Age, Biography and Wiki

Andrew Holleran (Eric Garber) was born on 1943 in Aruba, is an American novelist, essayist, and short story writer. Discover Andrew Holleran's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 81 years old?

Popular As Eric Garber
Occupation Novelist, essayist
Age 81 years old
Zodiac Sign
Born 1943, 1943
Birthday 1943
Birthplace Aruba
Nationality Caribbean

We recommend you to check the complete list of Famous People born on 1943. He is a member of famous novelist with the age 81 years old group.

Andrew Holleran Height, Weight & Measurements

At 81 years old, Andrew Holleran height not available right now. We will update Andrew Holleran's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Andrew Holleran Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Andrew Holleran worth at the age of 81 years old? Andrew Holleran’s income source is mostly from being a successful novelist. He is from Caribbean. We have estimated Andrew Holleran's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Source of Income novelist

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Timeline

1944

Andrew Holleran is the pseudonym of Eric Garber (born 1944), an American novelist, essayist, and short story writer, born on the island of Aruba.

Most of his adult life has been spent in New York City, Washington, D.C., and a small town in Florida.

1961

After his father retired, the family moved to a small town in northern Florida in 1961.

After high school, he attended Harvard College, where he studied literature and American history.

During his senior year, he met Peter Taylor, who taught creative writing.

1965

After graduating from Harvard with a BA in English in 1965, he followed Taylor to the University of Iowa Writers' Workshop, in part to postpone "the horror of law school."

At Iowa, where Holleran's teachers included Kurt Vonnegut, Jr. and José Donoso, he formed a long-lasting friendship with fellow student Robert Ferro.

None of Holleran's writings from this period were ever published, but he did attain both an MA and an MFA from Iowa.

1968

Then, after one year at the University of Pennsylvania Law School, which he found "a drag," in 1968 Holleran found himself "in the clutches of a Kafkaesque nightmare" when he was drafted into the U.S. Army at the height of the Vietnam War.

A "fluke of the computer system" sent him not to Vietnam but to West Germany.

While in Germany he made his first sale of a short story, to The New Yorker.

It was also in Germany that he had his first experience of gay sex, which he recounted in a Christopher Street interview:

"One night I was in an N.C.O. club with this mad queen from Boston…He got me drunk and put me on the train to Ludwigshafen and dragged me to my first gay bar. It was stunning…I had sex that night and came back to the post so depressed that I took a three-hour-long shower. I felt that I had violated myself…After that experience in Germany I went back into the closet for a year."

Following his return to the United States after the army, he attended one additional semester of law school in Philadelphia, where by chance one night he discovered the gay part of town and developed a "case of 'Every Night Fever'" that "went on for four or five years. Bars seemed to be the most wonderful places on earth. I just had to walk into one to be in heaven. I would stand for hours. I was very shy and everyone seemed so glamorous."

After dropping out of law school and moving to New York City, his "fever" only intensified with his discovery of gay dance clubs and bathhouses and the gay scene at Cherry Grove and Fire Island Pines.

When not at a gym or out partying, dancing, and cruising for sex, he lived "in roach-infested apartments, working as a bartender, as a typist."

1971

He continued to write, thinking, after the appearance of his story in The New Yorker in 1971, that "they would publish me three times a year," but instead, "I had nothing published for seven years after that, until Dancer from the Dance," in 1978.

"It's been a terrible struggle," he recalled.

Dancer from the Dance was a critical success, became a national bestseller, and launched Holleran's career as a writer.

His subsequent, increasingly autobiographical novels, short stories, and essays reflect his concerns as an aging gay man and track his movements between homes in New York City, Washington, D.C., and the small town in Florida where his parents retired and where he continues to live.

1978

Following the critical and financial success of his first novel Dancer from the Dance in 1978, he became a prominent author of post-Stonewall gay literature.

Historically protective of his privacy, the author continues to use the pseudonym Andrew Holleran as a writer and public speaker.

Holleran was born and spent much of his childhood on the island of Aruba in the Dutch Caribbean, where his father worked for an oil company.

He was raised a Catholic.

Dancer from the Dance (1978) takes place amid discotheques, gay bathhouses, fabulous parties, and seedy apartments in New York City and Fire Island.

John Lahr in The New York Times called it

"A meditation on ecstasy…constructed as a memoir of one very special member of this world: Malone, a paradigm of the romantic ideal…Malone becomes a circuit queen, but an aura of innocence not odium surrounds him. His delirium becomes a kind of saintliness; he gives love to the ugly as well as the beautiful…The Virgil who leads Malone through this inferno is an outrageous transvestite called Sutherland. Where Malone is beautiful, Sutherland is wise…And as we get to know this wonderful character, we see how his frivolity is a rebellion against the meaningless he finds around him."

The same review included a caustic dismissal of Larry Kramer's novel Faggots, set in the same milieu of gay New York and Fire Island, calling it, "sentence for sentence, some of the worst writing I've encountered in a published manuscript…an embarrassing fiasco."

The two novels would continue to be linked and compared by readers and critics.

Dancer from the Dance became a breakthrough bestseller and is regarded as a classic of gay literature, enjoying a cult status in the gay community.

William Johnson, program director of PEN America and former deputy director of Lambda Literary, calls Dancer from the Dance "our Catcher in the Rye, the book you read when you’re young."

Michael Cunningham calls it "the first gay novel everybody read...the first Big Gay Literary Sensation."

1980

He was a member of The Violet Quill, a gay writer's group that met in 1980 and 1981 and also included Robert Ferro, Edmund White and Felice Picano.

1983

In 1983, after a fall rendered his mother an invalid, he began living full-time in Florida, but kept a rent-controlled apartment on St. Mark's Place in the East Village.

His second novel, Nights in Aruba (1983), drew on his childhood in Aruba, his experience in the U.S. Army in Germany, his love-life and friendships in New York, and his ongoing relationships with his sister in Pennsylvania and his parents in Florida.

The novel is not entirely autobiographical.

One of the most vivid characters is "a tart-tongued older queen named Mister Friel"; Holleran says, "I took the greatest pleasure in the Friel sections, which were totally made up."

(Mister Friel reappears in the short story "The Hamburger Man" in In September, the Light Changes.)

1988

Ground Zero (1988) presented a collection of Holleran's essays, originally published in Christopher Street, written as the AIDS epidemic struck New York and decimated its gay community.

A quarter-century after its publication, Garth Greenwell in The New Yorker assessed it as "one of the most important books to emerge from the plague," and wrote:"The essays combine journalistic reportage in real time with an extraordinarily refined literary sensibility, and the conjunction is startling. As Holleran, along with the rest of gay New York, slowly realizes the scope of the catastrophe, the effect is something like reading F. Scott Fitzgerald’s notes on the apocalypse."