Age, Biography and Wiki
Ann Compton (art historian) was born on 1956, is an Art historian born 1956. Discover Ann Compton (art historian)'s Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 68 years old?
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68 years old |
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1956 |
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He is a member of famous Historian with the age 68 years old group.
Ann Compton (art historian) Height, Weight & Measurements
At 68 years old, Ann Compton (art historian) height not available right now. We will update Ann Compton (art historian)'s Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Ann Compton (art historian) Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Ann Compton (art historian) worth at the age of 68 years old? Ann Compton (art historian)’s income source is mostly from being a successful Historian. He is from . We have estimated Ann Compton (art historian)'s net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
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Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
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Not Available |
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Historian |
Ann Compton (art historian) Social Network
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Timeline
Ann Compton is an art historian and an Affiliate in the History of Art, School of Culture & Creative Arts at the University of Glasgow.
She has worked on a major project, 'Mapping the Practice and Profession of Sculpture in Britain and Ireland, 1851-1951', as Originator, Director and Editor.
She is a Research Consultant on this project and is a member of the Sculpture Steering Panel at Art UK.
She is a widely published author of and contributor to publications in her field.
She is a member of the Advisory Board of the journal 'Public Monuments and Sculpture Association' (PMSA).
Ann Compton attended the Courtauld Institute of Art for postgraduate study and was awarded Master of Arts.
She is a leading figure in 'Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951'.
This is a partnership of universities and art museums with aims of furthering research in the subject during the period.
Susan Pascal Compton studied art history at the Courtauld Institute of Art and was awarded a PhD for her thesis 'Kazimir Malevich: A Study of his Painting, 1912-1916'.
Given the working background and interest in art history of her parents it is not surprising that Ann Compton became an art historian.
She has specialised in sculpture in which she has made major contributions to research and teaching.
Ann Compton was born in 1956 and is the second daughter of Michael Graeme Compton, OBE, (1927-2013) and Susan Paschal Compton, née Benn, (b.1930).
Michael Graeme Compton was the Keeper of Museum Services at the Tate Gallery, where he made important contributions to the curating of contemporary art.
Ann Compton has had involvement with the 'Sculptural Processes Group' set up in 2007 at the Courtauld Institute of Art and has contributed to its annual seminar 'Tools and Tooling' on Victorian Architectural Sculpture.
Her paper ‘"An essentially different kind of rhythm": Rediscovering Henry Moore’s Sculpture in Wood', written in 2015, made an important contribution to Moore's oeuvre, in particular with its focus on the medium he used for some of his most important works.
Another link to the Courtauld Institute of Art is a collection of photographs attributed to Ann Compton and held in the photographic collection of the Conway Library.
This large collection consists mainly of secular and religious architectural and sculptural images.
