Yolanda Pantin

Yolanda Pantin (born 1954) is a Venezuelan author who has mainly written poetry, although she has also worked in children's literature.

Born in Caracas, the eldest of eleven siblings, she spent her childhood in Turmero, Aragua.

There, she studied arts at the Escuela de Artes Plásticas (renamed, Escuela de Artes Visuales Rafael Monasterios).

In 1974, she returned to Caracas to study literature at Andrés Bello Catholic University (UCAB).

Pantin, who is included in the literary generation of 1978, founded that year the university group "Rastros".

Her first texts appeared in the magazine, which she herself illustrated.

In 1979, she joined the literary workshop "Calicanto", directed by the writer Antonia Palacios, where she rubbed shoulders with various writers of her generation.

The following year, she won an honorable mention in the Francisco Lazo Martí award with Casa o lobo, her first collection of poems, which would be published in 1981 by Monte Ávila Editores.

In 1981, she left Calicanto and co-founded Grupo Tráfico, which broke with and questioned the nocturnal poetic approaches that prevailed in Venezuela at that time.

Tráfico published a literary manifesto that criticized the poetic canons they considered outdated, which had a wide repercussion and promoted aesthetic renovation.

In 1986, the Consejo Nacional de la Cultura awarded Pantin a creative scholarship to promote her literary projects.

She also worked as a cultural journalist for the weekly Número and as co-editor of Qué Pasa.

In 1989, she was one of the founders of the publishing house Pequeña Venecia, which publishes poetry.

In 1990, with Santos López, she created the "Casa de la Poesía Foundation".

Pantin has been invited to book fairs and poetry festivals including the First Poetry Biennial (1991) in Val-de-Marne, France, and the Moscow Poetry Biennial (2019).

In 2001, the María Lionza statue in Caracas was the inspiration for Pantin's poem "The pelvic bone"; in the poem, the narrator travels into Caracas for a protest and sees the statue.

The image of the pelvis – its "most notable feature" – stays in the narrator's mind, and the poem goes on to address the statue directly.

There, a selection of images she took in 2008 while making the Trans-Siberian route could be seen.

Fond of photography, Pantin participated in the Dedicatorias exhibition held at the Fundación La Poeteca in 2019.