Age, Biography and Wiki
Ashley McKenzie was born on 1984 in Sydney, Canada, is a Canadian director and screenwriter. Discover Ashley McKenzie's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 40 years old?
| Popular As |
N/A |
| Occupation |
Film director, screenwriter, editor |
| Age |
40 years old |
| Zodiac Sign |
N/A |
| Born |
1984 |
| Birthday |
|
| Birthplace |
Sydney, Canada |
| Nationality |
Canada
|
We recommend you to check the complete list of Famous People born on .
She is a member of famous Film director with the age 40 years old group.
Ashley McKenzie Height, Weight & Measurements
At 40 years old, Ashley McKenzie height not available right now. We will update Ashley McKenzie's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
| Family |
| Parents |
Not Available |
| Husband |
Not Available |
| Sibling |
Not Available |
| Children |
Not Available |
Ashley McKenzie Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Ashley McKenzie worth at the age of 40 years old? Ashley McKenzie’s income source is mostly from being a successful Film director. She is from Canada. We have estimated Ashley McKenzie's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
Film director |
Ashley McKenzie Social Network
Timeline
Ashley McKenzie (born 1984) is a Canadian director, screenwriter, and editor.
McKenzie began her career making short films in 2010.
Her first short film, Rhonda's Party (2010), won the CBC's Short Film Face-Off in 2011 and was named to the Toronto International Film Festival's annual year-end Canada's Top Ten list.
Her second short film, When You Sleep (2012), won the award for Best Atlantic Emerging Director at the 2012 Atlantic Film Festival, and screened at the Cannes Film Festival in Telefilm Canada's short film showcase.
Her third short film, Stray, was released in 2013 and her fourth film, 4 Quarters (2015), won Best Atlantic Short at the 2015 Atlantic Film Festival.
For her short film work, McKenzie has won the National Screen Institute's Shaw Media Fearless Female Director Award three times, in 2013, 2014, and 2015.
She is known for her feature film directorial debut Werewolf (2016), which won numerous accolades, including the $100,000 Toronto Film Critics Association prize for best Canadian film of the year.
McKenzie was born on Cape Breton Island and raised in New Waterford, Nova Scotia.
McKenzie made her feature film directorial debut with Werewolf (2016), a film about two drug addicts in Cape Breton.
Werewolf premiered at the Toronto International Film Festival and has since won several awards; at the 2016 Atlantic Film Festival, Werewolf won the awards for Best Director (McKenzie), Best Actress (MacNeil), and Best Actor (Gillis).
At the 5th Canadian Screen Awards, McKenzie was nominated for the Canadian Screen Award for Best Achievement in Editing.
Gillis was nominated for Best Actor and MacNeil was nominated for Best Actress.
In 2016, for her work on the film, McKenzie won the Stella Artois Jay Scott Prize.
The following year, after its theatrical release, Werewolf won the $100,000 Toronto Film Critics Association prize for best Canadian film of the year.
Her second feature film, Queens of the Qing Dynasty, premiered at the 2022 Berlin Film Festival.
Joe Leydon of Variety described McKenzie's directing style as having "borderline Bressonian austerity."
In an article called "A Generational Shift in Filmmaking", in discussing Werewolf, Richard Brody of The New Yorker wrote that "McKenzie fuses a documentary-like observational precision with a creative imagination that endows her characters' struggles with a quietly monumental grandeur."
