Barbara DeGenevieve

Barbara DeGenevieve (1947–2014) was an American interdisciplinary artist who worked in photography, video, and performance.

She lectured widely on her work and on subjects including human sexuality, gender, transsexuality, censorship, ethics, and pornography.

Her writing on these subjects have been published in art, photographic, and scholarly journals, and her work has been exhibited internationally.

DeGenevieve was born in on May 21, 1947 and died of cervical cancer on August 9, 2014.

DeGenevieve studied photography at the University of New Mexico receiving her MFA in 1980, and began teaching at the University of Illinois at Urbana-Champaign immediately following.

This led DeGenevieve into controversy, particularly during the National Endowment for the Arts funding scandals of the early 1990s (widely known as "the culture wars") when she, Andres Serrano, and Merry Alpern were stripped of their grants from the NEA in 1994.

She spoke on many occasions on issues of censorship as a direct result.

On some occasions she used performative texts or poems, gothic costume, and theatrical tactics to amplify her point.

She might speak in character as parody or as the subject of her discourse, but always with a sense of humor and charity for her subject.

She continued to court controversy, having established an interdisciplinary and new media arts program at SAIC that instructs students on constructing sexually graphic artworks.

She spoke at conferences about her students' work, some of which existed in legal gray areas.

She taught at San Jose State University, the San Francisco Art Institute, and the California College of Art before joining the faculty at the School of the Art Institute of Chicago in 1994.

DeGenevieve was a professor and chair of the Department of Photography at the School of the Art Institute.

Much of DeGenevieve's art explored the connections among dominance, power, and sex, including their inverse relationships.

In 2010 at the College Art Association she noted:"'Artists like myself and these students who do work that straddles some dangerous lines, such as the possibility of having the work considered obscene and therefore illegal, need to realize that the idea of free speech does not extend to sexual images. Although anathema to any artist, there is a self-monitoring (if not a self-censorship) that now occurs, and must occur to some extent in order for artists to protect themselves from the vagaries of the “fuzzy logic” employed in the interpretation of lens-derived imagery that is sexual in nature.'"DeGenevieve's works "showed everyone the rowdy, the provocative. How art should get in your face, really startle you. You should gasp."

DeGenevieve photographed five homeless black men from Chicago nude in a hotel room, which received wide recognition for her voices given to the social issues on race, gender and class.

DeGenevieve won awards from the National Endowment for the Arts (Visual Artist Fellowship); Art Matters Foundation Fellowship; and the Illinois Arts Council.

Her critical and artistic works have been published in Exposure, SF Camerawork Magazine, and P-Form.

Ezell Gallery, Chicago, represents her photographic work.