Age, Biography and Wiki

Vittorio Storaro was born on 24 June, 1940 in Rome, Lazio, Italy, is a cinematographer,camera_department,actor. Discover Vittorio Storaro's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 84 years old?

Popular As N/A
Occupation cinematographer,camera_department,actor
Age 84 years old
Zodiac Sign Cancer
Born 24 June 1940
Birthday 24 June
Birthplace Rome, Lazio, Italy
Nationality Italy

We recommend you to check the complete list of Famous People born on 24 June. He is a member of famous Cinematographer with the age 84 years old group.

Vittorio Storaro Height, Weight & Measurements

At 84 years old, Vittorio Storaro height not available right now. We will update Vittorio Storaro's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
Parents Not Available
Wife Not Available
Sibling Not Available
Children Not Available

Vittorio Storaro Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Vittorio Storaro worth at the age of 84 years old? Vittorio Storaro’s income source is mostly from being a successful Cinematographer. He is from Italy. We have estimated Vittorio Storaro's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Cinematographer

Vittorio Storaro Social Network

Instagram
Linkedin
Twitter
Facebook
Wikipedia
Imdb

Timeline

1940

He was born on June 24, 1940 in Rome, where his father was a projectionist at the Lux Film Studio. At the age of 11, he began studying photography at a technical school. He enrolled at C. I. A. C (Italian Cinemagraphic Training Centre) and subsequently continued his education at the state cinematography school Centro Sperimentale di Cinematografia. When he enrolled at the school at the age of 18, he was one of its youngest students ever. At the age of 20, he was employed as an assistant cameraman and was promoted to camera operator within a year. Storaro spent several years visiting galleries and studying the works of great painters, writers, musicians and other artists.

1966

In 1966, he went back to work as an assistant cameraman on Before the revolution (1964), one of the first films directed by Bernardo Bertolucci.

1968

Storaro earned his first credit as a cinematographer in 1968 for "Giovinezza, giovinezza".

1970

His third film was "The Spider's Stratagem (1970)" which began his long collaboration with Bertolucci.

He also shot "The Conformist (1970)", "Last Tango in Paris (1972)", "Luna (1979)", "The Sheltering Sky (1990)_", "Little Buddha (1993)," for Bertolucci.

1972

Storaro originally had been reluctant to take the assignment as he considered Gordon Willis to be Coppola's cinematographer, but Coppola wanted him, possibly because of his having shot "Last Tango in Paris (1972), which had starred Marlon Brando. Brando's performance in the film had been semi-improvised, and Coppola has planned on a similar tack for his scenes in the jungle with Brando's character Colonel Kurtz.

1979

Vittorio Storaro, the award-winning cinematographer who won Oscars for "Apocalypse Now (1979)", "Reds (1981)" and "The Last Emperor (1987)".

He won his first Oscar for the cinematography of "Apocalypse Now (1979)", for which director Francis Ford Coppola gave him free rein to design the visual look of the picture.

1981

He won his second Oscar as the director of photography on Warren Beatty's "Reds (1981)" and subsequently shot "Dick Tracy (1990)" and "Bulworth (1998)" for Beatty He won his third Oscar as the director of photography on Bertolucci's Best Picture Academy Award-winner "The Last Emperor (1987)". "All great films are a resolution of a conflict between darkness and light," Storaro says. "There is no single right way to express yourself. There are infinite possibilities for the use of light with shadows and colors. The decisions you make about composition, movement and the countless combinations of these and other variables is what makes it an art. "According to Storaro, "Some people will tell you that technology will make it easier for one person to make a movie alone but cinema is not an individual art. " Storaro disagrees. "It takes many people to make a movie. You can call them collaborators or co-authors. There is a common intelligence. The cinema never has the reality of a painting or a photograph because you make decisions about what the audience should see, hear and how it is presented to them. You make choices which super-impose your own interpretations of reality. "Storaro believes that, "It is our obligation to defend the audiences' rights to see the images and to hear the sounds the way we have expressed ourselves as artists,".

1986

The results of their collaboration were masterful, and he later shot the 3-D short "Captain EO (1986)", the feature films "One from the Heart (1981)" and "Tucker: The Man and His Dream (1988)," and the "Life without Zoe" segment of "New York Stories (1989)" for Coppola.

1987

Member of the 'Official Competition' jury at the 44th Venice International Film Festival in 1987.

1991

Member of the 'Official Competition' jury at the 44th Cannes International Film Festival in 1991.