Age, Biography and Wiki

Yukihiro Miyamoto was born on 21 November, 1977 in Fukuoka Prefecture, Japan, is a Japanese anime director. Discover Yukihiro Miyamoto's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 46 years old?

Popular As N/A
Occupation Director, storyboard artist
Age 46 years old
Zodiac Sign Scorpio
Born 21 November 1977
Birthday 21 November
Birthplace Fukuoka Prefecture, Japan
Nationality Japan

We recommend you to check the complete list of Famous People born on 21 November. He is a member of famous Animator with the age 46 years old group.

Yukihiro Miyamoto Height, Weight & Measurements

At 46 years old, Yukihiro Miyamoto height not available right now. We will update Yukihiro Miyamoto's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
Parents Not Available
Wife Not Available
Sibling Not Available
Children Not Available

Yukihiro Miyamoto Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Yukihiro Miyamoto worth at the age of 46 years old? Yukihiro Miyamoto’s income source is mostly from being a successful Animator. He is from Japan. We have estimated Yukihiro Miyamoto's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Animator

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Timeline

Yukihiro Miyamoto (宮本 幸裕), occasionally nicknamed Otokomatsuri, is a Japanese anime director.

He started at animation studio Vega Entertainment, and later joined Shaft.

He is best known for directing Puella Magi Madoka Magica and its subsequent film trilogy alongside Akiyuki Shinbo, the latter trilogy which subsequently garnered ¥2 billion, making it a box-office success.

2002

Miyamoto joined the anime industry in 2002 as a production manager and assistant episode director for Vega Entertainment on their adaptation of Leiji Matsumoto's Gun Frontier manga series.

2003

In 2003 and 2004, he debuted as an episode director and storyboard artist with F-Zero: GP Legend, and began doing outsource work with Vega for Madhouse in 2004.

2006

For the next 3 years, he served with Madhouse, most prominent as an episode director for Monster, and then in 2006 joined studio Shaft.

At Shaft, he quickly became a prominent director alongside Akiyuki Shinbo, Shin Oonuma, and Tatsuya Oishi.

2008

In 2008, he debuted with a series as the chief unit director with (Zoku) Sayonara, Zetsubou-Sensei alongside Shinbo.

2011

In the following years, Miyamoto directed several more series with Shinbo, and in 2011 they directed Puella Magi Madoka Magica, which became a critical hit and, alongside Bakemonogatari, is considered to be one of the series that pushed the studio into the spotlight.

Subsequently, Miyamoto was tasked with directing the series' film trilogy, with Shinbo acting as chief director over the films.

2018

In 2018, it was announced that the spin-off Magia Record mobile game would receive an adaptation by the studio; the following year, it was announced that Miyamoto would serve as an assistant director and director alongside Shaft directors Kenjirou Okada, Midori Yoshizawa, Doroinu of Gekidan Inu Curry, with Shinbo serving as an animation supervisor on the project.

Miyamoto described himself as being a "heretic" at Shaftsomeone who, in a company of many differing directors, is only good at doing "plain work", and isn't particularly original or creative.

Shinbo described Miyamoto in a similar way, but said that he was more like a professional craftsman who leaves their mark in places that cannot be seen.

Due to this, Shinbo has said that Miyamoto is a director whose work often exceeds his expectations.

Shinbo himself likes to cut the space between dialogue when characters talk, though he mentioned that Miyamoto seems to cut dialogue pauses more than Shinbo to a point that the silence between characters talking is close to zero.

Miyamoto said that it's like characters who have already started thinking of a response to the person who is actively talking, and thus begin speaking either directly after the person talking has stopped or interrupting their speech entirely.

Miyamoto is married and has a who was child born near the end of production of the Kizumonogatari trilogy.

When his wife was in labor, Miyamoto was at the hospital and continued to text with Shaft's producers and staff regarding the film; and the director, Tatsuya Oishi, joked that Miyamoto should name them "Nekketsu" (after the second film in the trilogy, which Miyamoto was in charge of as unit director).

Highlights roles with series directorial duties.

Highlights roles with series directorial duties.

Highlights roles with film directorial duties.

Highlights roles with major directorial duties.