Age, Biography and Wiki

Arnold Matters was born on 11 April, 1901 in Australia, is an A 20th-century australian male opera singer. Discover Arnold Matters's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 89 years old?

Popular As N/A
Occupation N/A
Age 89 years old
Zodiac Sign Aries
Born 11 April, 1901
Birthday 11 April
Birthplace N/A
Date of death 21 September, 1990
Died Place N/A
Nationality Australia

We recommend you to check the complete list of Famous People born on 11 April. He is a member of famous singer with the age 89 years old group.

Arnold Matters Height, Weight & Measurements

At 89 years old, Arnold Matters height not available right now. We will update Arnold Matters's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
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Arnold Matters Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Arnold Matters worth at the age of 89 years old? Arnold Matters’s income source is mostly from being a successful singer. He is from Australia. We have estimated Arnold Matters's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income singer

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Timeline

1901

Arnold Hatherleigh Matters (11 April 1901 – 21 September 1990) was an Australian operatic baritone and producer, whose career was mostly in England during the 1930s and 1940s.

Arnold Hatherleigh Matters was born in the Adelaide suburb of Malvern on 11 April 1901.

His father, Richard Adams Matters, an ironmonger, and his mother, Emily Grace ( Williams), already had three children (including a son, later better known as broadcaster Frank Hatherley).

Arnold was educated at Unley High School.

1925

Matters at first took up a position in the South Australian bureaucracy and was admitted as an associate of the Federal Institute of Accountants in 1925, but in his spare time pursued his interests in music and singing.

1926

He obtained a place at the Elder Conservatorium of Music at Adelaide and studied singing under Clive Carey, graduating AMUA in 1926.

In due course he won the Sun Aria Prize and other coveted awards, and began to attract a good deal of attention.

He was invited by Dame Nellie Melba to join her touring company, and met with such success that he decided to make music his profession.

1930

In 1930 he abandoned his government position and went to England, at first continuing his studies in London under Johnston Douglas.

He became a member of the Westminster Abbey choir and was given a good deal of solo work.

1932

But his dramatic ability, fine voice and stage presence led him towards the theatre, and in 1932 he joined the Vic-Wells Opera Company, his debut being as Valentine in Gounod's Faust at the Old Vic in 1933.

He soon made himself established as a popular Figaro, Don Alfonso, Silvio, Escamillo, and Sharpless.

He afterwards found his own favourite role as Hans Sachs in Die Meistersinger von Nürnberg, and also became famous in the title role in Falstaff, as Dr Bartolo, Don Giovanni, the Die Walküre Wotan and as Wolfram in Tannhäuser.

1935

In 1935, 1938 and 1939 he joined the British singers in the international seasons at Covent Garden, where he was particularly successful as Kurwenal in Tristan und Isolde, with Eva Turner as Isolde.

During the war he returned to Australia and maintained a very successful concert and opera career there.

1946

He was a mainstay of the Sadler's Wells Company in London from 1946 to 1957.

In 1946 he was invited back to England, to Sadler's Wells, where he resumed his regular position in the company, also making occasional guest appearances at Covent Garden.

He was especially effective as Scarpia, and also as Simone Boccanegra in the English revival opposite Howell Glynne's Fiesco, and recorded excerpts of this work at the time.

He was also a most effective Papageno, Rigoletto, Don Carlo, Iago, Germont père, Conte di Luna, Amonasro, Pizarro and Governor, Varlaam, Kecal, Peter, Figaro and Almaviva, Mephistopheles, Telramund, and the Dutchman.

1949

In 1949 he took the role of Eochaidh, the King, in the revival of Rutland Boughton's The Immortal Hour at the People's Palace.

1951

At Covent Garden on 26 April 1951 he created the role of the Pilgrim in Ralph Vaughan Williams's The Pilgrim's Progress, and in 1953 that of Cecil in Benjamin Britten's Gloriana.

1954

In October 1954 he created the role of Sir William Hamilton in Lennox Berkeley's opera Nelson at Sadler's Wells.

1957

Matters returned to Adelaide in 1957 where he produced operas for the Australian Elizabethan Theatre Trust and taught at the Elder Conservatorium.

1985

He was awarded the Medal of the Order of Australia in the 1985 Australia Day Honours for "service to music, particularly as an opera singer and teacher".

1990

He died on 21 September 1990, a childless widower, in Adelaide.