Bahram Beyzai

Bahrām Beyzāêi (also spelt Beizāi, Beyzāêi, ; born 26 December 1938) is an Iranian playwright, theatre director, screenwriter, film editor, and ostād ("master") of Persian letters, arts and Iranian studies.

Beyzaie is the son of the poet Ne'matallah Beyzai (best known by his literary pseudonym "Zokā'i").

The celebrated poet Adib Beyzai, one of the most profound poets of 20th-century Iran, is Bahram's paternal uncle.

Bahram Beyzaie's paternal grandfather, Mirzā Mohammad-Rezā Ārāni ("Ebn Ruh"), and paternal great-grandfather, the Mulla Mohammad-Faqih Ārāni ("Ruh'ol-Amin"), were also notable poets.

Despite his belated start in cinema, Beyzai is often considered a pioneer of a generation of filmmakers whose works are sometimes described as the Iranian New Wave.

Beyzaie's groundbreaking A Study on Iranian Theatre (Namayesh dar Iran), published in mid-1960s is still considered the most important text on the history of Iranian theater.

Beyzaie is also the first scholar in Iran to publish books on theatre of Japan and theatre of China.

Some of his plays, such as his masterpiece Death of Yazdgerd, have been translated into numerous languages and performed worldwide.

With these films, Beyzai is often considered to be a pioneer of the Iranian New Wave, a Persian cinema movement that was started in the late 1960s.

At the age of 21, he did substantial research on the traditional Persian plays, particularly Ta'zieh, and by 1961 he had already spent a great deal of time studying and researching other ancient Persian and pre-Islamic culture and literature.

This, in turn, led him to study Eastern theatre and traditional Iranian theatre and arts, which would help him formulate a new non-Western identity for Iranian theatre.

He also became acquainted with Persian painting.

In 1968, Beyzai was one of the nine founders of the Iranian Writers' Guild, a highly controversial organization in the face of censorship.

In 1969, he was invited to teach at the Theater Department of the College of Fine Arts at the University of Tehran.

In 1969, he began his film career by directing the short film Amu Sibilou (Uncle Moustache) followed by "Safar" in 1970.

Still, even before the outset of his cinematic career in 1970, he was a leading playwright (as well as theatre historian), so much so that he is often considered the greatest playwright of the Persian language, and holds a reputation as "The Shakespeare of Persia".

Immediately after, in 1971, he made his first feature film Ragbar (Downpour) which critics regard to this day as one of the most successful Iranian films ever made.

The successful film addresses the late Parviz Fannizadeh as its central character and protagonist.

He chaired this department from 1972 to 1979.

With his readership, many prominent authors and artists started teaching at the department and created the most fruitful period in the history of that department.

Since then he has produced and directed 8 films including Qaribe va Meh (Stranger and the Fog) (1974), Cherike-ye Tara (Ballad of Tara) (1979), Bashu, the Little Stranger (1986, released in 1989), Shāyad Vaghti digar (Maybe Another Time) (1988) and Mosaferan (Travellers) (1992).

Death of Yazdgerd has been performed in Iran, France, England, India and the USA, among other countries, and was made into a film of the same name by Beyzai in 1981.

Death of Yazdgerd and Kalat Claimed have been translated into English by Manuchehr Anvar.

In 1981, the revolutionary leaders started the Iranian Cultural Revolution, as a result of which Beyzaie, among many others, was expelled from the university.

He continued writing and making films, though.

His Bashu, the Little Stranger (1986) was voted "Best Iranian Film of all time" in November 1999 by a Persian movie magazine Picture World poll of 150 Iranian critics and professionals.

He married the actress and make-up artist Mozhdeh Shamsai in 1992.

After Mosaferan, he failed to get a permit to produce several screenplays.

His screenplay Ruz-e Vaqe'e (The Fateful Day) was adapted into a film in 1995 and another screenplay was adapted into a film named Fasl-e Panjom (The fifth season) in 1996, while he also made four of his finest films.

He also edited Ebrahim Hatamikia's Borj-e Minu (Minoo Tower).

In 1995, he left Iran for Strasbourg at the invitation of the International Parliament of Writers.

Soon however, he returned and staged The Lady Aoi in Tehran.

In 2001, he made his best-selling film Killing Mad Dogs, after which he managed to stage three plays before he left Iran for the United States.

Since 2010, Beyzai has lived and taught at Stanford University, United States.

Beyzaie was born in Tehran, to a poet, anthologist and biographer father and a housewife mother.

His father made a living through a legal occupation and could reasonably attend to his literary interests.

The young Bahram did not seem very interested in his family legacy, poetry, which was pursued by his father, uncles and cousins.

In high school, the Dar'ol-Fonoun, he wrote two historical plays which went on to become his preferred method of writing.

He left Iran in 2010 at the invitation of Stanford University, and has since been the Daryabari Visiting Professor of Iranian Studies, teaching courses in Persian theatre, cinema and mythology.

He has given workshops on the Shahnameh, the history of Iranian performing arts, Iranian and Semitic myths, etc. He has also staged several plays, including his nine-hour Tarabnameh.