Age, Biography and Wiki
Wim Vandekeybus was born on 30 June, 1963 in Herenthout, Belgium, is an A belgian male dancer. Discover Wim Vandekeybus's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 60 years old?
| Popular As |
N/A |
| Occupation |
N/A |
| Age |
60 years old |
| Zodiac Sign |
Cancer |
| Born |
30 June 1963 |
| Birthday |
30 June |
| Birthplace |
Herenthout, Belgium |
| Nationality |
Belgium
|
We recommend you to check the complete list of Famous People born on 30 June.
He is a member of famous dancer with the age 60 years old group.
Wim Vandekeybus Height, Weight & Measurements
At 60 years old, Wim Vandekeybus height not available right now. We will update Wim Vandekeybus's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
| Family |
| Parents |
Not Available |
| Wife |
Not Available |
| Sibling |
Not Available |
| Children |
Fernando Vandekeybus, Iago Vandekeybus |
Wim Vandekeybus Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Wim Vandekeybus worth at the age of 60 years old? Wim Vandekeybus’s income source is mostly from being a successful dancer. He is from Belgium. We have estimated Wim Vandekeybus's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
dancer |
Wim Vandekeybus Social Network
Timeline
Wim Vandekeybus (Herenthout, 30 June 1963) is a Belgian choreographer, director and photographer.
His company Ultima Vez is located in Sint-Jans-Molenbeek (Brussels).
Together with Jan Fabre, Alain Platel and Anne Teresa De Keersmaeker, Wim Vandekeybus has been responsible for the Flemish Wave in contemporary dance in the 80's. He made over thirty international dance and theater productions and almost as many movies and video works.
After graduating high school, he briefly studied Psychology in KU Leuven in Leuven, Belgium.
But later on, however, he decided to pursue a different path.
After a workshop with Paul Peyskens he came in contact with theater.
He followed through with various dance workshops (including tango and contemporary dance) and focused on film and photography.
After auditioning for Jan Fabre’s The Power of Theatrical Madness in 1985, Wim Vandekeybus spent two years travelling the world as one of the play’s two naked kings.
In 1986 he withdrew to Madrid for several months with a group of novice dancers to work on his first show and to launch his company Ultima Vez.
His first show What the Body Does Not Remember premiered in June 1987 at the Toneelschuur in Haarlem (the Netherlands).
The performance won a Bessie Award in 1988 in New York.
A residency in 1989 at the Centre National de Danse Contemporaine d'Angers resulted in Les porteuses de mauvaises nouvelles, which earned Vandekeybus a second Bessie Award.
Although Vandekeybus' signature resides first and foremost in the physical material, Ultima Vez’ early shows already reveal the rudimentary outlines of a narrative, for example in the opposition between men and women.
How people react in unfamiliar situations or marginal positions has always fascinated Vandekeybus.
He has often sought to collaborate with other artists but also to work with non-artists as well as with dancers and performers of all ages and from a range of backgrounds.
Vandekeybus’ search for novelty and innovation is a constant in his work, but throughout his very different productions he has always remained true to the idiom of movement.
Key elements of his oeuvre are tension and conflict, the body/mind dichotomy, risks and impulses as well as physicality, passion, intuition and instinct.
However, each element is tackled differently in his shows.
