Age, Biography and Wiki
Thomas Zipp was born on 1966 in Heppenheim, West Germany, is a Thomas Zipp is artist based in Berlin artist based in Berlin. Discover Thomas Zipp's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 58 years old?
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58 years old |
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Heppenheim, West Germany |
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Germany
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He is a member of famous artist with the age 58 years old group.
Thomas Zipp Height, Weight & Measurements
At 58 years old, Thomas Zipp height not available right now. We will update Thomas Zipp's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Thomas Zipp Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Thomas Zipp worth at the age of 58 years old? Thomas Zipp’s income source is mostly from being a successful artist. He is from Germany. We have estimated Thomas Zipp's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
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Under Review |
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Thomas Zipp Social Network
Timeline
Thomas Zipp (born 1966, Heppenheim, Germany) is an artist based in Berlin.
Zipp studied at the Städelschule, Frankfurt (with Thomas Bayrle) and the Slade School, London from 1992–1998.
With a palette that favors burnt umber, gray and army green, his dark thinly painted canvases and sculptures often come in a careworn palette of ash white, granite grey and much black.
In music, Zipp teamed up with Felix Weber to produce "Freie Musik" in 2002, first called Nazihipiwelt.
They formed a trio called ZLW-Trio with electronic artist Sepp Löbert.
Next Zipp and Weber founded the band DA ("Dickarsch", meaning fatass in English) in 2006.
The band featured Stefan Branca on guitar, as well as Phillip Zaiser and Kai Erdmann.
DA released the LP Nach Hause in 2007.
The opening nights of Zipp's exhibitions often feature musical performances by the artist and his band.
In his 2008 show "White Dada" at London's Alison Jacques Gallery, Dada-style montages and defaced pictures included a textbook description of electroconvulsive therapy and images of drugs of the medical, non-recreational kind.
Since 2008, Zipp has been a professor at the Berlin University of the Arts.
Zipp's work has been shown work in many exhibitions including “Artforum Berlin”, at Thread Waxing Space in New York City and at Stadtische Galerie Wolfsburg.
Zipp has also shown at galleries and museums such as Tate Modern, London, Transmission Gallery, Glasgow and OTTO, Copenhagen.
He is represented by Galerie Guido W Baudach in Berlin; Alison Jacques Gallery in London; Patricia Low Contemporary in Gstaad; Harris Lieberman in New York; and Patrick Painter and China Art Objects Galleries in Los Angeles.
White Dada, Alison Jacques Gallery, London
Black Pattex 78, Galería Heinrich Ehrhardt, Madrid (cat.)
Is There Life After Death?
a Futuristic World Fair, Museum Dhondt-Daehnens, Deurle / Belgium
Faces, Kunstverein Heppenheim, Heppenheim
The World’s Most Complete Congress Of Strange People, Galerie Guido W. Baudach, Berlin
Mens Agitat Molem (Luther & The Family of Pills), Sammlung Goetz, Munich (cat.)
(White Reformation Co-op) Mens Sana in Corpore Sano, Kunsthalle Fridericianum, Kassel (cat.)
2011 Beyond the Superego, Galerie Krinziger, Vienna
Achtung!: solarized deterritorialization.
insanity against Protestantism (England attacked by the Americas),
Ausstellungsraum Céline und Heiner Bastian, Berlin (cat.)
bilobed flaps, Baronian_Francey, Brussels
The World´s most complete Congress of Ritatin Treatments, Kunstraum Innsbruck, Innsbruck (cat.)
The forbidden Conduct (Deviations in conservative societies), Sommer Contemporary Art, Tel Aviv
2012 England Attacked By The Americas, Kunstverein Oldenburg
Blackout Chambers, L'Arc de Cercle & Dissociative Amnesia, Galerie Guido W. Baudach, Berlin
3 contributions to the theory of mass-aberrations in modern religions, Alison Jaques Gallery, London
2013 Comparative Investigation about the Disposition of the Width of a Circle, 55th International Art Exhibition, La Biennale di Venezia (cat.)
The Pink Noise Diaries, Kaufmann Repetto, Milan
The chips are down, Harris Lieberman Gallery, New York
The paintings' stretchers sometimes extend into legs that might allow them to be carried like banners; some are paired with separately framed photo-based images of bearded 19th-century father figures or skeletons that seem to comment on the paintings.