Bobbi Sykes

Born Roberta Barkley Patterson in Townsville, Queensland, sometime in the 1940s, Sykes was raised by her white mother, Rachel Patterson, and never knew her father.

Sykes says in her autobiography that his identity is unknown, and her mother told her a number of different accounts about him; variously that he was Fijian, Papuan, African American, and Native American.

The most consistent and plausible version was that he was an African American soldier stationed in Australia during World War II.

Although she fought hard for Australian Aboriginal rights, she herself was not of Australian Aboriginal descent.

She was sometimes criticised for not correcting the record when others assumed she was Aboriginal.

Roberta "Bobbi" Sykes (16 August 1943 – 14 November 2010) was an Australian poet and author.

She was a lifelong campaigner for Indigenous land rights, as well as human rights and women's rights.

Sykes was expelled from St Patricks College at age 14 and, after a succession of jobs, including a nurse's assistant at the Townsville General Hospital from 1959 to 1960, she moved to Brisbane and then to Sydney in the early to mid-1960s, where she worked as a striptease dancer at the notorious Pink Pussycat Club in Kings Cross under the stage name of "Opal Stone".

She became a freelance journalist and got involved in several national Indigenous activist organisations.

During the 1970s Sykes, along with Sue Chilly (also spelt Chilli), Marcia Langton, and Naomi Mayers, formed the Black Women's Action (BWA) group, which later evolved into the Roberta Sykes Foundation.

She was involved in the creation and early development of the Redfern Aboriginal Medical Service, the National Black Theatre in Redfern, and in the setting up of Aboriginal Islander Dance Theatre in Glebe, which later became NAISDA, which nurtured Bangarra Dance Theatre.

During the 1970s Sykes, along with Sue Chilly (often spelt Chilli; from Brisbane ), Marcia Langton, and Naomi Mayers, formed the Black Women's Action (BWA) group, which later evolved into the Roberta Sykes Foundation.

BWA started publishing a monthly community newspaper for Aboriginal people, Koori Bina, also spelt Koori-Bina (meaning "black ears"; also translated as "listen up" ).

Aboriginal journalist John Newfong, already established in mainstream media and inaugural editor and principal writer of quarterly magazine Identity (1971–1982) was also involved.

The paper raised awareness of biased coverage of Indigenous issues in mainstream Australian media, and covered Aboriginal unemployment, health issues, and land rights, but struggled on minimal funding, relying on donations to keep going.

It was later described as a "hard-hitting, staunchly political newspaper".

It criticised cuts to funding that affected Aboriginal organisations and the Fraser government's plans to dismantle Medibank.

Along with other Indigenous publications, it covered stories in detail that were not found, or only superficially covered, in mainstream media, such as Aboriginal housing.

Students at Aboriginal Islander Dance Theatre were taught publishing and writing skills to produce the newspaper, which eventually led to their assuming responsibility for its publication.

She was one of the many protestors arrested at the Aboriginal Tent Embassy in July 1972.

The cast of Here Comes the Nigger by Gerry Bostock, which played at Black Theatre in Redfern in December 1976, were involved in the publication and group.

The journal ran from June 1976 to June 1979, before running out of funds.

Sykes's early poetry was published in 1979 in the book Love Poems and Other Revolutionary Actions.

The first edition was limited to a thousand copies (with the first 300 numbered and signed).

In 1981 she ghosted the autobiography of Mum (Shirl) Smith, an Aboriginal Australian social worker in New South Wales.

She won the Patricia Weickert Black Writers Award in 1981.

A new magazine, AIM (Aboriginal and Islander Message or Aboriginal-Islander-Message), took up its format and ran until 1982.

It was more moderate in tone than its predecessor, but did publish political stories challenging government policy, such as the powers given to ASIO over Aboriginal campaigners.

It also encouraged Indigenous participation and activism.

AIM was produced by a group of Aboriginal students, overseen by two mainstream journalists

Sykes received a PhD in education from Harvard University in 1983 or 1984, after Black Women's Action raised funds to cover her expenses to study there in 1979.

She was the first black Australian to graduate from a United States university.

She returned to Australia, where she took over running the BWA.

She was appointed to the Nation Review, as Australia's first (presumed) Indigenous columnist.

A mass-market edition was published in 1988.

In 1994 her role was recognised when awarded the Australian Human Rights Medal.

Her second volume of poetry was published in 1996.

Sykes's three-volume autobiography Snake Dreaming was published between 1997 and 2000.

The first volume won The Age Book of the Year 1997 and the 1998 Nita Kibble Literary Award for women writers.

Sykes died in Sydney in November 2010.