Age, Biography and Wiki
Tina Barton was born on 1958, is a New Zealand art historian and curator. Discover Tina Barton's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 66 years old?
Popular As |
N/A |
Occupation |
N/A |
Age |
66 years old |
Zodiac Sign |
N/A |
Born |
|
Birthday |
|
Birthplace |
N/A |
Nationality |
|
We recommend you to check the complete list of Famous People born on .
She is a member of famous historian with the age 66 years old group.
Tina Barton Height, Weight & Measurements
At 66 years old, Tina Barton height not available right now. We will update Tina Barton's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
Physical Status |
Height |
Not Available |
Weight |
Not Available |
Body Measurements |
Not Available |
Eye Color |
Not Available |
Hair Color |
Not Available |
Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
Family |
Parents |
Not Available |
Husband |
Not Available |
Sibling |
Not Available |
Children |
Not Available |
Tina Barton Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Tina Barton worth at the age of 66 years old? Tina Barton’s income source is mostly from being a successful historian. She is from . We have estimated Tina Barton's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
historian |
Tina Barton Social Network
Timeline
Christina Joy Barton (born 1958), known as Tina Barton, is a New Zealand art historian, curator, art writer and editor.
Her thesis topic was the history of post-object art in New Zealand between 1969 and 1979.
She was awarded a Higher Doctorate for her published work in art history in 2022.
After completing her MA, Barton joined the Auckland Art Gallery as a research assistant.
The Critic's Part: Wystan Curnow Art Writings 1971–2013 was published by Victoria University Press and described by critic Jill Trevelyan as 'more than a collection of essays: it serves as an insight into the development of New Zealand art, illuminating a period of rapid change'.
She also co-curated, with Deborah Lawlor-Dormer, Alter / Image: Feminism and representation in New Zealand art 1973–1993, an exhibition organised to mark the centennial of women's suffrage in New Zealand.
Barton completed a Masters of Art in art history at the University of Auckland in 1987.
She worked as Assistant Curator at Auckland Art Gallery from 1988 to 1992, and as Curator of Contemporary New Zealand Art at the Museum of New Zealand Te Papa Tongarewa from 1992 to 1994.
During her time at Te Papa Barton curated Art Now, a major survey exhibition of contemporary New Zealand art practice intended to become a biennial event, a hope which did not materialize.
From 1995 to 2007, Barton lectured in the Art History department at Victoria University of Wellington.
During this time she continued to curate exhibitions, including Guests and Foreigners, Rules and Meanings (Te Kore), a major installation by Joseph Kosuth at the then-recently opened Adam Art Gallery at Victoria University.
Barton has worked consistently with Apple; previous exhibitions include The Expatriates: Frances Hodgkins and Barrie Bates in 2004 and Billy Apply: New York 1969–1973 in 2009, both at the Adam Art Gallery.
In the 2021 New Year Honours, Barton was appointed a Member of the New Zealand Order of Merit, for services to art history and curation.
She was director of the Adam Art Gallery between 2007 and 2023.
Barton was appointed director of the Adam Art Gallery in April 2007.
Significant exhibitions she has curated for the gallery include:
In the same year she was a juror for the 2014 Walters Prize.
In 2015, Barton curated Billy Apple®: The Artist Has to Live Like Everybody Else, a survey exhibition of Billy Apple's work for Auckland Art Gallery.