Age, Biography and Wiki
Blythe Bohnen was born on 1940 in Evanston, Illinois, is an American artist. Discover Blythe Bohnen's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 84 years old?
We recommend you to check the complete list of Famous People born on 1940.
She is a member of famous artist with the age 84 years old group.
Blythe Bohnen Height, Weight & Measurements
At 84 years old, Blythe Bohnen height not available right now. We will update Blythe Bohnen's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
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Blythe Bohnen Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Blythe Bohnen worth at the age of 84 years old? Blythe Bohnen’s income source is mostly from being a successful artist. She is from United States. We have estimated Blythe Bohnen's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
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Under Review |
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artist |
Blythe Bohnen Social Network
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Timeline
Blythe Bohnen (born 1940) is an American artist known for her minimalistic graphite drawings and photographs that represent aspects of motion.
Bohnen earned a Bachelor of Arts in art history at Smith College, Bachelor of Fine Arts at Boston University, and Master of Fine Arts at Hunter College.
She was one of the founding members of A.I.R. Gallery, established in New York City in 1972, the first not-for-profit, cooperative exhibition space for women in the United States.
Bohnen's work is generally conceptual in nature, often in the form of self-portraits that capture the motions of her body.
Her drawings feature a grid format that she used to arrange the severely limited and carefully executed motions of her hand that she captured in the graphite, resulting in monochromatic drawings that assert their reality as markings on paper instead of an illusion of something else, as seen in Motion Touching Five Points with Graphite Stick (1973), One Motion with Graphite Stick, Horizontal and Vertical (1974), and Motion Touching Five Points (1975; Art Institute of Chicago).
In contrast to her drawings, which focus on the motions of the arm and hand, Bohnen's photographs primarily address the motions of the head.
She originally created works using predominantly graphite, but added photography to her repertoire in 1974 to continue her exploration of movement and the human form, titling each work after the motions she was making to create each work.
With her photography, Bohnen used various shutter speeds to overlap blurred images to provoke strong emotional and intellectual reactions about motion and identity, as in Self-Portrait: Vertical Elliptical Motion, Large (1974; Asheville Art Museum) and Vertical Motion Up Medium: Pivotal Motion Medium (1983; Brooklyn Museum).
Her work is included in collections of the Asheville Art Museum, the Brooklyn Museum, the Art Institute of Chicago, the International Center of Photography, and the Museum of Fine Arts Houston.
Being There and Not Being There, ed.
David Hall Gallery, Wellesley, Massachusetts 2023, ISBN 978-1-7355143-0-7, 168 pages, with essays by Silke von Berswordt-Wallrabe, Suzanne Hudson, Anna Lovatt, Karen Irvine, David Mather.
