Age, Biography and Wiki
Aria Dean was born on 1993 in United States, is an American critic, artist, and curator. Discover Aria Dean's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 31 years old?
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She is a member of famous artist with the age 31 years old group.
Aria Dean Height, Weight & Measurements
At 31 years old, Aria Dean height not available right now. We will update Aria Dean's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
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Aria Dean Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Aria Dean worth at the age of 31 years old? Aria Dean’s income source is mostly from being a successful artist. She is from United States. We have estimated Aria Dean's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
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artist |
Aria Dean Social Network
Timeline
Dean helped Rhizome's efforts to preserve, present, and re-perform works of net art from the 1980s to the present day (called Net Art Anthology), organize events, and publish articles online.
Dean stepped down as Editor and Curator in January 2021 to pursue her solo practice and a new project.
Aria Dean (born 1993) is an American artist, critic, and curator.
Until 2021, Dean served as Curator and Editor of Rhizome.
Her writings have appeared in various art publications including Artforum, e-flux, The New Inquiry, Art in America, and Topical Cream.
Dean has exhibited internationally at venues such as Foxy Production and American Medium in New York, Chateau Shatto in Los Angeles, and Arcadia Missa in London.
"'They index the sort of relationship that I was interested in, subsuming oneself into this particularly black crowd where individuals that already don’t exist so distinctly as 'proper' western individual subjects get subsumed into this other object. The show title is from a Modest Mouse album, The Lonesome Crowded West (1997), and I’m not a huge Modest Mouse fan, but I like the album. I latched onto that phrase. 'The Lonesome Crowded West' is my situation in relationship to the objects. I am the lonesome crowd, in the west…'"
Selected two-person exhibitions
Selected group exhibitions
Selected lectures/presentations
Dean also co-directs As It Stands LA, an artists project space that opened in 2015.
Dean lives and works in New York City and Los Angeles.
She is represented by Greene Naftali.
She graduated from Oberlin College in 2015.
After graduating from Oberlin College, Dean was appointed social media coordinator for the Museum of Contemporary Art.
In September 2016, ARTnews announced that Dean had been appointed assistant curator of net art and digital culture for Rhizome.
Dean's first solo exhibition, Baby Is A Cool Machine, opened at American Medium in 2017.
The exhibition, according to the gallery's website, "hones in on her materially-driven examination of the situation of blackness in the United States."
The show was critically praised by James Hannaham at 4Columns and selected by Kat Herriman as a Critic's Picks for Artforum.
In late 2017, Dean curated New Black Portraitures as part of Rhizome's Net Art Anthology.
The online exhibition included visual artists Manuel Arturo Abreu, Hamishi Farah, Juliana Huxtable, Rindon Johnson, Pastiche Lumumba, N-Prolenta (Brandon Covington), Sondra Perry, and Redeem Pettaway and, "explored the changing status of black portraiture in relation to strategies for visibility, concealment, and self-representation online."
In 2018, Aria Dean was named one of Cultured Magazine's 30 artists under 35.
In early 2018, Dean wrote and directed a play for the Swiss Institute in New York.
Her second solo exhibition, lonesome crowded west, featured sculptural objects and installation that "shuttle between experiences as personally lived and the sweeping generalizations of the media and historical modernism" according to critic Matt Stromberg of Hyperallergic.
In an interview with Travis Diehl, Dean revealed sourcing the clay in her painting-like sculpture from Mississippi, and that the series speaks to her "proximity and distance in relation to that place."
Other works featured crowd shots from hip-hop videos, a two-channel installation that explore the loneliness of black existence in predominantly-western contexts.