Age, Biography and Wiki

Yu Feng was born on 25 July, 1916 in Beijing, is an A 20th-century chinese painter. Discover Yu Feng's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 91 years old?

Popular As N/A
Occupation N/A
Age 91 years old
Zodiac Sign Leo
Born 25 July 1916
Birthday 25 July
Birthplace Beijing
Date of death 2007
Died Place N/A
Nationality China

We recommend you to check the complete list of Famous People born on 25 July. She is a member of famous Painter with the age 91 years old group.

Yu Feng Height, Weight & Measurements

At 91 years old, Yu Feng height not available right now. We will update Yu Feng's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Who Is Yu Feng's Husband?

Her husband is Huang Miaozi

Family
Parents Not Available
Husband Huang Miaozi
Sibling Not Available
Children Not Available

Yu Feng Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Yu Feng worth at the age of 91 years old? Yu Feng’s income source is mostly from being a successful Painter. She is from China. We have estimated Yu Feng's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Painter

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Timeline

1916

Yu Feng (July 25, 1916 – ) was a Chinese painter, cartoonist, and fashion designer.

She and Liang Baibo were China's first female cartoonists.

Her husband was the artist Huang Miaozi.

Yu Feng was born on July 25, 1916, in Beijing, the daughter of magistrate Yu Hua (郁華).

Her uncle was the famed writer Yu Dafu.

She graduated from the Central Academy of Fine Arts in Beijing.

She later studied under painter Pan Yuliang.

1929

Her cartooning career began in 1929 or 1930 with her first cartoon, an Aubrey Beardsley-influenced work, in Shanghai Manhua ("Shanghai Sketch").

In Shanghai she married fellow Shanghai Manhua artist Huang Miaozi.

1930

Throughout the 1930s, she continued to draw cartoons for magazines like the English-language Zhongguo Zhisheng ("Voice of China") and Jiuwang Ribao ("National Salvation Daily").

1938

One example of her wartime work is the 1938 cartoon "Let the Gunfire of National Salvation Smash This Pair of Shackles", which depicts both nationalistic and gender liberation with its woman breaking the chains of shackles.

1940

Beginning in the early 1940s, Yu Feng and Huang Miaozi were part of a group of artists, writers, and other cultural figures in Shanghai and Chongqing later known as "The Layabouts Lodge" (Erliu Tang 二流堂).

1955

In 1955, Yu Feng was deputy editor of the magazine Xin Guancha ("New Observer") when it held a fourm on the future of Chinese fashion.

Yu Feng was placed in charge of a national campaign for "dress reform", focusing on matters such as economic frugality, traditional folk dress, and national identity.

1966

During the Cultural Revolution of 1966 to 1976, the members of the Layabouts Lodge were denounced and many were imprisoned.

Yu Feng and Huang Miaozi were imprisoned separately for seven years.

Yu Feng made paintings out of readily available materials like toilet paper, soap, and candy wrappers.

Both artists were politically rehabilitated after the Cultural Revolution and continued to exhibit art in China and throughout the world.

1989

After the Tiananmen Square Massacre in 1989, Yu Feng and Huang Miaozi moved to Brisbane and became Australian citizens, but the couple later returned to China.

2007

Their families had different political orientations and she was taller than him, but they remained married for over sixty years until her death in 2007.

Yu Feng died in 2007.

2011

In 2011, the Selected Essays of Yu Feng was published, which contained articles reflecting on her work in cartooning, art, and fashion.