Age, Biography and Wiki
William Anastasi was born on 11 August, 1933 in United States, is an American visual artist (1933–2023). Discover William Anastasi's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 90 years old?
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| Occupation |
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| Age |
90 years old |
| Zodiac Sign |
Leo |
| Born |
11 August 1933 |
| Birthday |
11 August |
| Birthplace |
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| Date of death |
27 November, 2023 |
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| Nationality |
United States
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We recommend you to check the complete list of Famous People born on 11 August.
He is a member of famous artist with the age 90 years old group.
William Anastasi Height, Weight & Measurements
At 90 years old, William Anastasi height not available right now. We will update William Anastasi's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Not Available |
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Not Available |
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Not Available |
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Not Available |
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Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Not Available |
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Not Available |
| Sibling |
Not Available |
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Not Available |
William Anastasi Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is William Anastasi worth at the age of 90 years old? William Anastasi’s income source is mostly from being a successful artist. He is from United States. We have estimated William Anastasi's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
artist |
William Anastasi Social Network
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Timeline
William Anastasi (August 11, 1933 – November 27, 2023) was an American visual artist working in a wide range of media including drawing, painting, sculpture, photographic works, and text.
William Anastasi was born in Philadelphia, Pennsylvania, on August 11, 1933.
He lived and worked in New York City from the early 1960s and was known as "one of the most underrated conceptual artists of his generation".
Early works of his such as Relief (1961) and Issue (1966) incorporate the use of industrial and construction materials.
His works are held by the Metropolitan Museum of Art, the Museum of Modern Art, the Guggenheim Museum, the Whitney Museum, the Walker Art Center, the National Gallery of Art, and the Art Institute of Chicago.
His first solo exhibition took place in 1964 at the Betty Parsons gallery following a chance meeting with Philip Guston who recommended his work to Parsons.
Following this he had a number of exhibition at the Dwan Gallery from 1965 to 1970.
In his early career, Anastasi was largely influenced by Marcel Duchamp, whose work he first saw at the Philadelphia Museum of Art during his teens.
His work was predominantly abstract and conceptual.
In his early career, Anastasi was largely influenced by Marcel Duchamp, who inspired his shows at the Dwan Gallery from 1965 to 1970.
Anastasi was a close friend of composer John Cage whom he first met in 1965 when Cage heard that Anastasi was preparing an exhibition titled 'Sound Objects' and was interested in learning more.
In 1977 Cage and Anastasi began playing chess daily Anastasi wrote the memoir The Cage Dialogues about their friendship.
William Anastasi died on November 27, 2023, at the age of 90.
In 2007, he took part in the artistic performance "Blind Date" at the White Box Gallery in New York City.
In the performance, he and fellow artist Lucio Pozzi both drew dozens of artistic pieces blindfolded in an 8-hour-long artistic duel.
In 2010 Anastasi was awarded the Foundation for Contemporary Arts, John Cage Award, an unrestricted grant awarded biennially.
Currently exhibited works by Anastasi include "Nine Polaroid Photographs of a Mirror" at the Metropolitan Museum of Art.
