Age, Biography and Wiki
Arthur Yorinks was born on 21 August, 1953 in Roslyn, New York, U.S., is an American author (born 1953). Discover Arthur Yorinks's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 70 years old?
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70 years old |
Zodiac Sign |
Leo |
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21 August, 1953 |
Birthday |
21 August |
Birthplace |
Roslyn, New York, U.S. |
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We recommend you to check the complete list of Famous People born on 21 August.
He is a member of famous Author with the age 70 years old group.
Arthur Yorinks Height, Weight & Measurements
At 70 years old, Arthur Yorinks height not available right now. We will update Arthur Yorinks's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Who Is Arthur Yorinks's Wife?
His wife is Ania Yorinks
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Ania Yorinks |
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Arthur Yorinks Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Arthur Yorinks worth at the age of 70 years old? Arthur Yorinks’s income source is mostly from being a successful Author. He is from . We have estimated Arthur Yorinks's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
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Not Available |
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Not Available |
Source of Income |
Author |
Arthur Yorinks Social Network
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Timeline
Arthur Yorinks (born August 21, 1953) is an American author, playwright and director.
He is best known for writing Hey, Al, which won a Caldecott Medal.
Arthur Yorinks was born on August 21, 1953, in Roslyn, New York.
He was raised in a suburban area of the village.
His father, Alexander, was a mechanical engineer and his mother, Shirley, was a fashion illustrator.
His aunt was also a piano teacher and his friend an illustrator and Yorinks considers this artistic childhood as an important inspiration for his later career.
When he was six, he started to practice to be a classical pianist.
His piano teacher, Robert Bedford influenced him and is credited with instilling him with perfectionism and a professionalism.
Yorinks said that he "learned a great deal of what it means to be an artist" from Bedford.
Later Yorinks said "Discovering Tomi Ungerer, William Steig, particularly Maurice Sendak, was a turning point. I was already a young adult, and I saw clearly that their books weren't just kids books. They were for everyone. They had such depth and excitement and had everything I was interested in—drama, pictures, rhythm, music."
At sixteen, he approached Sendak's studio with manuscripts, picture books and asked Sendak for advice.
The two became friends as a result of the encounter and Sendak later introduced Yorinks to Richard Egielski.
Yorinks and Egielski became frequent collaborators.
Yorinks graduated from high school one year early and chose not to go to college.
He took classes at the New School for Social Research and Hofstra New College in 1971.
In 1971 Yorinks began working for The American Mime Theatre after studying ballet and dancing.
He also worked as a theater arts instructor at Cornell University from 1972 to 1979.
In 1977, he worked with Egielski, whom Sendak had introduced, on the book Sid and Sol.
In 1979, he founded The Moving Theatre and worked as the artistic director and as a writer.
The theater produced plays at various venues, such as South Street Theater and Theater of the Open Eye as well as many other theaters.
Yorinks continued to work with Egielski, collaborating on Louis the Fish (1980), which was inspired by Franz Kafka's The Metamorphosis.
They also worked on It Happened in Pinsk (1983), Hey, Al (1986), and Bravo Minski (1988) together.
Hey Al won a Caldecott Medal.
He also wrote librettos for operas, such as The Juniper Tree by Philip Glass and Robert Moran in 1985 and The Fall of the House of Usher, composed by Philip Glass in 1988.
In 1988, he released Company's Coming, illustrated by David Small.
In 1990, Yorinks again released a book with Egielski as illustrator, titled Ugh.
In the same year, he also worked with Sendak to create The Night Kitchen Theater, a national children's theater.
In 1994 he worked with Drucker on Whitefish Will Rides Again!.
In 1995, Yorinks released The Miami Giant, which was illustrated by Sendak.
He also adapted one of his plays, So, Sue Me to a picture book format with Sendak, which was published in 1996.
In 1999 he made another book illustrated by Drucker, titled Tomatoes from Mars.
In the same year he released The Alphabet Atlas, illustrated by Adrienne Yorinks.
In 2001 he released a sequel to Company's Coming, titled Company's Going, illustrated by Small.
Yorinks has written over 40 audio plays.
He has also directed Tom Stoppard's radio plays.
He has also adapted numerous works for radio, such as Franz Kafka's The Metamorphosis, Charles Dickens's A Christmas Carol, and Garson Kanin's The Rat Race. In 2012 he made an adaptation of Zora Neale Hurston's Their Eyes Were Watching God to celebrate the 75th year anniversary of the book's publication.
In 2014 New York Public Radio commissioned Yorinks to create a 4 hour audio play adaptation of James Joyce's Dubliners entitled Dubliners: A Quartet.
In 2018 Sendak's Presto and Zesto In Limboland was published posthumously, in which Yorinks was writer.