Weyes Blood

At the age of 15, Mering began using The Moniker Wise Blood (a reference to the 1952 Flannery O'Connor novel) to write songs.

She changed to Weyes Bluhd on several self-released records before changing the spelling to Weyes Blood.

After finishing high school, Mering relocated to Portland, Oregon to attend Lewis & Clark College, where she majored in music and had a radio show on the campus radio station.

However, Mering dropped out after her first year of studies.

She subsequently began touring the underground music scene, performing as a bassist in the Portland-based band Jackie-O Motherfucker and playing keyboards and singing with noise rock band Satanized.

Her father, Sumner Mering, is a musician and guitarist who was in the Los Angeles new wave band Sumner in the late 1970s.

Natalie Laura Mering (born June 11, 1988), known professionally as Weyes Blood (pronounced ), is an American singer, songwriter, and musician.

She was primarily raised in Doylestown, Pennsylvania.

Natalie Laura Mering was born on June 11, 1988, in Santa Monica, California, into a deeply religious born again Pentecostal Christian family.

Commenting on her upbringing, Mering said: "I was raised in a real spiritual, Bible Belt household. So I developed my own cynicism because there are always things in the Bible that really bum me out.... I became really obsessed with the Kids in the Hall as a kid, and they had Scott Thompson, who's like the one gay member. I remember having this feeling that 'Oh, Scott Thompson isn't going to heaven? How could that be?' That was my first big tipoff that something wasn't quite right with dogmatic Christianity. And then I was just trying to undo it at the age of 12."

Mering's family moved several times throughout her childhood; she spent her early life in Scotts Valley, California before they settled in Doylestown, Pennsylvania in 1999, where she attended high school.

Both her older brothers and parents are musicians and music played an important part in her upbringing.

She has been performing her own material under variations of the name Weyes Blood since 2003.

Mering's career began with her early involvement in the underground noise music scene and tenure as a member bassist of the Portland, Oregon-based experimental rock group Jackie-O Motherfucker and singer for the band Satanized.

As Weyes Bluhd she released three self-released solo albums exploring softer pop and folk sounds before adopting the alternate moniker Weyes Blood to release The Outside Room (2011) on micro-label Not Not Fun Records.

In 2011, she released her debut studio album The Outside Room as Weyes Blood and the Dark Juices on Not Not Fun Records.

She then signed a recording contract with independent label Mexican Summer, releasing The Innocents (2014) and Front Row Seat to Earth (2016).

Uncut magazine described the album as devotional and ethereal, but with an edge", while Beatbots found it "an impressive and ambitious album". Mering released her second studio album in October 2014 called The Innocents,'' which was released through Mexican Summer. It was recorded in rural Pennsylvania, Mering's apartment and Gary's Electric Studio in Greenpoint, Brooklyn. It included contributions by Jacob Brunner (drums) and James Strong (bass). Mering described the theme of the album as being "about my first real relationship that went really awry."

After the album's release, Mering relocated from New York to Los Angeles, California.

She commented: "I was in New York alone: no friends, no money, no record deal at the time. Literally I had nothing."

In 2016, she released her third studio album Front Row Seat to Earth, on Mexican Summer to critical acclaim, and toured throughout Europe and the States.

NPR wrote that the album reexamines "intimacy and idealism in ways that showcase Mering's gift for measuring and mediating heady emotions."

Mering stated the songs on the album were largely inspired by the isolation she felt while living in New York.

She released her fourth studio album, Titanic Rising (2019) on Sub Pop, to universal critical acclaim.

Her fifth studio album, And in the Darkness, Hearts Aglow, was released on Sub Pop on November 18, 2022 to further acclaim.

On February 12, 2019, a new studio album titled Titanic Rising was announced and available to pre-order on her website, along with dates of her upcoming tour.

The album was released by Sub Pop on April 5, 2019 to critical acclaim.

Mering describes Titanic Rising as "The Kinks meet WWII or Bob Seger meets Enya."

Other influences include Kate Bush and Karen Carpenter of the Carpenters.

Titanic Rising is described as a record about romantic disappointment, damaged reality, and finding hope.

The record received high placements on year-end and decade-end lists from publications such as Pitchfork, Uproxx, Paste, Uncut, Dazed, The Guardian, and NPR.

On July 16, 2019, she had her TV debut on Late Night with Seth Meyers, where she performed her single "Everyday" from Titanic Rising.

Live performance highlights include sold-out tours in the US and Europe, as well as opening for Kacey Musgraves in the fall of 2019 and singing with Lana Del Rey at the Hollywood Bowl.

Mering was heavily involved in the 2020 Tim Heidecker concept album Fear of Death, singing on all twelve tracks, co-writing two and receiving a co-producer credit.

She received wider attention when she featured (along with Zella Day) on the closing track of the 2021 Lana Del Rey studio album Chemtrails over the Country Club, a cover of the Joni Mitchell song "For Free".

On October 29, 2020, she helped canvass for the Democratic Socialists of America.

On September 12, 2022, Mering announced her fifth studio album And in the Darkness, Hearts Aglow would be released on November 18, 2022, and released its lead single "It's Not Just Me, It's Everybody" the same day.

In promotion of the album she will embark on the In Holy Flux Tour across North America and Europe in 2023.

The second single, "Grapevine", followed on October 11, 2022.

Upon its release, the album received critical acclaim, aggregating a weighted average score of 88 on Metacritic based on 24 critic reviews.