric Opera; B. F. Pinkerton at the New York City Opera, San Francisco Opera, LA Opera, Santa Fe Opera, Staatstheater Stuttgart, Théâtre du Capitole de Toulouse and the Dallas Opera; Cavaradossi with de Vlaamse Oper, Oper Köln, Canadian Opera Company, Seattle Opera, Bregenz Festival and Opera de Bordeaux; the title role in Wagner's Lohengrin with the San Francisco Opera; Siegmund in Die Walküre with the San Francisco Opera and Baltimore Symphony; Bacchus in Strauss' Ariadne auf Naxos with the Lyric Opera of Chicago and Boston Lyric Opera; the title role in Verdi's Don Carlos with the Houston Grand Opera; Turiddu in Cavalleria rusticana at the Houston Grand Opera, Dallas Opera, Angers-Nantes Opéra, Palm Beach Opera and New York City Opera; Luigi in Puccini's Il tabarro with the San Francisco Opera and Angers-Nantes Opéra; Boris in Janáček's Káťa Kabanová at the Lyric Opera of Chicago; Steva in Janáček's Jenufa at the Bayrische Staatsoper and Angers-Nantes Opéra; the title role in Britten's Peter Grimes with Teatro di San Carlo in Napoli; Pollione in Bellini's Norma at Teatro Verdi (Trieste) and Angers-Nantes Opéra; the Earl of Essex in Britten's Gloriana at the Opera Theatre of Saint Louis; Des Grieux in Puccini's Manon Lescaut at La Monnaie (Brussels); and Sergei in Shostakovich's Lady Macbeth of Mtsensk at Zurich Opera and Austin Lyric Opera.

2007

The 2007 Richard Tucker Award winner keeps a demanding schedule that sees him performing in both concerts and operas through the world.

Brandon Jovanovich is a native of Billings, Montana.

He began singing in church choir at a young age.

Jovanovich excelled in sports and was awarded a football scholarship to the University of Mary in Bismarck, North Dakota.

After one year in North Dakota he applied for admission at Northern Arizona University and was accepted into the music department with a scholarship.

Initially, it was not his intention to become a singer but vocal performance was a requirement of the music program.

He was thought to be a bass-baritone at first and sang in the chorus in Carousel, then he was assigned as understudy for the role of Sarastro in The Magic Flute (in English).

When the principal was unable to perform, he had to take over.

He failed to meet some of the academic requirements for his music degree and so he switched to the theatre department in his final years, where he performed in roles from Neil Simon, Shakespeare and Sondheim.

2014

More contemporary works include the American premiere of Jonathan Dove's Flight as Bill at the Boston Lyric Opera and Opera Theatre of Saint Louis; Hans Buchner in the world premiere of Marco Tutino's Senso at Teatro Massimo (Palermo); the world premiere of David Carlson's Anna Karenina as Constantin Levin with Opera Theatre of Saint Louis and Florida Grand Opera; as Boconnion in the American premiere of Richard Rodney Bennett's The Mines of Sulphur with Glimmerglass Opera; Lord Geoffrey in the American premiere of The Picture of Dorian Gray by Lowell Liebermann at the Florentine Opera (Milwaukee); and the San Francisco Opera premiere of Carlisle Floyd's Susannah in 2014.