Age, Biography and Wiki

Antonello Manacorda was born on 1970 in Turin, Italy, is an Italian violinist and conductor. Discover Antonello Manacorda's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 54 years old?

Popular As N/A
Occupation Violinist Conductor
Age 54 years old
Zodiac Sign N/A
Born 1970
Birthday
Birthplace Turin, Italy
Nationality Italy

We recommend you to check the complete list of Famous People born on . He is a member of famous Conductor with the age 54 years old group.

Antonello Manacorda Height, Weight & Measurements

At 54 years old, Antonello Manacorda height not available right now. We will update Antonello Manacorda's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
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Wife Not Available
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Children Not Available

Antonello Manacorda Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Antonello Manacorda worth at the age of 54 years old? Antonello Manacorda’s income source is mostly from being a successful Conductor. He is from Italy. We have estimated Antonello Manacorda's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Conductor

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Timeline

1970

Antonello Manacorda (born 1970) is an Italian violinist and conductor, especially of opera, who has worked internationally.

He has been the chief conductor of the Kammerakademie Potsdam and of Het Gelders Orkest.

Born in Turin, Manacorda studied violin at the conservatory of his hometown with Sergio Lamberto, graduating with distinction.

He continued his studies with Herman Krebbers in Amsterdam, with Eduard Schmieder and with Franco Gulli.

1994

In 1994, Claudio Abbado appointed him concertmaster of the Gustav Mahler Jugendorchester.

1997

Manacorda founded in 1997, with colleagues and Abbado, the Mahler Chamber Orchestra (MCO), for which he has served as concertmaster and as vice president.

2001

He conducted in 2001 a production of Mozart's La clemenza di Tito in opera houses of Lombardy.

He decided to focus on conducting, and studied on a scholarship of the DeSono association for music with Jorma Panula.

He worked internationally with the municipal orchestra of Pärnu, Estonia, the Neues Kammerorchester Bamberg, and the Orchestra di Padova e del Veneto.

2003

From 2003 to 2006, he was artistic director of the chamber music at the Académie Européenne de Musique of the Aix-en-Provence Festival.

He assisted Marc Minkowski in a new production of Offenbach's Les Contes d'Hoffmann at the Opéra National de Lyon.

2006

In 2006, he conducted Paisiello's Il barbiere di Siviglia at the Teatro degli Arcimboldi in Milan.

2010

After several seasons at the Teatro Dal Verme in Milan, he moved in 2010 to the Kammerakademie Potsdam, and has also been chief conductor of Het Gelders Orkest from 2011.

2011

In 2011, Manacorda began in collaboration with Damiano Michieletto a project at La Fenice in Venice to present the Mozart trilogy of operas after da Ponte, followed by his Die Zauberflöte.

2015

The Kammerakademie Potsdam was awarded the Echo Klassik 2015 in the category best ensemble/orchestra, for their recording of Schubert's symphonies No. 2 and No. 4, as part of a cycle of all his symphonies.

2016

He conducted Rossini's Otello at the Theater an der Wien in 2016, staged by Damiano Michieletto, and at the Glyndebourne Festival a new production of Béatrice et Bénédict Hector Berlioz, staged by Laurent Pelly.

2018

In 2018, he conducted a new production of Meyerbeer's L'Africaine – Vasco da Gama at the Frankfurt Opera.

A review noted that he realized both the lyric finesse and delicacy of changing emotions ("lyrische Finesse und Delikatesse vieler Passagen für die wechselnden Gefühlslagen") and the power of star wars ("da tobte der Sternensturm") including the failure of the mission ("samt Scheitern des Raumschiffs"), without the empty noise often associated with grand opera ("ohne leeres Dröhnen alter 'Grand Opéra'“).