Age, Biography and Wiki
Tami Katz-Freiman was born on 1955 in Israel, is an American art historian. Discover Tami Katz-Freiman's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 69 years old?
| Popular As |
N/A |
| Occupation |
N/A |
| Age |
69 years old |
| Zodiac Sign |
N/A |
| Born |
|
| Birthday |
|
| Birthplace |
Israel |
| Nationality |
Israel
|
We recommend you to check the complete list of Famous People born on .
She is a member of famous historian with the age 69 years old group.
Tami Katz-Freiman Height, Weight & Measurements
At 69 years old, Tami Katz-Freiman height not available right now. We will update Tami Katz-Freiman's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
| Family |
| Parents |
Not Available |
| Husband |
Not Available |
| Sibling |
Not Available |
| Children |
Not Available |
Tami Katz-Freiman Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Tami Katz-Freiman worth at the age of 69 years old? Tami Katz-Freiman’s income source is mostly from being a successful historian. She is from Israel. We have estimated Tami Katz-Freiman's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
historian |
Tami Katz-Freiman Social Network
Timeline
Tami Katz-Freiman (born 1955, Israel), former Chief Curator of the Haifa Museum of Art, is an art historian, curator and critic, based in Miami, Florida, where she works as an independent curator of contemporary art.
She started her curatorial practice in 1992 and over the years she has curated numerous group and solo exhibitions in prominent museums in Israel and the US, where she lived and worked also between 1994 and 1999.
From 2005-2010 she was the Chief Curator of the HMA (Haifa Museum of Art) in Israel.
In the years 2008-2010 she was teaching Feminism and Contemporary Art at the Department of Art History at the Tel Aviv University and curatorial studies at the International Curatorial Program of the Kalisher School of Art and Technology in Tel Aviv.
In addition to essays for catalogues and books published in conjunction with the exhibitions she has curated, Katz-Freiman has written numerous articles, essays, and reviews addressing various issues in contemporary art.
Tami Katz-Freiman, "Master of Concealments: On the Traps of Appropriations in Jasper Johns’ Work" in: The Beauty of Japheth in the Tents of Shem: Studies in Honour of Mordechai Omer, Assaph 2010, Studies in Art History, Vols.
13-14, Tel Aviv University, pp. 335–351
Tami Katz-Freiman, "Craftsmen in the Factory of Images," from BoysCraft in: The Craft Reader (edited by Glenn Adamson), Berg, Oxford, New York, 2010 pp. 596–605
Tami Katz-Freiman, "'Don’t Touch My Holocaust': Israeli Artists Challenging the Holocaust Taboo", a paper for the International conference: Representing the Holocaust: Practices, Products, Projections, Berman Center of Jewish Studies, Lehigh University, Pennsylvania in: Impossible Images: Contemporary Art After the Holocaust, New York University Press
Tami Katz-Freiman, "Bad Girls: The Israeli Version – Contemporary Women Artists in Israel," in: Jewish Feminism in Israel: Some Contemporary Perspectives (edited by Kaplana Misra and Malanie Rich), Brandeis University Press, New England
From Body Politics to Conflict Politics: Aziz + Cucher Come Out of the (Biography) Closet, an essay for Aziz + Cucher: Some People, The Indianapolis Museum of Art
Critical Mass: Beyond Aesthetics (written with co-curator Rotem Ruff), an essay for Critical Mass: Contemporary Art from India, Tel Aviv Museum of Art
Nature Has No Copyright, an essay for UNNATURAL, Bass Museum of Art
Collecting is a Form of Uprooting – An Encounter Between Self and Object, an essay for Shelf Life (co-curated with Rotem Ruff), Haifa Museum of Art, Israel
Exaggeration is Twice as Real, an essay for Wild Exaggeration: The Grotesque Body in Contemporary Art, Haifa Museum of Art
Craftsmen in the Factory of Images, an essay for BoysCraft, Haifa Museum of Art
The Road to Happiness: On Cultural Conflict, Desire, and Illusion in the Work of Kader Attia, an essay for Kader Attia's monography, Musee d’art contemporain, Lyon
The Industry of Emotions / Or: I Feel, Therefore, I Am, an essay for Mixed Emotions, Haifa Museum of Art
Fatamorgana: The Magic Lantern of Consciousness, an essay for Fatamorgana: Illusion and Deception in Contemporary Art, Haifa Museum of Art
Dancing with Barbed Wire, an essay on Sigalit Landau for Memorials of Identity: New Media from the Rubell Family Collection, Miami
In 2012 she curated two major exhibitions: Critical Mass: Contemporary Art from India for the new wing of the Tel Aviv Museum of Art and UNNATURAL for the Bass Museum of Art, Miami Beach.
She is a board member of AIRIE and a member of IKT and AICA/USA, the International Association of Art Critics.
UNNATURAL, Bass Museum of Art, Miami Beach
Critical Mass: Contemporary Art from India (co-curated with Rotem Ruff), Tel Aviv Museum of Art
Shelf Life (co-curated with Rotem Ruff), Haifa Museum of Art
Wild Exaggeration: The Grotesque Body in Contemporary Art, Haifa Museum of Art
BoysCraft, Haifa Museum of Art (trilogy, part III)
Mixed Emotions, Haifa Museum of Art (trilogy, part I)
Fatamorgana: Illusion and Deception in Contemporary Art, Haifa Museum of Art (trilogy, part II)
Love is in the Air – Time for Love: Images of Romantic Love in Contemporary Israeli Art, Time for Art: Israeli Art Center, Tel Aviv
OverCraft: Obsession, Decoration and Biting Beauty, The Art Gallery, Haifa University, Haifa, Artists House, Tel Aviv
Time Capsule: Contemporary Art and Archaeology, Art in General, New York City
Havana Nagila: Cuba-Israel Dialogue, Chelouche Gallery, Noga Gallery of Contemporary Art, Julie M. Gallery, and the Tel Aviv Artists’ Studios
Mount Miami: American Artists in Tel Aviv, The Tel Aviv Artists’ Studios
Desert Cliché: Israel Now – Local Images (co-curated with Amy Cappellazzo), Arad Museum, Israel; Museum of Art, Ein Harod, Israel; Bass Museum of Art, Miami Beach, Florida; Grey Art Gallery & Study Center of New York University; Nexus Contemporary Art Center, Atlanta; Yerba Buena Center for the Arts, San Francisco
Meta-Sex94: Identity, Body and Sexuality, Museum of Art, Ein Harod, Israel
Antipathos: Black Humor, Irony and Cynicism in Contemporary Israeli Art, The Israel Museum, Jerusalem
Postscipts: “End” Representations in Contemporary Israeli Art, The Genia Schreiber University Art Gallery, Tel Aviv University
