Will Munro

William Grant Munro (February 11, 1975 – May 21, 2010) was a Toronto artist, club promoter, and restaurateur known for his work as a community builder among disparate Toronto groups.

As a visual artist, he was known for fashioning artistic works out of underwear; as a club promoter, he was best known for his long-running Toronto queer club night, Vazaleen.

Will Munro was born in Sydney, Australia in 1975.

Later that year his family moved to Canada, just outside Montreal, and then lived in Mississauga, Ontario from 1980 onwards.

Despite his involvement in nightclub events, Munro did not consume alcohol or recreational drugs.

He was a vegan from a young age.

For many years, he volunteered as a peer counsellor at the Toronto Lesbian Gay Bi Trans Youth Line, where an annual award was established in his honour after his death.

In 1997, his first show involving underwear was held in a gallery supported by his college.

The show received publicity after conservative columnist Michael Coren, in the Toronto Sun and on the radio, criticized Munro and his show, in particular for having said that it involved "boys' underwear" (although Munro had simply meant guys' underwear).

Coren asked the public to bring dirty diapers to the exhibit, but no one did.

Munro went on to have many showings of his underwear art, mostly "rescued" from second-hand Goodwill clothing outlets, including at Who's Emma, HEADspace, and Paul Petro Contemporary Art.

Born in Australia, Munro grew up mostly in Mississauga, Ontario, Canada, and moved to nearby Toronto to study at OCAD University, graduating in 2000.

Influenced by such artists as General Idea and the queercore movement, he received critical attention for his work with men's underwear, a medium he used eventually to create collages of colourful performers he admired such as Klaus Nomi and Leigh Bowery.

He created silkscreen posters to advertise Vazaleen—his monthly nightclub party that was unusual for being a queer event where punk and other rock music was prominently played, and for being one of the first to exist beyond the confines of the gay ghetto.

The party was known for attracting a diverse crowd, and at its peak brought in such performers as Nina Hagen; international "best-of" nightclub lists took notice.

Actor Selma Blair bought one of Munro's underwear works when she was in town for the 2004 Toronto International Film Festival.

Munro's influences included the work of General Idea, and the queercore movement.

Speaking about the confluence of his music events and his art, Munro said in 2004, "This is where the music scene and gay underground come together. We're at a time when all kinds of shifts are happening. The structure of artists' galleries are changing. Magazines are changing. There's more different kinds of artist activity that's happening. All this is having an impact on my visual work. And my visual work is more and more going into performance."

Galleries exhibiting his work have included Art in General, in New York City, Confederation Centre Art Gallery in Charlottetown, and Toronto galleries Zsa Zsa, Mercer Union, YYZ Artists' Outlet, Paul Petro Contemporary Art, and the Art Gallery of York University.

Munro was diagnosed with brain cancer and underwent surgery to remove a tumour in 2008.

A second surgery was performed in October 2009.

Munro died of a spinal cord infection caused by brain cancer in May 2010.

Posthumous exhibits of his art work included a 2010 show at the Art Gallery of Ontario, and in 2011 he was the first male artist to be featured in the feminist Montreal art gallery La Centrale.

He entered into palliative care in April 2010, and died on May 21, 2010.

Munro moved from Mississauga to Toronto after high school, to attend OCAD University.

From early on in his career, his signature medium was pastiche work with men's underwear.

The origins of this work date back to his Intro to Sculpture class at OCAD, where his professor asked the students to "bring a special object to class that isn't really functional, but is special to you."

Munro had long had an affinity for special underwear, ever since his mother had refused to buy him Underoos superhero underwear when he was a child; regarding white briefs, he said, "They were clinical and sterile. They weren't very sexy. It just felt very repressed. I wanted Underoos so bad."

For the sculpture class, Munro decided to bring in a pair of underwear that he had stolen from a high school friend on whom he had a crush.

He put the grey underwear on display in a Plexiglass cage, complete with air holes.

In his subsequent work he decided to use white briefs as a medium "because they were so accessible."

The summer after his sculpture class, to keep himself busy on a road trip, he made a quilt out of white underwear.

Munro was named on the longlist of finalists for the Sobey Art Award in 2010.

A posthumous exhibit of his work, "Total Eclipse", was presented at the Art Gallery of Ontario in 2010.

Works included collages, made from underwear, that depict Klaus Nomi and Leigh Bowery, both of whom Munro admired.

Reviewing the show in Canadian Art, critic Sholem Krishtalka wrote that Munro's work is "insistent on the necessity of self-made culture and buttressed by an encyclopedic knowledge of queer underground cultural history."

Other posthumous exhibitions of his work include a 2011 show at the feminist La Centrale gallery in Montreal—a first for a male artist in that space—and in 2012 a major retrospective at the Art Gallery of York University.

Munro started the monthly party Vaseline (later renamed Vazaleen) in Toronto at a time when most gay clubs featured house music or other types of dance music.

His hope was to draw a more diverse crowd: he said at the time, "I'd like to do something that'll encompass all the freaks out there, myself included."

In addition to its stereotype-countering incorporation of punk and other rock music, his club night was also noted to be unusual for being located outside of the Church and Wellesley gay neighbourhood.