Age, Biography and Wiki
Tsuneko Taniuchi was born on 1946 in Nishinomiya, Hyôgo, Japan, is a Japanese artist (born 1946). Discover Tsuneko Taniuchi's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 78 years old?
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| Age |
78 years old |
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1946 |
| Birthday |
1946 |
| Birthplace |
Nishinomiya, Hyôgo, Japan |
| Nationality |
Japan
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We recommend you to check the complete list of Famous People born on 1946.
She is a member of famous artist with the age 78 years old group.
Tsuneko Taniuchi Height, Weight & Measurements
At 78 years old, Tsuneko Taniuchi height not available right now. We will update Tsuneko Taniuchi's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Not Available |
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Not Available |
Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
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Not Available |
Tsuneko Taniuchi Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Tsuneko Taniuchi worth at the age of 78 years old? Tsuneko Taniuchi’s income source is mostly from being a successful artist. She is from Japan. We have estimated Tsuneko Taniuchi's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
artist |
Tsuneko Taniuchi Social Network
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Timeline
Tsuneko Taniuchi (谷内恒子 Taniuchi Tsuneko), born in Nishinomiya, Hyōgo, Japan, in 1946, is a contemporary artist, who uses performance as her main medium.
Her practice, which oscillates between scripted situations and participatory works, aims to question cultural, social, and sexual constructions, linked to notions of identity, immigrations, and feminism.
After studying 20th-century Western art history and sociology at Kobe Jogakuin, Japan, Tsuneko Taniuchi studied at the Beaux-Arts de Paris (France) for two years between (1970–1972).
From 1983 to 1987, she travelled extensively between New York, Paris, and Japan (Kobe, Tokyo), before settling permanently in France in 1987.
Her early works focused first on paintings, and then on installations, including photographs, and videos.
In 1995, she began her performance work, which she sees as a series of "micro-events."
This term refers to the personal dimension of her actions, in relation to contemporary society and politics, in which she is generally the main performer alone or she directs a team of often female dancers, performers, actors, etc. The situations she sets up are the result of an intersection between the viewer, the art work and the artist with political and social questioning.
A selection of her performance series of her micro-events from 1995 to 2010, were exhibited at Le Générateur in 2011.
The exhibition was conceived as a retrospective of the forty-one micro-events, created since 1995.
The event combined the staging of previous performances reactivated by the artist and by women dancers/performers, narrations by actors of certain micro-events, and the exhibitions of video archives.
A monograph was also devoted to this series, distributed by R-Diffusion.
She has repeatedly questioned the role and image of women in contemporary society, through a practice of disguise that take in socially determined contexts, as is the case with her performance "Micro-Event n°45 /Six Female Characters + A Women / Seven days" where she played the female roles of waitress, boxer, gymnast, homeless woman, Ganguro, and Ninja.
More recently, her work has involved other performers—dancers, actors— around themes related to multiculturalism, postcolonialism and intersectional feminism.
Since 2002, the date France adopted the PACS - Civil Solidarity Pact, allowing same-sex couples to embrace a form of union close to civil marriage, Taniuchi has developed a new series of Micro-Events called "Micro-Events/Weddings."
Their aim is to question, through a variation of contexts, the social norms surrounding marriage; to this date, she has "married" more than two hundred ninety people, men, women, all sexes and genders, and sometimes with several people at once.
