Age, Biography and Wiki

Tony Azito (Antonio Zito) was born on 18 July, 1948 in New York, NY, is an American actor and dancer (1948–1995). Discover Tony Azito's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 47 years old?

Popular As Antonio Zito
Occupation actor,soundtrack
Age 47 years old
Zodiac Sign Cancer
Born 18 July 1948
Birthday 18 July
Birthplace New York, NY
Date of death 26 May, 1995
Died Place Manhattan, New York, NY
Nationality United States

We recommend you to check the complete list of Famous People born on 18 July. He is a member of famous Actor with the age 47 years old group.

Tony Azito Height, Weight & Measurements

At 47 years old, Tony Azito height is 6' 3" (1.91 m) .

Physical Status
Height 6' 3" (1.91 m)
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
Parents Not Available
Wife Not Available
Sibling Not Available
Children Not Available

Tony Azito Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Tony Azito worth at the age of 47 years old? Tony Azito’s income source is mostly from being a successful Actor. He is from United States. We have estimated Tony Azito's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Actor

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Timeline

1948

Tony Azito (born Antonio Zito; July 18, 1948 – May 26, 1995) was an American eccentric dancer and character actor.

He was best known for comedic and grotesque parts, which were accentuated by his hyperextended body.

1968

Azito was part of the Juilliard School's Group I, the first students admitted to the drama division directed by John Houseman in 1968.

His classmates included Patti LuPone and Kevin Kline.

Soon after arriving at Juilliard, Azito became influenced by choreographer Anna Sokolow and began studying modern dance.

At 6'3" (190 cm), he was an unusual candidate for dance training. Azito's younger brother, Arturo Azito, was a dancer and performed with Eliot Feld and the Boston Ballet.

His interest in dance aggravated Houseman, who was anxious about the number of gay men in Group I and had already clashed with Azito over a cross-dressing incident.

Partially as a result of this conflict with Houseman, Azito left Juilliard without finishing a degree and spent two years performing in Sokolow's company as Antonio Azito.

1970

Returning to drama in the mid-1970s, Azito began working in off-Broadway and off-off-Broadway theater.

Carmilla featured music by Ben Johnston and was part of the company's repertoire throughout the early 1970s.

1971

In 1971, he performed in The Red, White, and Black at La MaMa, directed by John Dillon and written by Eric Bentley with music by Brad Burg.

The show was co-produced by La MaMa and the Columbia University School of the Arts Theatre Division.

1973

He then appeared in Leach and John Braswell's 1973 production of Carmilla with the E.T.C. Company of La MaMa.

He also did tech for Jeffrey Weiss' Pushover at La MaMa and appeared in La MaMa's "Christmas fete for children of all ages", ...And All the Trimmings, written by Bernard Roth and directed by William Duffy in 1973.

1974

In 1974, he appeared in Nancy Fales' Ark, with music by Sonelius Smith and directed by Ralph Lee at La MaMa.

He also appeared in Nancy Heikin's Frame, which was produced by La MaMa at the Washington Square Church (135 W. 4th St.) in 1974.

He appeared with the E.T.C. Company of La MaMa in Wilford Leach's C.O.R.F.A.X. (Don't Ask) at La MaMa in early 1974, then toured the show in Europe with the company later that same year.

1975

In 1975, Azito was featured in the Cotton Club Gala, with music by Aaron Bell.

1976

He reprised his role in Carmilla at La MaMa in 1976.

Azito made his Broadway debut in Richard Foreman's 1976 revival of The Threepenny Opera for the New York Shakespeare Festival, in a dancing role ("Samuel") created especially for him.

Critics were intrigued by what soon became Azito's style of dance, which made him look like a somewhat off-kilter marionette and was accompanied by stylized facial expressions.

An interviewer once described Azito as "a bit like Buster Keaton injected with Silly Putty."

1977

This production also began Azito's association with Joseph Papp's New York Shakespeare Festival, which continued with another Brecht-Weill musical, Happy End (1977).

1980

Azito's best-known stage role was in a third production for the New York Shakespeare Festival, as the Sergeant of Police in the 1980 Broadway revival of The Pirates of Penzance, starring Linda Ronstadt and Kevin Kline.

He also appeared in Union City (1980) with Debbie Harry, Woody Allen's Stardust Memories (1980), Chattanooga Choo Choo (1984), Private Resort (1985) with Rob Morrow and Johnny Depp, Moonstruck (1987) with Cher, Bloodhounds of Broadway (1989) with Madonna, and played the lead in the 1976 cult film Apple Pie.

1983

His performance earned him a Tony Award nomination and a Drama Desk Award, and he reprised the role in the 1983 film adaptation directed by Leach.

1986

He then played Feste in the New York Shakespeare Festival production of Twelfth Night directed by Leach in 1986.

He went on to perform at Radio City Music Hall, the Mark Taper Forum, and in the American National Theater company at the Kennedy Center.

Azito's final Broadway role was in The Mystery of Edwin Drood, also directed by Leach.

While in the touring company for The Mystery of Edwin Drood, both of Azito's legs were badly broken when he was hit by a cab.

It took a few years for Azito to get back on his feet.

He went on to perform in a summer stock revival of She Loves Me in Stockbridge, Massachusetts and in productions of Tom Stoppard's Travesties and the musical Amphigorey.

Azito's most memorable film role was the Police Sergeant in The Pirates of Penzance.

1988

He quickly began working with the director Wilford Leach, who would be one of Azito's most frequent employers until Leach's death in 1988.

He performed in a number of productions at La MaMa Experimental Theatre Club, where Leach was artistic director.

1991

He also had a cameo as one of the party dancers in The Addams Family (1991).

On television, he appeared on episodes of Miami Vice, The Equalizer, and Beacon Hill.

1993

Azito's final film role was the Librarian in H.P. Lovecraft's: Necronomicon (1993).

1994

Azito continued performing in regional theater and the occasional film until 1994.

1995

He died of HIV/AIDS on May 27, 1995, at Saint Vincent's Catholic Medical Center in Manhattan, New York City, at age 46.