Age, Biography and Wiki

Anthony Ward was born on 1957, is a British scenic designer. Discover Anthony Ward's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 67 years old?

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Age 67 years old
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Born 1957
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We recommend you to check the complete list of Famous People born on . He is a member of famous designer with the age 67 years old group.

Anthony Ward Height, Weight & Measurements

At 67 years old, Anthony Ward height not available right now. We will update Anthony Ward's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Anthony Ward Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Anthony Ward worth at the age of 67 years old? Anthony Ward’s income source is mostly from being a successful designer. He is from . We have estimated Anthony Ward's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Source of Income designer

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Timeline

1957

Anthony Ward (born 1957) is a British theatre designer specializing in set and costume design.

He studied theatre design at Wimbledon School of Art.

He has designed productions for the Royal National Theatre, Royal Shakespeare Company, Donmar Warehouse and the Almeida Theatre.

Recent productions include the revival of Stephen Sondheim's play Sweeney Todd, directed by Jonathan Kent (Chichester Festival Theatre/Adelphi Theatre), Posh (Royal Court/Duke of York Theatre), Enron (Royal Court/Chichester Festival Theatre).

Ward's West End musical credits include My Fair Lady, Oklahoma!, Oliver! and Chitty Chitty Bang Bang.

Ward designed Sam Mendes' inaugural production, Assassins, at the Donmar Warehouse and Mary Stuart, directed by Phyllida Lloyd, which transferred to the West End and Broadway and received a Tony Award for Best Costume Design.

Opera productions include productions of Gloriana and Peter Grimes directed by Phyllida Lloyd for Opera North, and Il ritorno d'Ulisse in patria directed by Adrian Noble for the Festival d'Aix-en-Provence.

For dance he designed Matthew Bourne's Nutcracker! (Sadler's Wells and UK tour) and most recently The Nutcracker for Nikolaj Hübbe at the Royal Danish Ballet.

Ward's partner is Mark Thompson, the Olivier award-winning and Tony-nominated international costume and set designer for stage and screen.

They share a house in Kent and a studio in London with their grey Italian whippet.

Awards include:

1994

(1994) Best Set & Costume Design for The Winter’s Tale

Tony Award Nominations:

1995

(1995) Best Set Design for The Tempest

(1995/96) Set design A Midsummer Night’s Dream

Drama Desk Award Nominations:

1996

(1996) Olivier Award for Costume Design Midsummer Night’s Dream, La Grande Magia & The Way of the World

Nominations include:

Olivier Award Nomination:

1999

(1999) Olivier Award for Set Design Oklahoma!

2001

(2001) Outer Critics Circle Award for Set Design Oklahoma!,

2002

(2002) Best Set & Costume Design for My Fair Lady

2003

(2003) OBIE Award Set Design Uncle Vanya,

(2003) What's on Stage Theatregoers Choice Award for Set Design Chitty Chitty Bang Bang

(2003) Best Set Design for Chitty Chitty Bang Bang

2004

(2004/05) Set Design Chitty Chitty Bang Bang

(2004/2005) Outstanding Set and Costume Design for Chitty Chitty Bang Bang, (2001/2002) Outstanding Set Design for ''Oklahoma!'

Evening Standard Award Nominations:

2006

(2006) for Best Costume Design Mary Stuart

2007

(2007/8) Macbeth Set design

(2007) Best Set Design for Macbeth.

2008

(2008) Touring Broadway Award for Best Set &Costume Design My Fair Lady.

2009

(2009) Tony Award Best Costume Design of a Play for Mary Stuart,